Education is a mess – is there an integrative way to teach?

I have updated an introduction to the SunWALK model of human-centred studies;Ā 

SunWALK: Summary of the main meanings of the components represented inĀ 
the model and its ā€˜logo-diagram-mandalaā€™ ā€“ providing a teacherā€™s process modelĀ 

Ā 

sunwalk-logo

.

SunWALK: Summary of the main meanings of the components represented inĀ 

the model and its ā€˜logo-diagram-mandalaā€™ ā€“ providing a teacherā€™s process model

Give me a brief introduction:

SunWALK grew out of reflection on many years of teaching children and adults and particularly a period of five years teaching in a RC middle school ā€“ theorizing my practice via a PhD and practising my theory day-to-day.

SunWALK simply says that the quality of all of our lives will be higher if we undertake all education within the framework of deepening our humanity. Ā 

Deepening our humanity is a matter of developing technical competencies within the chief dimensions of the human spirit;Ā Caring (the Humanities), CreativityĀ (the Arts) andĀ CriticalityĀ (the Sciences & Philosophy) ā€“ all in local, national and world Communities. Ā These are the ā€˜4Csā€™ of the model ā€“ 3 intra-personal, 1 inter-personal.

We and our one planet will be better of if all of the technical stuff, from learning to read to Masters degrees in engineering, take place in the context of humanization/the 4Cs. Ā This requires international, national, school & classroom commitment to deepening the best of being human as the context for learning the technical.

We canā€™t afford to have character and morality and compassion asĀ hoped-forĀ accidentalĀ outcomes. Ā Moral Education, PSME, RE etc. donā€™t work as bolt-on extras. Ā They need to be the general context in which competencies are developed.

It is a model based on theĀ energy flowĀ of the human spirit ā€“ that is the given. That is physical, mental and spiritual energy that flows through all living human beings. Ā 

That energy, the human spirit, is the true ā€™stuff of educationā€™. Ā With the best of the past teachers need to equip children to face tomorrowā€™s challenges which will always be a mixture of new problems combined with eternally recurrent problems. Ā Building all education with will be the medium with which the teacher works to nurture and challenge balanced development.

Today we have lost the balance between specialization, and whole-systems thinking and acting ā€“ SunWALK model brings into harmony the best of ā€˜Westernā€™ & ā€˜Easternā€™ world-views.Ā 

OK ā€“ so whatā€™s the ā€˜Sunā€™ and the ā€˜WALK in the modelā€™?

The ā€˜Sunā€™ = the individualā€™s spiritual inspiration & values sources ā€“ accumulated and ongoing, as operating internally and as expressed in speech and behaviour.Ā 

WALK = Willing & Wise Action through Loving & Knowing ā€“ here seen as the general goal for education, and as the interiority, character and behaviour of the student.Ā 

The model/logo combines a range of sub-models including the following:

a) An ā€˜interiorā€™ model of the human spirit ā€“ in relation to ā€˜the worldā€™.

b) A model for re-positioning education within being & becoming human ā€“ in the world with others.

c) A general model of the curriculum ā€“ for primary, secondary and higher education.

d) A framework for the analysis and evaluation of teaching episodes or projects.

e) A model of education that makes non-faith-specific spiritual and moral education intrinsic to all learning.

Ā 

THE MODEL AND THE PROCESSĀ IN ONE (long) SENTENCE: –Ā 

The SunWALK model of spiritualizing pedagogy sees human education as theĀ 

storied

developmentĀ ofĀ 

meaning, which isĀ 

constructed, andĀ de-constructed,Ā 

physically,Ā mentallyĀ andĀ spiritually, throughĀ 

WiseĀ &Ā Willing

Action, viaĀ 

LovingĀ andĀ KnowingĀ ā€“ developed inĀ 

Community, through the

ā€˜Dialectical SpiritualizationĀ [1]ā€™ofĀ 

Caring,Ā CreativityĀ &Ā CriticalityĀ processes, all undertaken in the light of theĀ 

ā€˜Sunā€™ of chosen higher-order

valuesĀ andĀ beliefs, using best available,appropriateĀ 

content.

These underlined concerns are central components and focuses of the practice and theory in the model.Ā 

This is an intense combination of theory and practice. Ā It automatically requires the teacher to practice their theory and theorise their practice ā€“ dynamically as practice-based research. Ā It automatically enables the classroom to be connected to the school & community as a whole and to e.g. a relevant department in a university.

