Meaning – Page 2 – Soul Needs

Love is Beauty, Knowledge, Intellection: Abdu’l-Baha, St Augustine and Saul Bellow

Experience needs to be transcendent as well as of the here and now if we are to create teaching that is holistic – that is we have to give kids opportunities to sense the Wholeness as well as the parts. But it doesn’t necessarily have to be within one particular religious context.

Happiness and peace and development would be greatly helped if we recognized that there are many paths to the summit of the hill.

From Christianity, amongst other sources, we learn that ‘God is love’. But what else is love and how does it relate to learning and knowing? Perhaps the following quotations indicate that love (affect) and what we choose to identify with determines, or at least shape, what we come to know. Learning ultimately takes place within a love relationship:

A person is only as good as what they love.” Saul Bellow.

Love revealeth with unfailing and limitless power the mysteries latent in the universe.”
‘Abdu’l-Baha.

Love is the beauty of the soul.” St. Augustine.

“Knowledge is love.” `Abdu’l-Baha.

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All postings to this site relate to the central model in the PhD. Summaries are HERE

Quotations by Tolstoy on ‘What is Art?’

Source

Professor Julie Van Camp placed a large number of quotations by Tolstoy from his What is Art? The first few are presented below. A number of them centre on the relationship between artist, art and ‘receiver’ of the art.

In a previous posting I suggested as a useful definition;

Art is culturally, and personally, significant meaning, skilfully encoded in an affecting, sensuous medium.
(After a definition by Richard Anderson quoted in Freeland (2001 p. 77))

Adding the ‘and personally’ phrase is vital because there is a vital distinction between the cultural and the personal in an aesthetic experience.

Professor Van Camp includes a list of questions for discussion but I’m wondering if another way of approaching Tolstoy’s thought is to bring into focus the view he appears to have of what it is to be human. Of course many of the implications of what Tolstoy says are what has preoccupied writers about art over the last century but on this site I am suggesting a neo-humanistic form – and such documents as this by Tolstoy can help in such a project.

I don’t have the time to do this at present but I have included some questions, and underlined some of what seem to me to be the key words/phrases in the first few excerpts – to indicate an approach to discovering how Tolstoy was answering the question, “What is it to be fully and positively human?” – in the context of his thinking about the aesthetic.

CHAPTER FIVE (excerpts). . .

#1. In order correctly to define art, it is necessary, first of all, to cease to consider it as a means to pleasure and to consider it as one of the conditions of human life. Viewing it in this way we cannot fail to observe that art is one of the means of intercourse between man and man. (RP Isn’t it pleasurable as well as being intrinsically human?)

#2. Every work of art causes the receiver to enter into a certain kind of relationship both with him who produced, or is producing, the art, and with all those who, simultaneously, previously, or subsequently, receive the same artistic impression. (RP Does it? If so what kind of relationship? Is it different now?)

#3. Speech, transmitting the thoughts and experiences of men, serves as a means of union among them, and art acts in a similar manner. The peculiarity of this latter means of intercourse, distinguishing it from intercourse by means of words, consists in this, that whereas by words a man transmits his thoughts to another, by means of art he transmits his feelings. (RP Doesn’t art deal in ideas as well? Isn’t speech intimately connected with feelings? Is the issue more to do with differences in the respective modes and how they govern perception?)

#4. The activity of art is based on the fact that a man, receiving through his sense of hearing or sight another man’s expression of feeling, is capable of experiencing the emotion which moved the man who expressed it. To take the simplest example; one man laughs, and another who hears becomes merry; or a man weeps, and another who hears feels sorrow. A man is excited or irritated, and another man seeing him comes to a similar state of mind. By his movements or by the sounds of his voice, a man expresses courage and determination or sadness and calmness, and this state of mind passes on to others. A man suffers, expressing his sufferings by groans and spasms, and this suffering transmits itself to other people; a man expresses his feeling of admiration, devotion, fear, respect, or love to certain objects, persons, or phenomena, and others are infected by the same feelings of admiration, devotion, fear, respect, or love to the same objects, persons, and phenomena. (RP Is the accurate ‘re-producibility’ of emotion really a fully satisfactory explanation – when we consider for example contemporary fine art? However empathy and compassion are surely the basis of much movement in art – aren’t they?)

#5. And it is upon this capacity of man to receive another man’s expression of feeling and experience those feelings himself, that the activity of art is based. (RP Tolstoy seems to assume that we ‘receive’ rather like hearing a radio broadcast. Doesn’t this down-play too much the nature of subjectivity and personal history?)

#6. If a man infects another or others directly, immediately, by his appearance or by the sounds he gives vent to at the very time he experiences the feeling; if he causes another man to yawn when he himself cannot help yawning, or to laugh or cry when he himself is obliged to laugh or cry, or to suffer when he himself is suffering – that does not amount to art. (RP So is the difference that art requires symbolic conventions as well as empathy and compassion?)

#7. Art begins when one person, with the object of joining another or others to himself in one and the same feeling, expresses that feeling by certain external indications. To take the simplest example: a boy, having experienced, let us say, fear on encountering a wolf, relates that encounter; and, in order to evoke in others the feeling he has experienced, describes himself, his condition before the encounter, the surroundings, the woods, his own lightheartedness, and then the wolf’s appearance, its movements, the distance between himself and the wolf, etc. All this, if only the boy, when telling the story, again experiences the feelings he had lived through and infects the hearers and compels them to feel what the narrator had experienced is art. If even the boy had not seen a wolf but had frequently been afraid of one, and if, wishing to evoke in others the fear he had felt, he invented an encounter with a wolf and recounted it so as to make his hearers share the feelings he experienced when he feared the world, that also would be art. And just in the same way it is art if a man, having experienced either the fear of suffering or the attraction of enjoyment (whether in reality or in imagination) expresses these feelings on canvas or in marble so that others are infected by them. And it is also art if a man feels or imagines to himself feelings of delight, gladness, sorrow, despair, courage, or despondency and the transition from one to another of these feelings, and expresses these feelings by sounds so that the hearers are infected by them and experience them as they were experienced by the composer. (RP Are the external indications’ conventions including symbolic conventions? Does art sometimes work as directly as immediate compassion and empathy in real life?)

To see the whole list go HERE.

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All postings to this site relate to the central model in the PhD. Summaries are HERE

40 Meditation Practices – the Chris Corrigan collection

Source Wiki on Meditation

A certain Chris Corrigan has assembled 40 meditation practices (a few links need re-newing)

Forty meditation practices

40 meditation practices in 4 positions

Walking Meditation

Standing Meditation

Standing Chi Kung: Taoist standing practice
Kyudo (standing zazen) archery
Million dollar qi gong practice: more on the benefits of standing meditation
Wu Ji posture: instructions for standing and guiding awareness
Hapkido breathing exercises for standing meditation
Zhan Zhuang: Instructions for Tai Chi standing meditation
Triple Burner Standing Meditation: More exercises for circulating qi
Zen standing meditation: also with breathing and vocalization methods
Ku meditation club handbook: practices from many spiritual traditions
Standing meditation with a tree

Sitting meditation

Lying meditation

Be sure to visit Chris Corrigan’s amazing collection of stuff HERE

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All postings to this site relate to the central model in the PhD. Summaries are HERE

Epiphany, insight via autobiography and ‘autoethnography applied’

Source

In my PhD I used aspects of autobiography including episodes that were epiphanic. By epiphany I here mean;

a. A sudden manifestation of the essence or meaning of something.

b. A comprehension or perception of reality by means of a sudden intuitive realization: “I experienced an epiphany, a spiritual flash that would change the way I viewed myself” Frank Maier.

I would add to the ‘Frank Mair example above and make it;

“I experienced several epiphanies, that would change the way I viewed education, the world and myself”

The particular episodes in my life I discovered to my surprise had led to the main dimensions of what was to become my model of what it is to be human the ‘I’ (Creative -subjective), the ‘WE’ (Caring – moral) and the ‘IT’ (Criticality-objective) dimension respectively that give us the three ways of engaging with reality. I had moved into autoethnography.

Autoethnography is an established, but still emergent, form of qualitative research. Described by Ellis and Bochner (2000) it is:

an autobiographical genre of writing and research that displays multiple layers of consciousness, connecting the personal to the cultural. Back and forth autoethnographers gaze, first through an ethnographic wide-angle lens, focussing outward on social and cultural aspects of their personal experience; then they look inward, exposing a vulnerable self that is moved by and may move through, refract, and resist cultural interpretations – see Deck, (1990); Neuman, (1996); Reed-Danahay, (1997). As they zoom backward and forward, inward and outward, distinctions between the personal and cultural become blurred, sometimes beyond distinct recognition. Usually written in first-person voice, autoethnography , autoethnographic texts appear in a variety of forms – short stories, poetry, fiction, novels, photographic essays, personal essays, journals, fragmented and layered writing and social science prose. In these texts, concrete action, dialogue, emotion embodiment, spirituality, and self-consciousness are featured, appearing as relational and institutional stories affected by history, social structure, and culture, which themselves are dialectically revealed through action, feeling, thought and language.

This does seem to well describe my intentions, and the way I proceeded. Storying is seen as essential for learners in the model, as well as being present in the autobiographic approach. The legitimacy of the applied dimension lies in the fact that I knew I wanted to present a model before I knew that I/the thesis needed to use the autobiographic – the surprise, for me, was how much they are one and the same.

Action research, focusing down to the autobiographic and the ethnographic, is explicit, or implicit, in the overall process of the SunWALK model per se. In a sense the thesis is the story of the thesis – of its evolution from the dynamic between praxis and reflection and beliefs and values. As White (2002) says action research can increase the likelihood that one’s behaviour is congruent with one’s theories about teaching and learning – and, one hopes, the values with which we choose to identify ourselves.¹

Given that the primary intention was to create a new model of education intention the suggestion was made that this could be called ‘Applied Autoethnography’.