It attempts to suffuse all teaching with the demands, challenges and joy of being human in the world with others. Ā But it seeks to bring together the Whole and the parts, the ineffable and the concepts ā€“ not just concepts because as Heschel (1971:7) says, ā€œConcepts are delicious snacks with which we try to alleviate our amazement.ā€

The diagram/logo/

The outer ring of the SunWALK logo combines two dimensions:

1 ā€˜Community i.e. the social,interpersonal dimension of interaction with other individuals or groups.

2Ā  ā€˜Cultural sourcesā€™ including such dimensions as the traditions, the political & the legal. Ā 

The three major divisions of the arts,sciences and humanities are here thought of as the stored, yet potentially dynamic, accumulation of knowledge and beliefs and procedures ā€“ everything from galleries to written laws of physics that the individual can draw upon or be influenced by. This is the ā€˜stuff out thereā€™ rather than the interiority of consciousness in which there is the perpetual flow and re-shaping, focusing de-focusing etc. of heart-mind.

In SunWALK everything within the inner circle = a representation of ā€˜interiorityā€™, i.e. human consciousness ā€“ the human spirit.Ā 

The human spirit is presented intra-personally as 3 ā€˜voicesā€™ ā€“ 3 modes of being & of engaging with reality & of knowing.

The three emanate from the singleness of ā€˜heart-mindā€™, consciousness. Ā 

They are presented (metaphorically) as the ā€˜primary coloursā€™ ofĀ CreativityĀ (the yellow of inspiration),Ā CriticalityĀ (the blue of reason) &Ā CaringĀ (the red warmth of love).Ā 

Creativity is the ā€˜Iā€™ voice of subjective engagement via an artistic medium ā€“ it is concerned with subjective knowing and is particularly related to the core virtue ā€˜beautyā€™ and its products are of course ā€˜the Artsā€™.Ā 

Criticality is the ā€˜ITā€™ voice of objective engagement which enables progress in the Sciences ( & Maths., Philosophy and ā€˜criticalā€™ studies). It is concerned with objective knowing ā€“ and it is related particularly to the core virtue ā€˜truthā€™. Ā The products of course are the sciences and technology Ā – but also philosophy and critical studies.

Caring is the ā€˜WEā€™ voice which enables moral engagement ā€“ for progress in the moral domain and in service of others. It is concerned with social knowing ā€“ related particularly to the core virtue ā€˜goodnessā€™ and to ā€˜the Humanitiesā€™.Ā 

All three of course need to be conditioned by the pre-eminent virtue of justice. Ā All students need to have these ways of engaging with reality developed in a balanced way. Ā High technical competence combined with moral dwarfism leads to ā€¦ā€¦

The physical dimension is seen as the instrument for the flow of spirit in all of its forms ā€“ e.g. via dance, drama & PE and sports.

Each individual develops her/his I, WE and IT voices, the 3Cs, via socialization, starting in the family, the local community and then later in formal education. A sense of justice is seen as paramount intrapersonally as well as inter-personally i.e. it enables us to engage with that which is beautiful, good or true with balance, clarity & due weight.

The essential process in all 4Cs is multi-level dialogue. In the case of the individual dialogue is seen as meditation, reflection and inner-talk. In the case of groups it is dialectical process via consultation.

The ā€˜Celticā€™ knot that surrounds the central shield indicates that the 3Cs are simply aspects of the one human spiritā€“ the flow of ā€˜heart-mindā€™.

The white shield at the centre represents the meditative state in which there is no ā€˜focusedā€™ engagement via one of the 3Cs ā€“ and in which there is relatively little of the interference or chatter that we experience in the unquiet mind.Ā 

This can enable us to ā€˜go beyond ourselvesā€™, i.e. transcend our normal knowing ā€“ any of the 3Cs (I, WE or IT modes), as gateways, can be a pathway to the transcendent and to subsequent improved insight into reality.

The black dot at the centre is the ā€˜well-springā€™ of consciousness. For artists (and great scientists) it is the Muse. For religionists it is the voice of God within (albeit distorted by the dust of self). For non-religionists it is the inner source of spirit as energy & inspiration ā€“ the bits of realization and insight that come to us for which we donā€™t make an effort.