To be developed

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Ideally I would like to see every school and every teacher connected with research and theory-creation, with relevant university departments working as supportive partners to the teachers. The subject of the study was my self, and my teaching, and the aim was self-understanding as well as producing a model of education – such an action research approach in all schools could not only ‘grow’ more effective teaching, but would also deepen and widen the possible communities to which teachers could belong.

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All postings to this site relate to the central model in the PhD. Summaries are HERE

What is art? – definitions

Source

What is art?

One definition that works for me is;

Art is culturally significant meaning, skilfully encoded in an affecting, sensuous medium.

Richard Anderson quoted in Freeland (2001 p. 77)

I would make one change;

Art is culturally, and personally, significant meaning, skilfully encoded in an affecting, sensuous medium.

There is a whole range of art that I know has cultural meaning but for it to enable an aesthetic experience in me it has also to have personal as well as cultural meaning.

TASKS:Lesson questions

How far, and in what ways, has art , through the dominance of conceptual art, replaced philosophy?

How far, and in what ways, has art replaced religion?

More resources

Extensive quotations from Tolstoy at Professor Julie van Camp’s site are HERE

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All postings to this site relate to the central model in the PhD. Summaries are HERE

Story and Personal Myth in making our selves, and our education, whole

My personal myth Island, Shoreline and Ocean –

a view of story in Personal Development and in Holistic Education

Introduction:

By way of an introduction here are a few succinct thoughts. Skip this if you want to go straight to my ‘personal myth’;

Myth operates in us – its part of being human – like philosophizing. Therefore we should make the most of it – in terms of the mythology we make, and that with which we choose to identify.

Story is central to our meaning-making and how we (choose) to make sense of the world and give account of our encounters and experiences.

Myth, as opposed to story generally, is about our deepest concerns and is characterized as narrative that gives account of the unknown and unknowable as well as some of the known. E.g. we die but we don’t know what, if anything, happens after that. Myth creates and is derived from beliefs.

Myth intrapersonally is the clothing we give to the psycho-spiritual dynamics of inner experience.

Myth interpersonally is the stories we tell each other to explain encounters with the (mainly) unknown and unknowable.

Karen Armstrong’s A Short History of Myth is a must because it makes clear the relationship between myth and religion and world-views.

“Without myth, cult, ritual and ethical living, a sense of the sacred dies,” says Armstrong. Without the discipline of mythical thinking and practice, it was difficult for many to avoid despair. The dark epiphanies of the 20th century can be blamed on “the absence of a viable mythology” that could help us face the unspeakable. Guardian review by Tim Radford

A personal myth operates in us whether we choose to articulate it or not. It is closely allied to what one psychologist called ‘our personal script’ and the another (Kelly) called our set of ‘personal constructs’.

We can help in healing ourselves by articulating our personal myth in comparison and contrast to the group myths around us – or that exist as historical artifacts.

Restorying, (e.g.by writing different versions of) our personal myth can enable us to re-frame our personal experience and gain degrees of control and depths of energy that previously were denied us through locked-up pain.

Creating a personal myth can facilitate better self-understanding and there is potentially a powerful tool for teaching and learning.

My personal myth is here;

The ‘Island, Shoreline and Ocean’ personal Myth

The personal myth that follows was written as a ‘one-page’ way of expressing a) a sense of the relationship with the cosmos, the Whole, and b) of a range of the ideas in, and behind, SunWALK. Jane is part of me, perhaps the same Jane as in Jane’s Short Story in Chapter 1.

The personal myth is an attempt at re-storying one kind of knowing. A felt need to undertake a re-storying of knowing can lie in acknowledgement of the fact that we know, and need to know, and need to express that knowing, in more ways than the empirical-reasoning mode – hence Island, Shoreline, Ocean. To admit other ways of knowing, is to admit that in our wholeness we are more than our senses and our reasoning. It is also to admit that in our knowing we are surrounded by mystery, which we encounter. We in various ways give accounts of those encounters.

3:3 Island, Shoreline and Ocean

a personal myth concerning the nature of mystical experience & its relationship to consciousness, & to knowledge creation – as such it is an attempt to include as much as possible of what I learned during the eleven year journey of the thesis – in a ‘one page’ story

The sun always woke her. Every day Jane walked through her garden, inspecting this plant and that, analysing what needed to be done. The quest was never-ending. Sometimes she sat a while on an old tree stump in order to consider the tasks and challenges, trying to work out the feelings and puzzles of what didn’t seem quite right, what didn’t feel quite right. What she couldn’t physically arrange she sometimes tried to paint or write – she had an imaginary garden as well as a real one. Sometimes she looked at her neighbours’ gardens, wondering if that would give her inspiration, but she was always left with the feeling that her most important answers came from elsewhere.

Every day beneath the practical considerations she felt a longing. Having made her review of her garden Jane walked over the fields, across the two streams that eventually made their way down to the sea, and along the cliff, and down to the shoreline. At the shoreline she breathed in her sense of the infinity of the ocean, along with the ozone-heavy, sea-weedy, sea air.
Frequently she imagined the island’s shoreline around the island’s circumference. In her mind’s eye she saw each place being shaped in some different way by the ocean – which was sometimes gentle, and was sometimes awesome in its relentless might. Sometimes the feelings that filled her were so powerful that she was overcome. Sometimes the beauty of being in the presence of the ocean was so great that she felt that neither garden nor painting nor poetry would ever fully satisfy the deepest longing.

Often after such reverie she slipped into the sea.

The sea had so much salt that she just floated. And, when the temperature was right, in floating, eyes closed, she lost all sense of where she ended and where the surrounding sea began. There was no separate sea, no separate self – it was just ….. being. It was always that way, just being. At such times she felt both full and empty, both powerless and at that same time she felt herself to be the very ocean that insistently carved and re-carved the island shoreline.

Mostly at that point she just wanted to stay, to be just part of this place between land and sea, like a driftwood sculpture, ocean-polished, that had been thrown up after a long journey from some river bank, high up some vaguely-remembered river. The shoreline was exquisitely the best of places. But she always took that first step. A first step on the walk back to her garden. And with the walking the experience that was ineffable started to give up insights and possibilities to both refine the garden, and to extend it into some more of the island’s familiar, wilderness, space.

In the evenings she and her friends sat beneath the moon, in whichever was the most interesting of their gardens, at that particular time, and they discussed the issues that concerned them. They all, more or less, had similar such deep experiences as Jane. The ongoing conversation was what united them, along with their respect for how they clothed so differently, in imagination and form, the experiences that were ineffable.
C. from an unpublished doctoral thesis by Roger Prentice, Northumberland ver July 2003

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Karen Armstrong’s book A Short History of Myth is HERE NB Read the Customer Reviews which are excellent and ignore the Editorial Reviews which are carping, mean-spirited and self-serving!

Relevant book that looks interesting Restorying Our Lives: Personal Growth Through Autobiographical Reflection HERE

Island map SOURCE

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All postings to this site relate to the central model in the PhD. Summaries are HERE

Postmodernism and Modernism as the Frame and The Mirror

‘Bush faces of the Dead – Source and a PoMo (Postmodern) primer

Postmodernism as the Frame and The Mirror

Further to my previous post re postmodernism I found this useful and stimulating;

“If the postmodern is a collage — as some critics have suggested — or if collage is itself a kernel of the postmodern, what does this mean for our way of understanding the world?” The Frame and the Mirror uses this question to probe the distinctive character of the postmodern situation and the philosophical problem of representation…………

More than an introduction to the postmodern, The Frame and the Mirror advances our understanding of the contemporary world by relating its features to the peculiar characteristics of collage. Ultimately, Brockelman shows how collage demands that we reinterpret modernity, conceiving of it as suspended between a loss of certainty and a new kind of knowledge about the human condition.

In doing so, his work challenges many of the claims made in the name of postmodernism — and offers in their place a new and ironic view of the cultural space in which contemporary and historical events occur.

from a review of The Frame and the Mirror: On Collage & Postmodernism by Thomas P. Brockelman 2001 Northwestern Uni Press

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This is only a fragment from a review but the key idea is that the past ideal was to mirror reality – either external reality as in a landscape or ‘internal reality’ in say the agonized energy of Van Gogh paintings. Now there is much greater consciousness about any ‘frame’ (context) that surrounds an object. Often there is much greater understanding about the ‘who, when, why, for whom, how etc’ of its creation.

In this spirit of postmodernism we can re-contextualize or re-frame anything from the past – for any one of numerous reasons. Reasons might include attacking the current status quo or attacking the status quo at the time of the original objects original creation.

This provides endless opportunities for novelty. We can take anything and re-contextualize it to create endless kaleidoscopic novelty. But do we also need a fixed point, an orientation, a harbour in a sea of change? I believe we do. That is we need a balance between that which is fixed and that which is open to change. But we can’t return to the past. Going back to earlier forms or over-simplified forms (fundamentalist religions) is to duck reality. The only position that can satisfy current challenges is a universalist one that includes a new form of humanism. Yes include the great world religions and philosophies – whatever leads us to be more just, true, good and beautiful. This universalist position above all recognizes oneness and arises from empathy and compassion towards all others of the species. Our humanity is our resistance to endless novelty that without some fixedness will only bring insanity.

The ‘portrait’ of President Bush is a kind of mosaic through artificial pixilation. It is also an astonishing assault on the normal conventions of portraiture as well as carrying its political and anti-war message. The image resonates with meanings and part of that is that it refers to modern digital communication except the ‘pixels’ are themselves the images of the fallen. The portrait itself is re-framed – and it reframes the meaning of this particular portrait.

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Postmodernism at Wiki

Interesting site here on modernism postmodernism and architecture

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All postings to this site relate to the central model in the PhD. Summaries are HERE

Texts and Contexts and the Ultimate context – post-modernism and dinosaurs

All postings, and pages, for this site are seen as texts as in ‘particulars’ or parts. But each post or page is as I will later point out in relation to an ‘ultimate’ context.

The parts or particulars are as in Wilber;

“To understand the whole it is necessary to understand the parts. To understand the parts, it is necessary to understand the whole. Such is the circle of understanding.