Educating the human spirit is seen as nurturing, and cultivating, the life-force which culminates in the developed human who, through higher-order consciousness, realizes abilities from within Caring, Creative or Critical engagements.Ā 

Teaching is seen as nurturing and cultivating what is normally present, almost from birth, & certainly by the time we go to school ā€“ namely the flow of spirit expressed in nascent forms of Caring, Creativity, and Criticality ā€“ in Community with others. Holistic Learning takes place when the learner uses Creativity, Criticality and Caring ā€“ in Community ā€“ inspired by higher-order values ā€“ in dynamic combinations such as Creativity providing texts for criticality ā€“ which then, via dialogue, produce/attract the spirit for more creativity.

In SunWALK spirituality is not a dimension; it is the model as a whole. In SunWALK moral education is not a dimension ā€“ it is intrinsic to all of its praxis.Ā 

The SunWALK logo can also be seen as a mandala, or even as a plan drawing for a fountain or an ā€˜arts centre of lightā€™! Ā 

SunWALK is a major shift to a process view of the world, of being human and of educating our young people. It rejects a worldview that is limited to the mechanistic, the ā€˜human-as-computer, the fragmentary and the materialistic; seeking instead modelling that is based on flow/process, holism and the spiritual. Ā Ā 

SunWALK is designed to enable teachers and students to become agents of change to transform a world that is still operated as atomistic, mechanistic and materialistic into one that is holistic, dialogic, and derived from the best processes and products of the human spirit.

The SunWALK logo and model of education Copyright Roger Prentice 1995 & 2009

.

Ā 

—–0—–

SEE ALSO these allied blogs –

Ā Human-centred coursesĀ ā€“

Ā Dictionary of Concepts

Home is HERE i.e. my ‘meta-blog’Ā -The Ā“1000 ways ā€¦of Celebrating the human spirit

Ā 

—–0—–

Ā 

Getting our I, WE & IT voices Balanced – inspired by Ken Wilber

Getting our I, WE & IT Voices Balanced

 

Are your voices in a twist? We each have 3 God-given voices to sing different kinds of songs. Imagine if one voice dominates & consequently the other 2 ‘shrivel’ to almost nothing. Where would we be?

 

Answer ā€“ where we and our world are now. This is how Ken Wilber explains our situation.

 

All great wisdom traditions (and Perennial Philosophy) used to believe in the Great Chain of Being which taught that reality was a rich tapestry of levels starting with matter:

spirit

 

soul

mind

body

 

matter

Wilber suggests reality now is best understood as a Great Nest of Being ā€“ like a set of ‘Russian Dolls’ ā€“ same levels ā€“ ‘matter-body-mind-soul-spirit’ but like an onion. (All are forms of spirit?)

 

He speaks of three historical periods: 1) before the Enlightenment = pre-modernism; 2) after the Enlightenment = modernism; 3) recently = post-modernism.

 

What did the good side of modernism give us? The good side of modernism = we were able to develop separately the 3 voices of I. WE & IT – I, (Art) WE (Morality) and IT (Science)

 

I = the subjective voice that we express in the arts (Beauty ā€“ and subjective truth)

WE = the moral voice that we express in the Humanities including religion (Goodness)

IT = the objective voice that we express in the Sciences (Objective Truth)

 

In pre-modern times I, WE and IT were not separate voices. Before the Enlightenment the Church decided everything. It forced Galileo to recant the truth of what he saw scientifically through his telescope. The Church insisted the sun went around the earth. It also decided what was and wasn’t good, and what was and wasn’t beautiful in the arts.

 

After the Enlightenment modernism gave us three voices developing separately I, WE and IT which were also three separate ways of knowing which I prefer to express thus:

 

‘I knowing’ = the subjective voice in the Arts (Beauty as pleasing patterns en-formed) -Creativity

‘WE knowing’ = the moral voice in the Humanities inc. religion (Goodness as fellow-feeling) -Caring

‘IT knowing’ = the objective voice in the Sciences (Truth as sorting, measuring, replicating) -Criticality

 

The bad side of modernism = the domination by the IT voice (‘Scientism’) to create ‘Flatland’. That is the ITness of science has become so powerful that it has caused the other two voices, more or less, to become invalid. This has been called the dis-enchantment of the modern world.