We move from part to whole and back again, and in that dance of comprehension, in that amazing circle of understanding we come alive to meaning, to value, and to vision: the very circle of understanding guides our way, weaving together the pieces, healing the fractures, mending the torn and fractured fragments, lighting the way ahead – this extraordinary movement from part to whole and back again, with healing the hallmark of every step, and grace the tender reward.” Eye of Spirit; an integral vision for a world gone slightly mad by Ken Wilber (1997) pub. Shambhala p.1.

Handling more and more challenging texts is one way to think of progress in education.

One aspect of post-modernism is the attention paid to con-texts. Literally con-text = what (meaning) comes with the text. A whole bunch of questions then become vital for examining the the text in one or more contexts. For example who wrote it or made it and for whom – and why, with what reward, what pressures etc.

One key variable then for the teacher is how s/he emphasizes (or de-emphasizes) contexts as s/he conducts discourse with the class.

I always felt that historical contexts were less important than how a text helps us right now- the group – in informing our selves more deeply concerning, ‘What it is to be positively and fully human’.

One source of novelty in post-modernist art is to re-contextualize objects – literally to give them a new framework. A friend got her first-class honours degree for – amongst other pieces of work – taking a reproduction of an old master and tucking under the arm of a central figure a baby dinosaur.

The most memorable teaching of my life was with a group 12-13 year olds when discussing the shortest story in the world, “When I woke up the dinosaur was still there.” All the drive and creativity was in construction of possible contexts as well as discussing whether or not it constitute a ‘story’ in any meaningful way. In due course I will post sections of the video of the ‘story lesson’.

Schools and teachers should provide experiences that help with developing a sense of the Whole and not just the ‘hell of relativity’ when the world is presented as just endless bits.

The ultimate context that we are all in, in reading all of the texts that come our way, is one of mystery, of not knowing. When we accept that we can enjoy both the concepts of separation and duality and the amazement of laying down the burden of self in an experience of unity- as in Heschel’s;

“The world presents itself in two ways to me. The world as a thing I own, the world as a mystery I face. What I own is a trifle, what I face is sublime. I am careful not to waste what I own; I must learn not to miss what I face. We manipulate what is available on the surface of the world; we must also stand in awe before the mystery of the world. We objectify Being but we also are present at Being in wonder, in radical amazement.” A. J Heschel

Peter Ustinov makes the point in a different way; “We are united by our doubts and divided by our convictions.”

Our encounters with the Whole are part of the personal story (history or her-story) that we make up to explain the cosmos. We should all write our ‘personal myth’ at some stage. As an example I will post mine separately.

In the light of the above comments I have added this to the front page of the site;

CONTEXTUAL QUESTIONS AND ANSWERS

3 Questions and suggested answers that provide the context for all posts and pages on these sites

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Q 1) “What is it to be positively & fully human?” = the most important of all questions. My answers are in 2 and 3 below.

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Q 2) “What is it to function holistically?” My answer =

“To proceed in all particulars with a sense of the whole.”

Two quotations that are key to understanding. Firstly Jung’s,

“The utterances of the heart— unlike those of the discriminating intellect— always relate to the whole.”

Secondly Heschel’s;

“Concepts are delicious snacks with which we try to alleviate our amazement.”

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Q 3) How in one sentence does my PhD answer the question, “How should we educate to create a paradigm shift in education?”

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The SunWALK model of spiritualizing (or humanizing) pedagogy sees human education as:

the storied development of meaning, which is

constructed, and de-constructed,

physically, mentally and spiritually, through

Wise & Willing Action, via

Loving and Knowing – developed in

Community, through the

‘Dialectical Spiritualization’ of

Caring, Creativity & Criticality processes, all undertaken in the light of the

‘Sun’ of chosen higher-order values and beliefs, using

best available, appropriate content.

NB Please see these 3 questions, and suggested answers, as the context for all postings and pages on these sites.

The diagram that pulls everything together

Summaries of SunWALK model are HERE

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The ‘Rules for being Human’, Perennial Philosophy and Universalism

These ‘Life-Rules’ by Cherie Carter-Scott, from her book If Life is a Game, These are the Rules are becoming well-known and they seem to me to be are interesting in relation to a holistic perspective, and to the ideas of Perennial Philosophy and a mystical world-view.

When you were born, you didn’t come with an owner’s manual; these guidelines make life work better.

1. You will receive a body. You may like it or hate it, but it’s the only thing you are sure to keep for the rest of your life.

2. You will learn lessons. You are enrolled in a full-time informal school called “Life on Planet Earth”. Every person or incident is the Universal Teacher.

3. There are no mistakes, only lessons. Growth is a process of experimentation. “Failures” are as much a part of the process as “success.”

4. A lesson is repeated until learned. It is presented to you in various forms until you learn it — then you can go on to the next lesson.

5. If you don’t learn easy lessons, they get harder. External problems are a precise reflection of your internal state. When you clear inner obstructions, your outside world changes. Pain is how the universe gets your attention.

6. You will know you’ve learned a lesson when your actions change. Wisdom is practice. A little of something is better than a lot of nothing.

7. “There” is no better than “here”. When your “there” becomes a “here” you will simply obtain another “there” that again looks better than “here.”

8. Others are only mirrors of you. You cannot love or hate something about another unless it reflects something you love or hate in yourself.

9. Your life is up to you. Life provides the canvas; you do the painting. Take charge of your life — or someone else will.

10. You always get what you want. Your subconscious rightfully determines what energies, experiences, and people you attract — therefore, the only foolproof way to know what you want is to see what you have. There are no victims, only students.

11. There is no right or wrong, but there are consequences. Moralizing doesn’t help. Judgments only hold the patterns in place. Just do your best.

12. Your answers lie inside you. Children need guidance from others; as we mature, we trust our hearts, where the Laws of Spirit are written. You know more than you have heard or read or been told. All you need to do is to look, listen, and trust.

13. You will forget all this.

14. You can remember any time you wish.

(From the book “If Life is a Game, These are the Rules” by Cherie Carter-Scott)

TASK:/LESSON

1 Take a look at Perennial Philosophy and the Golden Rule and compare and contrast them to Carter-Scott’s ‘Rules’.

2 Re-write these according to your beliefs and world-view.

3 Find out what Cherie Carter-Scott meant by reading her book.

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All postings to this site relate to the central model in the PhD. Summaries are HERE

Gandhi, certainty and the ‘Healthy Doubt’ – as the basis for ‘federating’ common ground

Whatever our religious background we tend to say something equivalent to, ‘I know that my Redeemer liveth’. This is an assertion of certainty. For some of us strength of certainty is an indicator of the quality of faith. Unfortunately, to take an extreme example, unconditioned certainty can lead to unspeakable horrors – the Nazis were certain that their killing of millions was a right and proper thing to do. So is a smidgen of doubt, the cousin of humility? And might it also be that such a conditioner of faith as a ‘healthy doubt’ hold us back from continuously negating ‘the other’.

I’m also suggesting that water-tight, hermetically-sealed certainty might put a break on an individual’s willingness to recognize the essential sameness in all of the world’s great faiths. Why can’t we be one? Well because we think our path up the mountain is the only right one – and because we are familiar and comfortable with it.

I can only think of three possible solutions. Firstly we all become Baha’is, Unitarians or or some form of Universalist worldview. Secondly we all wait to see which religion dominates and then hop on board (a time-honoured method but not out of Morality’s top drawer). Thirdly we take a leaf out of Ghandi’s book and expand our heart and consciousness so that we can revere our own tradition and the inner essence of all of the other great world religions.

Gandhi said;

I came to the conclusion long ago … that all religions were true and also that all had some error in them, and whilst I hold by my own, I should hold others as dear as Hinduism. So we can only pray, if we are Hindus, not that a Christian should become a Hindu … But our innermost prayer should be a Hindu should be a better Hindu, a Muslim a better Muslim, a Christian a better Christian. (Young India: January 19, 1928)

This is interesting because it suggests that we can have a universal heart that works from within the particular. Is that possible? Is it only possible for a few? Whether or not we go with Ghandi ‘s ‘particular-to-the-universal way we need to break through from narrow-mindedness and close-heartedness. To be able to cherish both the particular culture into which we were born and have a heart that embraces the inner light of all of the great world religions seems to me to make sense – just as federalism makes sense in say America or Germany.

There are some other of Ghandi’s thoughts that are relevant to the view expressed here;

God has no religion

My whole soul rebels against the idea that Hinduism and Islam represent two antagonistic cultures and doctrines. To assent to such a doctrine is for me a denial of God.

We must respect other religions, even as we respect our own. Mere tolerance thereof is not enough.

A religion that takes no account of practical affairs and does not help to solve them is no religion.

(When asked if he was a Hindu) Yes I am, I am also a Muslim, a Christian, a Buddhist, and a Jew.

“The sayings of Muhammed are a treasure of wisdom not only for Muslims but for all of mankind.”

The most heinous and the most cruel crimes of which history has record have been committed under the cover of religion or equally noble motives. Source WikiQuotes

If we can’t quite yet expand our consciousness to recognizing the inner oneness of all of the great faiths at least the Golden Rule (separate postings) is an ethic through which we can start to clear a meeting place within the forest of beliefs.

It is only beliefs that prevent the realization of our oneness. And it is only realization of oneness that will enable us to overcome our current ‘hardening of the hearteries’. That ‘hardening of the hearteries’ = beliefs so narrowed as to prevent us seeing ourselves reflected in the eyes of the ‘other’.

PERENNIAL PHILOSOPHY – TWO VIEWS A) BY KEN WILBER AND B) BY DEB PLATT

Even a cursory glance at the ideological and physical conflicts of today will indicate the desperate need for understanding that enables a ‘clearing in the forest’ of beliefs – one that will enable harmony in diversity.

On this site I argue that the deepest recognition has to lie in our humanity which we hold in common with all others – I am human, you are human, they are human – we all are human. However since religion exists in many and powerful manifestations the most important of all questions is, “In what ways is there a common light at the centre of of all of the great world religions?” The answer is presented in Perennial Philosophy. Perennial Philosophy is not a particularly good title – something like ‘core mystical reality’ or ‘the great chain of being’ are more accurate, albeit much clumsier titles.

In many ways the appeal to recognize sameness in others, harmony in diversity, is also a call to a kind of federalism. That is to say such a recognition will enable the people of the world to hold an allegiance to the whole as well as to the particular – much as most Americans or Germans hold an allegiance to their national government as well as to their state governments.

HERE IS HOW KEN WILBER SUMMARIZES THE SEVEN MAJOR POINTS OF THE PERENNIAL PHILOSOPHY, IN HIS BOOK GRACE AND GRIT:

1. Spirit exists.
2. Spirit is found within.
3. Most of us don’t realize this Spirit within, however, because we are living in a world of sin,
separation, and duality–that is, we are living in a fallen or illusory state.
4. There is a way out of this fallen state of sin and illusion, there is a Path to our liberation.
5. If we follow this path to its conclusion, the result is a Rebirth or Enlightenment, a direct experience
of Spirit within, a Supreme Liberation, which–
6 marks the end of sin and suffering, and
which
7 issues in social action of mercy and compassion on behalf of all sentient beings.

THIS IS HOW DEB PLATT PRESENTED HER LATE LAMENTED SITE ON WHICH SHE BROUGHT TOGETHER A VAST AND BEAUTIFUL SELECTION OF QUOTATIONS FROM WORLD RELIGIONS

If anyone knows what happened to her site please tell me. Her site was a truly great contribution toward religious understanding and its disappearance a great loss. Equally if you managed to copy her site before it was taken down please let me know (onesummit ATgmail.com replace AT with @).

This is the ‘universal’, mystic heart of all of the great wisdom traditions as Deb Platt presented it;

• There’s a reality beyond the material world:
• Which is uncreated.
• It pervades everything,
• but remains beyond the reach of human knowledge and understanding.
• You approach that reality by:
• Distinguishing ego from true self
• Understanding the nature of desire
• Becoming unattached
• Forgetting about preferences
• Not working for personal gain
• Letting go of thoughts
• Redirecting your attention
• Being devoted
• Being humble
• Invoking that reality
• Surrendering
• That reality approaches you through:
• Grace
• The teacher
• You’re transformed so that you embody that reality by:
• Dying and being reborn

Holistic Education doesn’t have allegiance to any one religion or philosophy, but Perennial Philosophy is very important for many and is the position of this site. It is motivated by recognition of the essential oneness of the great wisdom traditions

(SEE also Aldous Huxley’s Perennial Philosophy or Chap 2 of Jack Miller’s Educating for Wisdom & Compassion)

From ‘Summer is a-coming in’ (1250) to ‘Cummin Thru Ya Fuckin Block’ (1994); each generation’s popular song lyrics – for cultural exploration

Source – and lyrics for the Freewheelin’ Bob Dylan

From SUmair is IcUmin in (1250) to Cummin Thru Ya Fuckin Block (1994); each generation’s popular song lyrics – for cultural exploration of values and beliefs

Great song lyrics are inspiring. Of course when they are coupled with great music the two have a multiplier effect and become ‘transcendent’. Why? How do the words when combined with the music become so powerful – so powerful that they can ‘take us out of ourselves’ and transport us delightfully?

Once or twice I’ve heard teachers and/or preachers refer to lyrics in popular song and I’m sure a lot of work has been done in schools and colleges. Here I just post one or two ideas and hope that I get to hear about more such work.

I did look many many years ago at some of the lyrics used by Joan Baez and Bob Dylan with secondary school pupils in the context of teaching English in the first school in which I taught. (I’m afraid I am one of those who thought that Bob Dylan did fall from grace with the electric guitar – but no one can take away the diamond-like clarity and poetry of his early work!) Still good stuff!

If you can avoid too much initial resistance folk song is, of course, a very interesting vehicle to look at historical events and work-related and class and geographic issues.

One of the earliest songs is SUmair is IcUmin in (c.1250)

SUmair is IcUmin in, lU-duh sing cUckU
GrOweth sAd and blOweth mAd and springth the wUduh nU
ow-uh blAteth after lahhhmb, lOth after cal-vuh cU
Bullock stairteth, buck-uh vairteth, mUrI sing cUckU
Well singst thU cUckU; nA swick thU nevair nU
Sing cUckU, nU….

Translation:
Summer is coming in, loudly sings the cuckoo, cuckoo, cuckoo….
The seed grows; the meadow blossoms, and the woods alivens anew.
The ewe bleats after the lamb; the cow lows after the calf;
The bull leaps; the goat capers*; merrily sing cuckoo!
Well sing you, cuckoo–don’t ever stop now.
Sing cuckoo, now….

Hear the music HERE

Lastly I want to mention films – probably like me you are astonished in having watched a film to see that it had used 30 or so songs and yet you were not aware of them – so looking at the use of popular music in films is another very interesting area.

TASK/LESSONs – a few ideas

1 Look at some lyrics that stand up as poetry and some that don’t but get transformed when coupled with the music.

2 Explore the multiplier effect’ when lyrics and song come together – via a good/great singer.

3 Use song lyrics (and photographs/photography) in ‘reminiscence work’ with senior citizens and multi-generational work.

4 Explore why each generation gets attached to and is defined by (?) the songs that are popular.

5 what are the down-sides of music in films? What part does music play in ‘Hollywood’ type movies?

6 Watch some key/favourite/ important sections of films with and without the music sound-track – what’s the difference and what’s going on?

7 Cows are said to like music – why. If its true and what is known about music in the work-place?

8 Get children to interview parents grand-parents about key music in relation to key events in their lives.

9 Get children to develop a set of images in relations to a particular song that is important to them e.g. Strange Fruit

HERE ARE A FEW OF MY FAVOURITE LYRICS AND EDUCATIONAL SOURCES FOR THEM

Every time we say good bye (Cole Porter)

We love each other so deeply
that I ask you this, sweetheart,
why should we quarrel ever,
why can’t we be enough clever,
never to part.
Ev’ry time we say goodbye
I die a little,
ev’ry time we say goodbye
I wonder why a little,
why the gods above me
who must be in the know
think so little of me
they allow you to go.
When you’re near
there’s such an air
of spring about it,
I can hear a lark somewhere
begin to sing about it,
there’s no love song finer,
but how strange the change
from major to minor…
ev’ry time we say goodbye.
Ev’ry time we say goodbye
I die a little,
ev’ry time we say goodbye
I wonder why a little,
why the gods above me
who must be in the know
think so little of me
they allow you to go.
When you’re near
there’s such an air
of spring about it,
I can hear a lark somewhere
begin to sing about it,
there’s no love song finer,
but how strange the change
from major to minor…
ev’ry time we say goodbye.
Ev’ry single time
we say goodbye

Source

Miss Otis Regrets
“Oh, hi! A-heh heh! Is Miss Otis in?”
“Miss Otis regrets she’s unable to lunch today.”

Miss Otis regrets she’s unable to lunch today, madam.
Miss Otis regrets she’s unable to lunch today, mmmmmm.
And she’s sorry to be delayed,
but last evening down at lover’s lane
she strayed, madam.
Miss Otis regrets she’s unable to lunch today.

When she woke up and found
that her dream of love was gone, madam,
she ran to the man
who had lead her so far astray.
And from under her velvet gown
she drew a gun and shot her lover down, madam.
Miss Otis regrets she’s unable to lunch today.

When the mob came and got her
and dragged her from the jail, madam,
they strung her up
on the willow across the way.
And the moment before she died
she lifted up her lovely head and cried, madam.
Miss Otis regrets she’s unable to lunch.
Miss Otis regrets she’s unable to lunch today.

Source

Strange Fruit

Southern trees bear strange fruit,
Blood on the leaves and blood at the root,
Black bodies swinging in the southern breeze,
Strange fruit hanging from the poplar trees.

Pastoral scene of the gallant south,
The bulging eyes and the twisted mouth,
Scent of magnolias, sweet and fresh,
Then the sudden smell of burning flesh.

Here is fruit for the crows to pluck,
For the rain to gather, for the wind to suck,
For the sun to rot, for the trees to drop,
Here is a strange and bitter crop.

Source

All the things You Are

You are the promised breath of springtime
That makes the lonely winter seem long
You are the breathless hush of evening
That trembles on the brink of a lovely song
You are the angel glow that lights the stars
The dearest thing I know are what you are
Someday my happy arms will hold you
And some day I’ll know that moment divine
When all the things you are, are mine

Source

There is a very funny (and strangely moving) version of All the Things You Are by Peter Sellers – you can hear a bit HERE

Of course neither have the lyric and romantic charm and transcendental sweetness of Cummin Thru Ya Fuckin Block;

Author/Artist/Singer: Artifacts

Music Title/Track: Cummin Thru Ya Fuckin Block

Theme ID: 31545

N/A

featuring RedmanTo the beat y’all
*rat-a-tat drumming sound*[all] Make it funky (4X)
[Red] My nigga Tame [all] makes it funky
[Red] My nigga El [all] makes it funky
[Red] Redman [all] makes it funky
[Red] Huh, check it outVerse One: El Da SensaiI Ego Trip like Ultramag, sag my Girbauds I drag
competition so listen and raise the white flag
Cause the instructor, of the New Jerz verse dusts
another motherfucker I discover what no other brother
can do, hard to handle and to, stamp
I play Tramp like Grace Jones in that movie Vamp
I’m fit to wreck shit, I dip into the skit
Spit lyrics exquisite, blitted as I hit it
I suppose I knows the ways of the pros
Bros be like, “Oh that nigga’s got mad flows”
Creep’ll get it deep, I got it when it’s strict against
ducks who suck, and didn’t have the best defense
I make shit nice, defies with my device
And if I’m in a rap fight, you can catch a cap, right
Bust it, whassup what did ya ask me?
Crafty with my sassafrass P-Funk, thought been handy
Dandy Mayor Ave., back in the lab create my trap
Dibble dabble in the midst of the Artifact we have
swiftness, I blitz, specific and you dig it
from N.J., the Notty Headed Terror and da SensaiChorus: Artifacts, Redman

Pump! Pump! We’re lickin off the mad shots
[Red] It’s the Artifacts and Redman cummin thru ya fuckin block
(repeat 3X)
Pump! Pump! We’re lickin off the mad shots
[Red] It’s the Artifacts and Redman cummin thru ya fuckin!!