 

Therefore:

Pre-modernism = science, the humanities & the arts couldn’t develop separate to ‘Church’

Modernism = all three could develop separately (includes separation of Church and State)

Post-modernism means different things to different people a) a reaction against modernism, b) a counter-balance to (Flatland) modernism or c) a continuation of modernism

 

More narrowly postmodernism = the idea that there is no ‘truth’ only interpretations, and all interpretations are socially constructed (by elites to exploit groups e.g. women or colonies)

 

Important in pm = ‘there is no grand narrative’ that binds – such as the Christian story. My answer = ‘yes there is – being human in the world, with others, seeking truth, beauty, goodness and justice = the perennial grand narrative’.

 

The bad side of modernism = the empiricism of science has like a cuckoo forced out ‘I knowing’ and ‘WE knowing’. Inappropriately applying the scientific way of knowing (empiricism) to other areas of life is called scientism . (Creates ‘Flatland’)

 

Fundamentalism is, in part, derived by rejection of modernism ā€“ especially separation of state & religion. Ultimately it = the unwillingness to let the I, WE & IT voices grow separately.

 

The good side of post-modernism ā€“ it teaches us that

1 Reality is not always pre-given, but in some significant ways is a construction, an interpretation. The belief that reality is simply given, is referred to as ‘the myth of the given’.

2 Meaning is context-dependent, and contexts are boundless.

3 Cognition must therefore privilege no single perspective. (SEE Wilber p121)

 

Conclusion: We still validate science (the empirical and the rational), though we teach it poorly, but we don’t validate contemplation. Contemplation can also be thought of as heart-knowing – which is inspiration that follows meditation, especially the experience of at-one-ment/egolessness.

 

Our interior self is a flow of ‘heart-mind’. – separating heart and mind has been a disaster that has invalidated, or diminished, the feminine principle in men and women. (Heart-mind is an ancient idea ‘xin’ or ‘hsin’ in Chinese).

 

I, WE and IT ways need each other. If a person gets inspiration from contemplation (as Einstein did) s/he needs to order it or check it with IT knowing and WE knowing. Science needs I knowing and WE knowing as well. The Humanities need I knowing as well as IT knowing. Art needs WE & IT knowing.

 

Organized religion has suffered because it couldn’t stay clear on I, WE and IT knowing. It has made a comeback via the arts and ‘pick and mix’ spirituality. Its special domain, like art is I knowing – + WE knowing as inspired by what it sees as the revealed word of God.

 

Action needed = The world (especially the religions, governments & parents) need to nurture the I, WE and IT voices to achieve balance and concord. Unity, peace & development depend on validating objective truth and knowing, subjective truth and knowing and the moral wisdom that lies at the heart of all of the great traditions. The call is to the balancing of these three ‘voices’ of the human spirit.

 

My educational model towards this end I have called SunWALK = we need to teach our children, and ourselves, to pursue Wise, Action, through Loving and Knowing guided by the Sun of higher-order values SEE www.SunWALK.org.uk Roger Prentice Email; rogerprentice@bigfoot.com Ver 8.7.06

Adapted from and inspired by the work of Ken Wilber in The Marriage of Sense & Soul

ā€”ā€“0ā€”ā€“

All postings to this site relate to the central model in the PhD. Summaries are HERE

 

Flatland, Modernism, pre-modernism and post-modernism – Ken Wilber’s view

If you’ve struggled with what people actually mean by postmodernism and its relationship to modernism and pre-modernism you might appreciate these extracts from Ken Wilber’s Integral Psychology – I certainly did.

 

See also my other posting on I, WE & IT and also the posting on Mythos and Logos including Karen Armstrong’s work.

 

Modernism, pre-modernism and post-modernism

In other words, the four quadrants (or the Big Three) are actually the underpinnings of the modern differentiation of the values spheres of art, morals and science. Where premodernity had tended to fuse, or not clearly differentiate, the Big Three, modernity clearly differentiated them and set each free to pursue its own path. This differentiation was part of the dignity of modernity, which, in allowing each domain to pursue its own truths, allowed each to make stunning and far-reaching discoveries , discoveries that, even the harshest critics agree, set modernity apart from premodernity.