Verse Two: Tame One

Well I come live from the Artifact exhibit as a misfit
Larger than Jurassic Park I lick off like Wilson Pickett
Drama like a talk show I hit more cheese than nacho
Feelin Machu when I Pi on; a Coltrane like Roscoe
Hostile underground fossil, nigga bout to rock ya
So peep it how I freak it check the technique yeah I rock ya
I glide like drips and blaze a trail like I was Portland
When ill stressed, I still rock a vest like Ed Norton
The ill king, taking all things cash, crash, and asses
Backstage passes, V.I.P. all access
I got the props pon cock, fuck the know-nots
Whose techniques are weaker than the graphics for the Gobots
I rock with raw steel like Sue Richards, when Rick smacks her
Up motherfuck that I got more funk than muskrats
With my hocus pocus I can fuck up where ya focus
wit my left hook, dip right jab shuffle I can smoke ya
it don’t matter, cause all my shit is fatter than the
pads on MPC-60’s, hit me you got five second to jet G
Straight from the Bricks, now back to the N.J.
The Notty Headed Nigga and da motherfuckin Sensai

[Red] Hoooaaaahhh! One two, one two, one two
This is for Jersey, haha ahh, ah hah
One two, one two

Verse Three: Tame One, MC El

I’m the black king, quick to grease my naps with Royal Crown
and aloe vera representin for the Notty Headed nigga era
However whatever my Posse Packs the Pistols
and my Skwad got the Boom, rid the room, get the bitches

The exact Artifact, who is that, you speak of
Leak my speakers, unique and freakin beats track in fact
I be dat, nigga who you look for, in your worst fears
Peace to my nigga Lord Sear and Samere
Display, niggaz from N.J.
Notty Headed Terror and da motherfuckin Sensai

Outro: Artifacts, Redman

Pump! Pump! We’re lickin off the mad shots
[Red] It’s that Notty Headed Nigga cummin thru ya fuckin block
Pump! Pump! We’re lickin off the mad shots
[Red] It’s the Artifacts and Redman cummin thru ya fuckin block
Pump! Pump! We’re lickin off the mad shots
[Red] Big up to Boom Skwad’s cummin thru ya fuckin block
Pump! Pump! We’re lickin off the mad shots
[Red] It’s the Artifacts and Redman cummin thru ya fuckin block
Pump! Pump!
[Red] Booyaka
Pump! Pump! (6X)
[Red] For nine-fo’
Pump! Pump!
[Red] Artifacts get dapped like that y’all
*sound of rat-a-tat drumming again*
[Red] Jersey’s in the fuckin house y’all
New York’s live in the house y’all
Newark is live in the house y’all
E-O’s live in the house y’all
Word is bond in the hizouse y’all
I’m in the motherfuckin hizouse y’all
So niggaz get the fuckin balls y’all

Source

Endpoint

Question: If ‘sewage’ is the spiritual food of choice how precisely did we fail to develop the appetite for the sublime?

In parenting we go from almost total control to indirect influence. Intrinsic worth, value, meaning, taste, discrimination are the kinds of qualities most of us hope our children acquire. In this process we have to stay conscious of the fact that if we don’t have (a reasonable degree of) control over our children’s environment someone far less benign will be manipulating them.

‘Practical theory’ re: Jane’s Short Story, meaning, interpretation, stories, meta-thinking, the teacher – and generating an antidote to fundamentalism!

Teachers, and other professionals, deal in a) texts (written and other kinds) and b) discourse about their meaning and interpretation with students every day.

When we engage with texts we do so in one of three voices – the philosophical-scientific, the creative or the moral-caring. This article comprises the first of a few reflections about hermeneutics in relation to the process of teaching – and in relation to the SunWALK model and ‘what it is to be fully and positively human’ – the main focus of this site.

‘Essentially, hermeneutics involves cultivating the ability to understand things from somebody else’s point of view, and to appreciate the cultural and social forces that may have influenced their outlook. Hermeneutics is the process of applying this understanding to interpreting the meaning of written texts and symbolic artifacts (such as art or sculpture or architecture), which may be either historic or contemporary.’ Wiki

1 It makes sense for middle school children, and above, to come to understand that texts represent possible meanings and ‘critiques’ represent readings of texts. It might also be useful from this to understand that readings can both change over time in our lives, but principles might remain constant.

Developing meta-thinking via periodic re-visits to a useful text

There are calls for teachers to help children to achieve meta-thinking and one enjoyable way is to re-visit a story in succeeding years with the discourse centred around such questions as;

“How do you read the story?” and

“How do you feel what you’ve learned over last year has changed your views and, what you value – in relation to the story?” and

“In what respects have you, and your thinking, changed and developed over the last year?”and

“How do you read the story now compared to when you first ‘met it’ – what’s stayed the same and what has changed?”

One re-visiting was to Jane’s Short Story in a Roman Catholic middle school. Jane’s Short Story was posted to this site yesterday (8^th Aug 2007). I wrote Jane’s Short Story to see how good Year 7 children (11 to 12 year olds) were at de-constructing and critiquing a piece that was deliberately stream-of-consciousness, oblique and cryptic! They surprised me the first time we used the story as a text and they also impressed me with their reflections on how their thinking had developed and the differences they saw on their second encounter.

Such work is also an antidote to the shallowness and superficiality that blights much of what children suffer in school. If you treat children as profound thinkers they show that they are profound thinkers – that’s part of the genius of the process in Lipman’s Philosophy for Children

What’s the connection with the SunWALK model?

PFC Philosophy for Children is the exemplary programme for the ‘IT’ voice, the objective mode of engaging with truth. The spirit flows even more powerfully if we combine IT engagement with working with the ‘I’ voice of creative expression. This means that the children can treat the text, including occasionally pieces by the teacher and/or other pupils both as literary text and as philosophical text. Switching back and forth between the two activities and the two treatments of text becomes a very powerful mode of teaching – including for the third voice, that of the moral and other-centred i.e Caring.

What’s the connection with fundamentalism?

There are many including;

Once you have separated out the different forms of truth-telling, the IT voice of philosophy and science, the ‘I’ voice of Creativity and the ‘WE’ voice of Caring you no longer have to defend texts in inappropriate and very dangerous ways. Treating religious texts as the supreme sources of inspiration for acting with justice, truth, beauty and goodness makes sense. Treating such texts as finite and fixed in their meaning as if they were simply mathematic formulae doesn’t.

It is we who make the meaning, not God – which is why we should always be tentative in how we assert our interpretations (including this one!). Sacred texts are gifts of meaning-making possibilities. Of course part of the texts is time-related and part constitutes eternal realities, but understanding what we are doing as we engage in objective, subjective or moral truth-seeking helps minimize confusion.

Literalism is the denial of God because it is the denial of meaning-making possibilities in relating to sacred texts – it limits the text to fixed and finite meaning – and tends to take us away from the focus on the need to act in the world with justice, truth, beauty, goodness – and all of the other so-called names and attributes of God.

It also allows people to start believing that the ‘others’ have broken whatever covenant is deemed to have existed so that no ‘rules’ of war’ need be complied with.

Its only in early life that we can prevent the kind of indoctrination of hatred for others. Understanding that spirituality, be it theistic or humanist, is simply the process of gaining the will to act morally is vital. Understanding the ‘voices’ with which engage and the texts that we engage with are all either objectively focused or subjectively focused or morally focused is vital in developing the truly mature mind-set and world-view.

Jane’s Short Story; teaching children ‘nowness’ in creative writing and photography

Source

In the unpublished doctoral thesis, from which this piece and Jane’s Short Story, is largely taken, the range of concerns include ‘the perpetuation in the present of early experience’. I’m interested to discover that one definition of ‘nowness’ is presentness: the quality of being the present; “a study of the pastness of the present and…of the presentness of the past”.

I wrote Jane’s Short Story to see what a Year 7 class (11 – 12 year olds in the UK) could ‘handle’, but it has become a major piece for teaching me, as well as for teaching others.

Jane’s short story (line numbers are simply to help in discussion)

1 “Come to mummy Jane. Come on, yes, you can do it.” Ste…steppp…stagger step..step got there BIGKISSmmmms’nice. Her mother’s nose stroked back and forth across her neck, as giggles of delight and laughter bubbled from Jane.
“Jane pay attention otherwise you’ll be asking me what the work is in five minutes time.”
5 (’Oh no I won’t Mr Moaner, I know perfectly well what you’re asking – so stop picking on me!’)
“Images Jane, images.”
Tulips. Gigantic red tulips, opened a bit beyond their best, and bigger than any red thing and redder than any red thing and she crawled to grasp, to know the greenness of the green cool green stems and embrace them and lose herself in the redness that was ……..
10 “I want you all to pay attention to the structure of your story……..”
How could she tell her mother that she never felt safe after he left. Only in his hugs with the smell of him did she ever, could she ever, feel safe. She chewed over this and poured herself another bowl of corn-flakes, sensing school time getting nearer and nearer. Her mother had left without giving the bus fare.
Yet again Jane’s leg itched from the nylon thread in the seam of her skirt.
15 She grasped the chair to ease her leg away from the itch, only to put her fingers under her chair and into some freshly placed chewing-gum. “Ugh! Boys are so disgusting!”
“Thank you Jane. I’m not sure what that has to do with careful control of your narrative but I suppose we should be grateful that at least you’ve re-visited our world, even though the visit will no doubt be brief. The trouble with you Jane is that you don’t use the possibilities and talent you have.”
20 Endless possibilities. The muddy brown wet sand, miles and miles of it. She sensed freedoms beyond the edge of her imagination, she would be all creation itself.
“Put your hat on Jane and come here – you’re not going in the sun until I put some cream on you.” Jane submitted to the sun-cream and enjoyed it but also remembered the tug of the harness around her shoulders – tug tug, with her running but not going anywhere.
25 “……and do try to put some images into your writing – do make it come alive.”
The finch, with feathers going in directions they shouldn’t, struggled on its side. The broken leg would not need mending because the shock was already killing the tiny creature. Jane hated the cat with an acid and granite hatred.
“You have ten minutes to finish your story.”
30 Jane sat back on her rump and examined her mother’s radiant face.
She spat out the tulip petals as her sadness entered her.
She was as rigid as the door he had slammed behind him.
She willed the incoming tide to consume her castle and leave only empty sands.
The finch stopped its fluttering and took on the stillness of death.
35 Jane wrote some lines.
Jane felt the tug tug of the harness and struggled to go somewhere.

—–0—–

Jane is, substantially, but not wholly, me. It was an attempt to make the feminine side of my soul ‘walk and talk’

In writing the story I reached back down to early memories with which to ‘clothe’ some of the levels in the streams of consciousness.

In continuing to work with children, or adults, I still sometimes use Jane’s Short Story – as a way to encourage others to create their own stories, made from their own real, and imagined, experience. I discovered how powerful it is if PFC (Philosophy for Children), and creative task-setting, are combined/interwoven – so much so that I believe that the two, when harnessed, together create something akin to ‘exponential development’ i.e the most powerful form of transformative learning. It is still a joy, and a learning experience, when children make their own creations walk and talk, sing and shout, just as Jane became ‘real’ to me, some 9 or 10 years earlier. From time to time I revisit the story and change a few words. Once I also gave it to the same class on succeeding years and asked them to see what they could see compared to their ‘reading’ of the previous year – and to say what differences they felt between the two readings. On the success of this I think that it is worth doing something similar with every class, i.e. for them to re-visit a piece two years running. What they are looking at, with each re-visiting, is, in part, the growth they have had via another year’s experience – a very useful exercise in meta-cognition for the children.

Although it was written when I was in my early fifties I include the story here because it encapsulates some of how autobiography is expressed in even the most creative, or the most abstract, of our work. The story was written in a ‘stream of consciousness’ style to see how well my classes could be at deconstructing the text. It was written in my second year of doing PFC. Sometimes I use it just as a text, sometimes the classes go on to write their own episodes from Jane’s life.

My experience is that children in Year 7 or 8 take a little time to decode the levels in the ‘stream of consciousness’ but then respond most sensitively to the possibilities that exist in and around the story. It seems to work at quite a deep level for some, and very few, except perhaps in initial perplexity, reject the story. It also helps to teach them that story, in its different kinds of truth, can combine re-collected personal experience and meld it with imaginative material. It can be a minor revelation for children who see ‘story is story’ and ‘real life = the truth.

Jane, both as part of my spirit and personal history, and as an independent spirit, has continued to exist, but she has also been transmogrified into the creations of other authors, adults as well as children. It is Jane in the personal myth called Island Shoreline Ocean, presented at the beginning of Chapter 3. My (our) past is re-presented and it is continuously transmogrified, in further re-representations. Each of us re-experiences what we are, as we engage or re-engage, with our beliefs, values, attitudes memories and new experiences. We echo past experiences in each new experience, even when we are seeking to help others in their creativity. Jane’s short story lives on in me as a crystallization of the feelings and images deep in my soul, deep, one might say, in my ‘present’. It has generated versions from 11 – 12 year olds, but also from an 84 year old man who, on one of my courses, wrote the first story he had ever written in his life. (He was pleased and amazed; I was deeply moved by his openness and courage!)

TASK/SUGGESTED LESSONS: It would be fascinating to combine the ideas above with photography!

Great photography blog HERE

Reason and Revelation, Religion and Philosophy – the pre-eminence of Socrates in Baha’i Writings

Source Richard Dawkins – bete noir of many religionists. Source

‘Faith in religion’ and ‘the reason and logic of philosophy’ are in direct opposition – right? We might be forgiven for thinking this is so, given some of what comes out of religions – and out of philosophers. One religion at least seems to elevate philosophy to a high status and to give a pre-eminent position to Socrates in particular. Baha’u’llah, the founder of the Baha’i religion, speaks in glowing terms of Socrates;

…… Socrates … was indeed wise, accomplished and righteous. He practiced self-denial, repressed his appetites for selfish desires and turned away from material pleasures. He withdrew to the mountains where he dwelt in a cave. He dissuaded men from worshipping idols and taught them the way of God, the Lord of Mercy, until the ignorant rose up against him. They arrested him and put him to death in prison. Thus relateth to thee this swift-moving Pen. What a penetrating vision into philosophy this eminent man had! He is the most distinguished of all philosophers and was highly versed in wisdom. We testify that he is one of the heroes in this field and an outstanding champion dedicated unto it. He had a profound knowledge of such sciences as were current amongst men as well as of those which were veiled from their minds. Methinks he drank one draught when the Most Great Ocean overflowed with gleaming and life-giving waters. (Baha’u’llah: Tablets of Baha’u’llah, Page: 146

Depending on how you read phrases like ‘he drank one draught when the Most Great Ocean overflowed with gleaming and life-giving waters’ Baha’u’llah seems to elevate Socrates to a station akin to that of a prophet.

In my SunWALK model reason (using the senses + reasoning) and revelation are seen as two of the ways by which we come to know. Others are;

a) tradition in the sense of the contents of the repositories of Art, Sciences and Humanities and the living traditions that are exercised in various communities.

b) caring by which I mean our heart consciousness that derives from the relationships in which we are embedded and the love and other positive qualities we have received from those with whom we have relationship. (Without having received love it is very difficult to love.)

Interesting piece by Dawkins HERE

Writing your thesis, dissertation, essay or paper – Encyclopaedia of Philosophy of Education – Resource No 1

The Encyclopaedia of Philosophy of Education – a resource when writing your thesis, dissertation, essay or paper

Socrates

A useful resource if you are writing a thesis, dissertation, essay or paper is The Encyclopaedia of Philosophy of Education. It has been developing slowly – being produced by busy people!

Its format is pleasing in that the entries are of sufficient length to constitute short essays and are coupled with sufficient references to take you on to greater depths.

There clearly isn’t much time for editing or strengthening translations. Consequently there are a number of entries that present problems such as this first sentence;

The feminist criticism which in the XIX century emerged in the United States and Europe, even defending the equality of rights, considered the differences between men and women from the biological point of view, respecting the existent dichotomy between the public and private space which also meant to accept the feminine domesticity and subordination to the masculine pattern, besides imprinting on those natural differences an idea of women’s inferiority on account of a greater physical and intellectual fragility, in spite of an undeniable superiority from the moral point of view.

Hmmmmm….. Whether the origin of this painful assault lies in first-language woolliness or clumsy translation major dis-service is done to the cause of gender equality as well as to the reputation of the Encyclopaedia!

However still the project is useful and I hope it flourishes – for several reasons. The main reason is the need to get teacher education back to a core of philosophy of education.

It ought to be able to define its purpose easily as a) giving account of ideas in the Philosophy of Education field and b) giving account of the educational import of the work of philosophers (and others?).

I mention the issue of ‘keeping sharply focused’ the definition of the purpose of the encyclopaedia because of the powerful development of other online resources such as the Wiki Encyclopaedia and the Stanford Encyclopaedia of Philosophy

—–0—–

All postings to this site relate to the central model in the PhD.

Summaries are HERE

Clash of Two Cultures?

Source

In her interesting article All Roads Lead to India Kathleen Raine, on the Resurgence website, quotes the following;

CLASH OF TWO CULTURES

You live in time; we live in space.
You’re always on the move; we’re always at rest.
Religion is our first love; we revel in metaphysics. Science is your passion; you delight in physics.
You believe in freedom of speech; you strive for articulation. We believe in freedom of silence; we lapse into meditation.
Self- assertiveness is the key to your success; self-abnegation is the secret of our survival.
You’re urged every day to want more and more; we’re taught from the cradle to want less and less.
Joie de vivre is your ideal; conquest of desires is our goal.
In the sunset years of life you retire to enjoy the fruits of your labour; we renounce the world and prepare ourselves for the hereafter.
– Hari Dam

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LESSON TASKS: How far and it what ways is the contrasting useful? How far do we think the contrasts are true? What claims could be made to reverse the implied speaker for each statement? Is there a speed of globalisation that will inevitably prevent the good of an older culture from being taken forward? Is the work of ‘integral theory’ writers such as Ken Wilber vital to the need to keep hold of the best of the past – all of our pasts? How can we in education help popularize integral theory?

What does the art work above say about East and West? How would you present visually ‘East and West’?

Knowledge, Knowing and the Unknowable: Head, Heart and the Mystery of Our-selves

Ver 2. as at 4th Aug 2007

PREFACE

This was written as a summary of some of the discussions held during a recent course run with 9 wonderful young women and men. So first and foremost this is for Poppy, Ellie, Jono, Saha, Natalie, Paddy, Jody, Kenny – and Davey.

This is what I feel/think I’ve learned so far;

WHAT’S WRONG?

Because of its lopsidedness and excessive specialization modern science, and thought generally, has got us into a mess. The mess is characterized by our consciousness and life being fragmented, mechanical and excessively materialistic. We need to create a new ‘post post-modernism’ that combines the positives from modernism, post-modernism and pre-modernism.

First of all we have to chose a starting point – because all of life is a circling matrix of connectedness.

THINKING AND FEELING AND BEING – AND BEING ‘MORE THEN’

I am – therefore I think. (Variation on Descartes’ starting point).

We are/You are – thereby I am. (Variation on a Swahili saying).

I am supported in my existence by all of the relationships in which I am embedded – including my ‘significant others’, and those I chose to lead me, and those with whom I chose to identify – so as to become like them or at least possess some of their qualities.

Our being is much more than our thinking, reason and logic – we are 51%, or more, feelings.

Unless our capacities for feeling are attenuated, blunted or simply under-developed.