 

But something else set modernity apart. The differentiation of the big Three went too far into the dissociation of the Big Three : the dignity drifted into disaster, and this allowed an imperialistic science to dominate the other spheres and claim that they possessed no inherent reality of their own (scientism, scientific materialism, one-dimensional man, the disenchantment of the world). Gone was mind and soul and spirit, and in their place, as far as the eye could see, the unending dreariness of a world of its; ” a dull affair, soundless, scentless, colourless; merely the hurrying a material, endlessly, meaninglessly.”

 

And so it came about that virtually the entire spectrum of consciousness, and certainly its higher levels, (soul and spirit), were reduced to permutations and combinations of matter and bodies. Put bluntly, all ‘Is’ and ‘we’s’ were reduced to ‘its’, to objects of the scientific gaze, which no matter how long or hard it looked, could find nothing resembling the Great Nest of human possibilities, but saw only endless patterns of process ‘its’, scurrying here and there. Integral Psychology P.64

—–0—–

 

Thus , it seems that premodernity had at least one great strength that modernity lacked: it recognized the entire Great Nest of Being, which is basically a general map of higher human potentials. But premodernity also had at least one great weakness; it did not fully differentiate the value spheres at any of the levels of the Great Nest. Thus, among other things, objective-scientific investigation of the spectrum was hampered; the specific and often cultural expressions of the Great Nest were taken to be universally valid; and the moral injunctions recommended to all were tied to those limited cultural expressions. Giordano Bruno might have experienced many of he upper levels of the Great Nest, but because the value spheres were not fully differentiated at large and their individual freedoms were not protected by law and custom, the Inquisition cheerfully burned him at the stake.

 

Modernity, on the other hand, did manage to differentiate the Big Three of art, morals and science, on a large scale, so that each began to make phenomenal discoveries. But as the Big Three dissociated, and scientific colonialism began its aggressive career, all ‘Is’ and all ‘we’s’ were reduced to patterns of objective ‘its’, and thus all the interior stages of consciousness ā€“ reaching from body to mind to soul to spirit ā€“ were summarily dismissed as so much superstitious nonsense. The Great Nest collapsed into scientific materialism ā€“ into what we will be calling “flatland” ā€“ and there the modern world, by and large, still remains.

 

Our job, it thus appears, is to take the strengths of both premodernity and modernity, and jettison their weaknesses. Pp 64-65

To re-legitimize other ways of knowing, to work clearly with and between all three I, WE & IT ways of knowing (plus community-tradition) brings the possibility of re-enchantment and balanced development of the individual and of societies!

The model at the heart of this site utilizes Wilber’s triadic structure you can read a summary HERE.

—–0—–

—–0—–

All postings to this site relate to the central model in the PhD.

Summaries are HERE

 

Wilber, heart-knowing, head-knowing, and the 3 ‘voices’ through which we engage with reality

Heart-knowing, head-knowing, and the 3 ‘voices’ through which we engage with reality

The three intrapersonal ā€˜voicesā€™ of human engagement, have previously been presented as Caring, Creativity and Criticality.

Our Caring, Creativity and Criticality ways of engaging are developed through internalizing the voices of parents and family and then all of the Humanities, the Arts and the Sciences experiences we have at school and in the wider society.

 

Corresponding to the three voices we have three ways of knowing:

1 the ā€˜social-others-centredā€™ way of knowing – in the case of Caring

2 the ā€˜subjective-creative-mysticalā€™ way of knowing – in the case of Creativity and

3 the ā€˜objective-reasoning-scientificā€™ way of knowing – in the case of Criticality

So;

Caring, the ā€˜social-others-centredā€™ way of knowing = the internalized voice of the Humanities, and is about engaging with reality via the moral viewpoint

 

Creativity, the ā€˜subjective-creative-mysticalā€™ way of knowing = the internalized voice of the Arts, and is about engaging with reality via the subjective viewpoint

 

Criticality the ā€˜objective-reasoning-scientificā€™ way of knowing = the internalized moral voice of the ‘Sciences’ and is about engaging with reality via the (supposed) objective viewpoint.

 

NB Criticality is wider that what is normally meant by the Sciences and scientific methods. It includes philosophy and such activities as Eng Lit criticism. Why? Because it is about reasoning and other ‘left-brain’ objective activities. The participant assumes the position of being objective and is learning or teaching about phenomena ā€“ s/he is not learning or teaching in the phenomena ā€“ a distinction that correlates with that between ‘knowing that’ (Paris is the capital of France) and ‘knowing how’ (being able to dance a response to a tragic event).

 

Heart-knowing and head-knowing, left-brain and right-brain

Heart-knowing, the ā€˜subjective-creative-mysticalā€™, is seen as partly an innate, intuitive way of knowing and seems to relate to right-brain activities.

 

The ‘methods of the ā€˜objective-reasoning-scientificā€™’voice’ seem to relate to right-brain activities.

 

The third form, i.e. social knowing, is seen as deriving from the cultural interpersonal matrix of family and community relationships, internalized as the Caring seems to draw upon both sides of the brain (as do architects!).

ā€”ā€“0ā€”ā€“

NB All postings to this site relate to the central model in the PhD.

Summaries are HERE

 

 

 

 

Perennial Philosophy or Primordial Tradition?: Huston Smith, Aldous Huxley and Ken Wilber – a view by James Baquet

James Baquet has a very interesting site – Take a look at Baquet’s site HERE It has a lot to say about Perennial Philosophy an the Primordial Tradition;

The modern popularity of the term can probably be attributed to the work of Aldous Huxley (1894-1963), who used the three words “The Perennial Philosophy” as the title of his erudite anthology of religious ideas. (See the Table of Contents here.) In defining the Perennial Philosophy in this book, Huxley doesn’t lay out the same four steps I described above; rather, he (fittingly) gives a more “esoteric” definition:

the metaphysic that recognizes a divine Reality substantial to the world of things and lives and minds; the psychology that finds in the soul something similar to, or even identical with, divine Reality; [and] the ethic that places man’s final end in the knowledge of the immanent and transcendent Ground of all being (vii)

(I discuss this definition, and the following one, more thoroughly in my article “This World and That“, in the section subtitled “Two Definitions of the Perennial Philosophy.”)

Closer to my formulation, but still not identical with it, is the definition he gives in his Introduction to the Bhagavad-Gita (as translated by Prabhavananda and Isherwood):

At the core of the Perennial Philosophy we find four fundamental doctrines.

  • First: the phenomenal world of matter and of individualized consciousness–the world of things and animals and men and even gods–is the manifestation of a Divine Ground within which all partial realities have their being, and apart from which they would be non-existent.
  • Second: human beings are capable not merely of knowing about the Divine Ground by inference; they can also realize its existence by a direct intuition, superior to discursive reasoning. This immediate knowledge unites the knower with that which is known.
  • Third: man possesses a double nature, a phenomenal ego and an eternal Self, which is the inner man, the spirit, the spark of divinity within the soul. It is possible for a man, if he so desires, to identify himself with the spirit and therefore with the Divine Ground, which is of the same or like nature with the spirit.
  • Fourth: man’s life on earth has only one end and purpose: to identify himself with his eternal Self and so to come to unitive knowledge of the Divine Ground.

(bullets added)

My four points are implicit in his, but I spell them out differently. As described here, they are quite similar, but Huxley’s 2 and 3 are reversed in comparison to mine.

Huston Smith

Huxley died (on the same day as JFK) in 1963. While he was still alive, another, younger, scholar was already making his mark on the “world religions” scene. Huston Smith, now in his late 80s (born 1919), has been both expounding and living the Perennial Philosophy for all of his adult life. (I had the pleasure of hearing Dr. Smith speak in 1997, before I went to Japan; someday I’ll post my notes from that afternoon.)

Dr. Smith uses the term “The Primordial Tradition” to discuss what I have been calling the Perennial Philosophy. He believes that, since “perennial” means “at all times,” it neglects the “everywhere” aspect of this philosophy. You can read more about this in this interview. In a nutshell, Dr. Smith says that the Primordial Tradition is both timeless and spaceless as well, “because it was not only always, but everywhere”–echoing Vincent of Lerins. The universe, he says, “fits into the primordial tradition but does not exhaust it. There are reaches beyond the physical.” He says that science is doing a fine job of learning about “the physical reaches of reality,” but that we are in danger of losing sight of the “other regions of reality which continue to exist whether we attend to them or not”–in other words, the “something bigger.”

He also noted that in writing his book The Religions of Man (now published as The World’s Religions), which focuses on what is different in the individual religions, he “became more and more struck by recurrent themes which seemed to surface just time and again like echoes.” Later, in another book entitled Forgotten Truth, he explored these “common denominators that ran through them all.”