We are known and knowable – but also exist at levels that are beyond the knowable.

That is we are, in the depths of our being, a mystery to our selves – and to each other.

Thinking is one way to engage with other/s, or the self – and with reality.

Thinking is what we do as part of being – sometimes it is more, and sometimes less, than the feeling/s we are also generating/experiencing. One or the other is in dominance at any one time.

Thinking and feeling are simply different forms of the single human spirit that flows through each of us – and apparently around that ‘space’ we call our inner world or interiority.

What would be a sensible name for the single flow of spirit that switches back and forth between ‘heart’ and ‘mind’? I suggest ‘heart-mind’. ‘Heart-mind’ actually has a long history in Chinese thought.

‘Heart-mind’ is preferable to ‘heart’ and ‘mind’ as some sort of separated ‘organs’.

Heart-mind is interiority – conscious thoughts and feelings, + re-callable memories + that which normally remains in the sub-conscious, such as painful memories.

HEART-MIND (THE ONENESS OF THINKING AND FEELING) AS THE 3 ‘I’, ‘WE’ AND ‘IT’ VOICES OR MODES OF ENGAGING WITH REALITY – AND OF CIOMMUNICATING WITH EACH OTHER

Thought and feeling however don’t account for the fact that we communicate with each other, at any one time, in one of three voices; ‘I’. ‘WE’ and ‘IT’ .

Sometimes our heart-mind/spirit switches into the I mode of artistic-subjective expression and engagement with reality.

Sometimes it switches into the WE mode of caring and other-focused action.

Sometimes it switches into the IT mode of scientific-objective investigation and engagement with reality.

We switch back and forth with great rapidity – unless we are in a meditative state or dreamless sleep. The other 2 voices are always ‘running in the background’.

THE ‘I’, ‘WE’ and ‘IT’ VOICES CORRESPOND TO CREATIVITY, CARING and CRITICALITY

I suggest that the term ‘thinking’ is better thought of as three separate ways in which we engage with reality, with each other – and our selves.

Thinking in the sense of Criticality (inc. philosophy, science maths, Eng. Lit, etc.) is one way for the human spirit to engage with reality. The other two are Caring and Creativity.

Caring focuses on moral truth as caring – action for the sake of others.

Creativity is concerned with subjective truth as a way to engage with reality – its voice says “This is how it has been for me, this is how it looks for me – standing in my ‘skin’.

Criticality focuses on objective truth – in which reasoning and logic are especially important.

Thought and feeling/s are two sides of a single coin – each transforms into the other moment by moment in the dynamics of the heart-mind. This is evident in simple introspection.

Heart-mind, is however socialized into the 3 I, WE and IT voices.

All 3 have cognitive and affective charges at any one time.

The I WE and IT voices are internalizations/socializations of parental voices, school and community voices.

The cultural ‘repositories’ that correspond to the I,WE and IT voices we call the Arts, Humanities & Sciences.

The moral voice is an internalization of early caring and experience – with conscience as the internalization of the parental voice.

There may be sensible connections to be made between left and right brain hemispheres and the UIT and I voices.

It seems sensible to connect the I voice and the mystical since both involve unitive experiences.

In dealing with the Critical IT way of engaging with reality we deal in concepts – but we might agree with Heschel who says “Concepts are delicious snacks with which we try to alleviate our amazement.”

CONCEPTS AS ‘DELICIOUS SNACKS’ – AND ‘AMAZEMENT’ AS THE UNITIVE STATE OF THE MYSTICAL EXPERIENCE

Amazement is the state of union, the unitive state which in its elevated forms is the mystical.

The mystical needs to be recognized as a normal, every-day even, part of being human. It needs de-mystifying and de-rarefying. It is not the sole prerogative of the exceptional such as Joan of Arc or of those who unhelpfully hear voices.

The basic experience is embedded in every day language as when we say, “It took me out of my-self.”

In normal, conceptual, busy-busy life we have a strong sense of ego/self/me-me. But sometimes I forget my self – through a unitive experience.

As the gospel song says;

I’m gonna lay down my heavy load

Down by the riverside

I’m gonna lay down my heavy load

Down by the riverside

Gonna study war no more.

One reading of the ‘heavy load’ is the small self, the ego, the ego boundary that keeps us in the relative hell of separation and pain and suffering.

Contemplation or perhaps deeper meditation is what takes us to the unitive state.

But I don’t think permanent self-loss is the goal because the dynamic lies in going back and forth between the unitive and the duality that is most of everyday life.

In fact I believe that our knowing comes as a consequence of the dynamic that arises from going back and forth between the unitive and duality

LOGIC IS WHAT WE NEED WHEN WE RETURN FROM THE STATE OF AMAZEMENT/MYSTICAL UNION

Logic is a good servant but insufficient as an overall master explanation of what we are, or what amounts to truth.

For example logic can be used impeccably to support the view that God exists, and equally for the view that there is no God.

Logical constructions, like journeys, always start somewhere.

That ‘somewhere’ in our intellectual-spiritual journeys, and dialogue with each other, is always a set of assumptions and viewpoints.

DEVELOPING A NEW PARADIGM – AND REALIZING THAT THE INADEQUACIES OF THE OLD PARADIGM LIE IN ITS SET OF ASSUMPTIONS (BECAUSE THEY LARGELY LIE UNTESTED)

The assumptions, like a geographical position, always imply a world-view.

The assumptions are largely untested like the 9/10ths of the ice-berg that is below the surface.

The world-view can include a range of other assumptions including what it is to be human, what constitutes reality, what is good or bad etc.

The new paradigm that is struggling to be born is characterised by wholeness, flow and realizations of the spiritual nature of being human – the opposites of fragmentation, the mechanistic and the excessively materialistic. Above all it centres on realizing to a much deeper and higher forms answers to the most important of all questions; “What is it to be (fully and positively) human?”

REALIZING UNITY – PERSONALLY OR COLLECTIVELY – IS HELP BY THE GIFT OF WISE VOICES

Individually our happiness depends on our integration – of heart and head, of identity and purpose, of personal development and service to others. One key secret is realizing that mind and body and spirit are all one and the same – the singleness of the life-force, chi, the human spirit.

Collectively we also need deeper realization of unity – that unity is based on the existential reality of being human. Like millions of others I learned this from Shakespeare. Scots would add Robbie Burns.

Unity can not in the social political sphere be achieved through philosophy or theology, both of which depend on reason and logic. Why? Well as the ancient saying goes, ‘The longest journey in the world is from the human head to the human heart, but the shortest journey in the world is from the human heart to the human head.’

Unity can only be achieved via a commitment to the existential reality of being human. We are all human. We strive for a better life. We have loved ones and we all suffer grief and loss……………….

Our theology and philosophy are only games (of reason and logic) that we play – on the ‘foundation’ of incomplete certainty, not-knowing and mystery – and they must take second place to realizing our existential human oneness – and truth and beauty and goodness.- and above all justice as our over-riding interior ‘conditioner’ as well as the chief conditioner in the social and political realms.

Deep unity is realized through our existential sameness. The ‘healthy doubt’ is vital in matters of theology and philosophy. Doubting, just a modicum not a flood, is healthy when it functions as a cousin of tentativeness and humility. Absolute certainty is the condition of the fundamentalist – and the fascist and terrorist. Unity requires something other than closed minds and cold hearts. The co-existence of humility – but without a collapse into the hell of relativity, political correctness and effete values now displayed in so many Western countries. But our unity lies in the state of not-knowing, not in hard and water-tight (heart-tight?) convictions;

“We are united by our doubts and divided by our convictions.” Sir Peter Ustinov

Excesses of certitude cut us off from truth and can lead to horrors of cruelty – the Nazis were certain that Jews, and Gypsies were sub-human.

“Certitude divides and diversity unifies…..We have to elevate religion above politics…..”

H.R.H. Prince El-Hassan Bin Talal of Jordan BBC Newsnight 9th Feb 2006

I am because we are. I am ultimately in a state of not knowing. I see through a glass not darkly, but with imperfect vision – this being an inevitable consequence of being finite.

Speaking personally I can’t live fully up to the truth, beauty, goodness, justice and mystery that I’ve learned (about) so far. This means that I, like us all, need forgiveness; hearts embrace, minds take a stroll together before parting. I/we need for-give-ness as part of the love through which to gain the will to walk on!

Go well.

Roger

Dr Roger Prentice

World-views: understanding our own and other peoples’ world-views

Source

World-view – making clear our own world-view

To be developed.

“Certitude divides and diversity unifies…..We have to elevate religion above politics…..”

H.R.H. Prince El-Hassan Bin Talal of Jordan BBC Newsnight 9^th Feb 2006

“The world presents itself in two ways to me. The world as a thing I own, the world as a mystery I face. What I own is a trifle, what I face is sublime. I am careful not to waste what I own; I must learn not to miss what I face. We manipulate what is available on the surface of the world; we must also stand in awe before the mystery of the world. We objectify Being but we also are present at Being in wonder, in radical amazement.” A. J Heschel
In this section I intend to do two things. Firstly I will make clear my own world-view as it now is. Secondly I will make clear those questions that need to be asked and answered in consciously holding a world-view.

In this process I hope to also identify some of the excesses, and some of the inadequacies that cause so much suffering and grief.

Understanding our own (developing) world view is vital.

It is essential to self-understanding – and to avoiding self-deception.

It includes our our sense of the whole/Whole – the cosmology, and theology.

It includes what we attribute to the culture in which we have grown up and what we attribute to our essential nature – and what is meant by ‘reality’.

Our philosophy – and our behaviour in the world – rests upon, and is shaped by, our world-view.

For the time being the following chart is helpful;

Five Worldviews

A very useful discussion is to be found at SEE http://www.xenos.org/classes/papers/5wldview.htm

They say;

It sometimes seems as if there are more philosophical and religious views than any normal person could ever learn about. Indeed, there are more than six thousand distinct religions in the world today. However, some people are surprised to find that the world’s religions and philosophies tend to break down into a few major categories. These five world-views include all the dominant outlooks in the world today.