Forgotten Truth examines our place in the various levels of the world around us. The modern view, Dr. Smith says, reflects the primordial, in that humans are in the center between a “world above” and a “world below.” Look at this chart, from page 4:

Dr. Smith’s footnote points out these parallels:

2-views.jpg

Modern=Scientific=Secular

Primordial=Humanistic=Sacred

In the Modern/Scientific/Secular view, humans occupy the “Meso-world,” between the larger (in simple terms, “galactic”) world above and the smaller (“microscopic”) world below. The Modern hierarchy is based on both size and the strength of the binding forces; these are measures of Quantity.

Both of the Primordial models, on the other hand, look to measures of Quality: in the popular notion, happiness or “Euphoria” is highest at the Heavenly level, and lowest in Hell; we on Earth are in between. The more sophisticated, “Reflective” Primordial view sees Being as the source of this hierarchy: the Higher Planes participate in Being in greater amounts; the Lower, in lesser. Again, Euphoria and Being are measures of the Quality, not Quantity, of things, and this emphasis on quality unites the Popular and Reflective worldviews.

This kind of connective thinking, seeing that worldviews have changed but that they are still based on hierarchies of Things Above and Below, will be returned to in the discussion of Neo-Perennialism below. But I offer them here as evidence of Dr. Smith’s deep thinking about how the Elementary idea (in Campbell/Bastian’s term) of Hierarchy has manifested itself various times, and even in different forms to the popular and reflective minds of the same era.

Ken Wilber

Reluctantly leaving Dr. Smith for now, we turn to an even more contemporary thinker, Ken Wilber (born 1949). Best known for his Buddhist and psychological writings, Wilber is also a proponent of Perennial themes. In the heart-rending story of his wife Treya’s battle with cancer, Grace and Grit, Wilber presents a long interview on his “Seven Points of Timeless Wisdom,” conducted by Treya before her death. You can read the full interview here; I will present only the Seven Points themselves:

  1. Spirit exists
  2. Spirit is found within
  3. Most of us don’t realize this Spirit within
  4. There is a way out
  5. The way leads to direct experience of Spirit
  6. This experience marks the end of sin and suffering
  7. Social action and compassion result

Looking again at my Four Points, we see these parallels:

Neo-Perennialism Wilber
1. There is something bigger than us 1. Spirit* exists
2. Spirit is found within
2. We either are (West) or seem to be (East) separated from it 3. Most of us don’t realize this Spirit within
3. Through various means we can become reunited with it (or realize that we already are) 4. There is a way out
5. The way leads to direct experience of Spirit
4. Once the separation is overcome, we will lead larger, richer, fuller lives 6. This experience marks the end of sin and suffering
7. Social action and compassion result
*Wilber’s use of the word ā€œspiritā€ leaps ahead and assigns a value to the ā€œsomething biggerā€ in a way that my Point 1 does not. Needless to say, that this quality ā€œis found withinā€ is a further elaboration of something I am not yet willing to concede. This will become clearer in my discussion of Neo-Perennialism below.

Again, a reading of the full interview will give you a better idea of Wilber’s thinking.

So this Perennial Philosophy (despite its immense implications) is a fairly simply idea to grasp. It reflects humankind’s universal impulse toward union with something bigger, which has been exercised in myriad ways throughout human existence. With that, I conclude my comments on the Perennial Philosophy itself.

Take a look at a range of materials on Baquet’s site HERE

ā€”ā€“0ā€”ā€“

NB All postings to this site relate to the central model in the PhD.

Summaries are HERE

Story and storying: the teacher’s self as text in reform of education

Parker Palmer in, The Courage to Teach, (1998 p.3), says that his book:

explores the teacherā€™s inner life, but it also raises a question that goes beyond the solitude of the teacherā€™s soul: How can the teacherā€™s selfhood become a legitimate topic in education and in our public dialogues on educational reform?

It turns out that this site is an attempt to answer Palmerā€™s question.

In a similar vein Sondra Perl (1994), (in Laidlaw, Mellett and Whitehead 2003) says:

Stories have mythic powers. To know this ā€¦ is to know the shaping power of the tale. But how, I wonder, do we see beyond the boundaries of a familiar story and envision a new one? What, in other words, are the connections between texts we read and the lives we live, between composing our stories and composing ourselves?