REALITY

MAN

TRUTH

VALUES

Chart is adapted from Christianity: The Faith That Makes Sense by Dennis McCallum (Tyndale).

How can we make our teaching and parenting more holistic?

Source – beautiful work at Yellow Cottage Mosaics

Loosening the strait-jacket and increasing the holism

Question: “What is it that constitutes holistic teaching?”

Answer: “The holistic teacher is one who proceeds in all particulars with a sense of the whole –

and who once a lesson (at least) brings the pupils/students back to a sense of the Whole.”

Holistic Education – you must be joking! Fragmentation rules! I know that in the UK at least teachers are in a continually worsening government strait-jacket

So what can you do – starting today – to make your teaching and lessons more holistic and more satisfying for you and for those you teach? Here are a few suggestions.

a) ‘Re-framing’

By re-framing I have in mind that we all habitually use ways of thinking that we were taught or that we have adopted over the years. We can enrich what we do by seeing it in a new light and by then consequently changing how we work.

‘Re-frame’ your thinking via ‘added’ creativity. (SEE quote by Charles Darwin below)

If you are an arts teacher (performing creative or otherwise) see what inspiration can come from the sciences.

If you are a science teacher explore the creative and the humanities to re-fresh your thinking and practice. It was Darwin’s one great regret that he didn’t stay closer to the arts:

“If I had my life to live over again, I would have made it a rule to

read some poetry and listen to some music at least every week…

The loss of these tastes is a loss of happiness, and may possibly

be injurious to the intellect, and more probably to

the moral character, by enfeebling the emotional part of our nature.”

Charles Darwin (quoted in Christian p. 611)

Add the creative suggestions/connections to the presentation and discussion not just as balm for your own soul!

b) Make a deliberate effort to link each activity with other activities. In modelling through your behaviour/talk this ‘making of connections’ you will encourage pupils/students to make such connections. When a pupil/students does make a connection point it out; “Did you see how Juan/Maria made a connection between what we’re doing and the History lesson we did yesterday? Can you see any other connections?”

c) Relate subjects that are specifically concerned with values to values contexts.

d) Point out the creative potential in activities that are not specifically concerned with creativity.

e) Build in some simple form of contemplation/meditation in which the children let go of all of the busy-busy ‘freneticism’ and just ‘sense the whole’ to which we all belong.

NB Even if we could all agree on what constitutes a fully holistic form of teaching/education most teachers are restricted, particularly in the State system. Therefore it makes sense to think of stages or degrees of ‘holising’ given that teachers have such restricted freedom to plan courses.

The above principles will help in moving your teaching several steps toward being fully holistic.

TASK: Is this the crunch question and answer?

It took me 15 years to formulate the key question and provide myself with a reasonably satisfactory answer. (OK I know I’m a slow worker!) I know its very simple – we always overlook the obvious. If you can think of a better answer – or a good alternative – please send me it.

Question. “What is it that constitutes holistic teaching?”

Answer: “The holistic teacher is one who proceeds in all particulars with a sense of the whole – and who once a lesson brings the pupils/students back to a sense of the Whole.”

More questions

Question: What is it that makes of the parts a whole?

Answer:……………………………………

Question: Does a mosaic serve well as a symbol of holism – or is it ‘too mechanical and fragmentary’?

How is it that our consciousness/perception sees beyond parts to wholes?

Answers:……………………..

To Myth or not to Myth, that is the question

Notes on ‘To Myth or not to Myth, that is the question’.

TASK: Explore how the passages below represent experience of the ‘whole and the parts’, mythos and logos, myth and reality etc.

Ken Wilber says;
‘When Spirit is de-mythologized, it can be approached as Spirit, in its Absolute Suchness (tathata), and not as a cosmic Parent. p 214 The Simple Feeling of Being

I take this to be much the same as an appeal to de-anthropomorphise our ‘God-talk’.

Karen Armstrong gives us a compassionate, highly condensed, view of the way that myth has figured in human history and development in her; A Short History of Myth. Compare also;

1) Abraham Joshua Heschel (1971), Man is Not Alone, New York: Octagon Books p.8

‘The search for reason ends at the shore of the known;
on the immense expanse beyond it
only the sense of the ineffable can glide.
It alone knows the route to that
which is remote from experience and understanding.
Neither is amphibious:
reason cannot go beyond the shore,
and the sense of the ineffable
is out of place where we measure, where we weigh…….

Citizens of two realms, we must all sustain dual allegiance:
we sense the ineffable in one realm;
we name and exploit reality in another.
Between the two we set up a system of references,
but can never fill the gap.
They are as far and as close to each other
As time and calendar, as violin and melody,
as life and what lies beyond the last breath.

The tangible phenomena we scrutinize with our reason,
The sacred and indemonstrable we overhear
with the sense of the ineffable.’

2) Ni, Hua-Ching (1997), The Complete Works of Lao Tzu, Santa Monica, USA: Seven Star Communications – Tao The Ching (‘Chapter’ 1)

‘Tao, the subtle reality of the universe
cannot be described.
That which can be described in words
is merely a conception of the mind.
Although names and descriptions have been applied to it,
the subtle reality is beyond the description.

One may use the word ‘Nothingness”
to describe the Origin of the universe,
and “Beingness”
to describe the Mother of the myriad things,
but Nothingness and Beingness are merely conceptions.

From the perspective of Nothingness,
one may perceive the expansion of the universe.
From the perspective of Beingness,
one may distinguish individual things.
Both are for the conceptual convenience of the mind.

Although different concepts can be applied,
Nothingness and Beingness
and other conceptual activity of the mind
all come from, the same indescribable subtle Originalness
The Way is the unfoldment of such subtle reality.
Having reached the subtlety of the universe,
one may see the ultimate subtlety,
the Gate of All Wonders.’

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All postings to this site relate to the central model in the PhD. Summaries are HERE

Heschel quotes – God, Man, Prayer, Life and Death – and video

The following quotes from Abraham Joshua Heschel have been used to start a page on him on WikiQuotes. Many seem to me to give wonderful glimpses of the wisdom and beauty of this great soul:

God

* “Awe is an intuition for the dignity of all things, a realization that things not only are what they are but also stand, however remotely, for something supreme. Awe is a sense for transcendence, for the reference everywhere to mystery beyond all things. It enables us to perceive in the world intimations of the divine. … to sense the ultimate in the common and the simple: to feel in the rush of the passing the stillness of the eternal. What we cannot comprehend by analysis, we become aware of in awe.”

* “God is not a hypothesis derived from logical assumptions, but an immediate insight, self-evident as light. He is not something to be sought in the darkness with the light of reason. He is the light.

* “He who is satisfied has never truly craved, and he who craves for the light of God neglects his ease for ardor.”

* “We are closer to God when we are asking questions than when we think we have the answers.”

Prayer

* “Worship is a way of seeing the world in the light of God.”

* “The issue of prayer is not prayer; the issue of prayer is God.”

* “The focus of prayer is not the self…. It is the momentary disregard of our personal concerns, the absence of self-centered thoughts, which constitute the art of prayer…. Thus, in beseeching Him for bread, there is one instant, at least, in which our mind is directed neither to our hunger nor to food, but to His mercy. This instant is prayer. We start with a personal concern and live to feel the utmost.”
* “The deepest passion in any human being is the craving for meaning of human exsistence- God is the meaning beyond”

Man

* “Man is a messenger who forgot the message.”

* “Man’s sin is in his failure to live what he is. Being the master of the earth, man forgets that he is the servant of God.”

* “The road to the sacred leads through the secular.”

* “Prayer is our humble answer to the inconceivable surprise of living.”

Life and Death

* “Just to be is a blessing. Just to live is holy.”

* “The greatest problem is not how to continue but how to exalt our existence. The call for a life beyond the grave is presumptuous, if there is no cry for eternal life prior for our descending to the grave. Eternity is not perpetual future but perpetual presence. He has planted in us the seed of eternal life. The world to come is not only a hereafter but also a herenow.”

I just found a fragment of video – HERE – http://www.youtube.com/watch?v=I6q1puhkUNg

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All postings to this site relate to the central model in the PhD. Summaries are HERE

SunWALK a model of (holistic) education in a nutshell

SunWALK a model of (holistic) education

The SunWALK model of
spiritualizing (or humanizing) pedagogy sees
human education as: the
storied development of
meaning, which is
constructed, and de-constructed,
physically mentally and spiritually, through
Wise & Willing
Action, via
Loving and
Knowing – developed in
Community, through the
‘Dialectical Spiritualization’ of
Caring,
Creativity &
Criticality processes, all undertaken in the light of the
‘Sun’ of chosen higher-order values and beliefs, using best available, appropriate
content.

So Sun = the values we internalize through which we read the world and see the path ahead.

WALK = Wise and Willing Action driven by Loving and Knowing.

We do the WALKing in the light of the ‘Sun’.

Working with such a model enables teaching and learning to be a spiritualizing/humanizing process and reduces the tendency for education to be just materialistic, mechanistic and atomistic.

—–0—–

All postings to this site relate to the central model in the PhD. Summaries are HERE

TOO CONDENSED? – LONGER VERSIONS HERE!

DIAGRAM of the SunWALK model

Who are you? Who am I? What is human being?

Saw this today – with some quick ideas for a lesson;

“You are the average of the five people
you spend the most time with.”
– Jim Rohn

Are you? Am I?

Do we have an essence? Or are we each an admixture of the roles we play and the relationships in which we are embedded?

Or both?

The best answers I ever found were in Who is Man? by Abraham Joshua Heschel.

The Photo is of Heschel with MLK at Selma – they consider each other to be a ‘prophet’

Is my essence the sum of that with which I identify?

Or is there an essence that is independent of the accidents of personal history ?

—–0—–

All postings to this site relate to the central model in the PhD. Summaries are HERE

Author/Artist/Singer:	Artifacts
Music Title/Track:	Cummin Thru Ya Fuckin Block
Theme ID:	31545
	N/A

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Forty meditation practices

40 meditation practices in 4 positions

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