Stories are one answer to the question; ‘What is it that makes of the parts a whole?’.Ā  Story-making of our experience is in-built.Ā  Conversely we tend to read the world according to the stories to which we subscribe, or that we ourselves have created.Ā  A religious world-view would be an example of the former.Ā  Concerning personal stories and how we construe the world see the psychology, and methodology, of George Kelly HERE

I am seeking on this site, and have sought in my thesis, to see beyond the familiar stories of my life, and of education as it is has been, and, through ‘a re-composing’ of my life via autobiography, my teaching and dialogues, I have sought to envision a new story for education.Ā  This is what is meant by ‘applied autoethnography’.

Personal Helicon by Seamus Heaney; resonance, memory, self-understanding and depths of the soul

well-of-life.jpgSculpture the ‘Well of Life’, Zagreb – source

I chose the following poem by Seamus Heaney (1996 p.14) as ā€˜the poemā€™ for my doctoral thesis because it shows beautifully how we resonate now, in relation to what we sensed and experienced as children. It also shows how, through metaphor, the objective connects with the subjective to thrill, to the very quick of our being.

About the poem, Personal Helicon Pelligrino (2003 p.1) explains;
Mount Helicon is a mountain in Greece, that was, in classical mythology, sacred to Apollo and the Muses. From it flowed two fountains of poetic inspiration. Heaney is here presenting his own source of inspiration, the “dark drop” into personal and cultural memory, made present by the depths of the wells in his childhood. Now, as a man, he is too mature to scramble about on hands and knees, looking into the deep places of the earth, but he has his poetry ā€“ and, thank God, so do we.

Of course if Heaney was reading it we would have that wonderful voice, like an aromatic tree giving up the sap, and perfuming the air with all the good things from the soil.

Personal Helicon by Seamus Heaney
for Michael Longley

As a child, they could not keep me from wells
And old pumps with buckets and windlasses.
I loved the dark drop, the trapped sky, the smells
Of waterweed, fungus and dank moss.
One, in a brickyard, with a rotted board top.
I savoured the rich crash when a bucket
Plummeted down at the end of a rope.
So deep you saw no reflection in it.
A shallow one under a dry stone ditch
Fructified like any aquarium.
When you dragged out long roots from the soft mulch
A white face hovered over the bottom.
Others had echoes, gave back your own call
With a clean new music in it. And one
Was scaresome, for there, out of ferns and tall
Foxgloves, a rat slapped across my reflection.
Now, to pry into roots, to finger slime,
To stare, big-eyed Narcissus, into some spring
Is beneath all adult dignity. I rhyme
To see myself, to set the darkness echoing.

ā€”ā€“0ā€”ā€“

All postings to this site relate to the central model in the PhD. Summaries are HERE

The Whole and the parts, awe and concepts, head and heart

loch_awe_wild_island-600.jpgSource

Central to Heschelā€™s belief and teachings was that we should stay in touch with that experience of the Whole that engenders awe and wonder (what he also calls ā€˜radical amazementā€™). He says that;

The secret of being human is care for meaning. Man is not his own meaning, and if the essence of being human is concern for transcendent meaning, then manā€™s secret lies in openness to transcendence. Existence is interspersed with suggestions of transcendence, and openness to transcendence is a constitutive element of being humanā€¦ā€¦. Indeed, the concern for meaning of human being is what constitutes the truth of being human. A J Heschel P66 Who is Man 1965 Stanford Unity Press

This emphasis on at-one-ment however is not to the exclusion of our duality with the ā€˜realā€™ world:

The search for reason ends at the shore of the known;on the immense expanse beyond it only the sense of the ineffable can glide.It alone knows the route to that which is remote from experience and understanding. Neither is amphibious: reason cannot go beyond the shore,and the sense of the ineffable is out of place where we measure, where we weigh. Citizens of two realms, we must all sustain dual allegiance:we sense the ineffable in one realm;we name and exploit reality in another. Between the two we set up a system of references,but can never fill the gap They are as far and as close to each otherā€¦as life and what lies beyond the last breath. Man is Not Alone p8.

We learn through the dynamic switching between experiences of the Whole and experiences of the parts. Wilber also helps illuminate the ā€˜dance between the Whole and the parts;

ā€œTo understand the whole it is necessary to understand the parts. To understand the parts, it is necessary to understand the whole. Such is the circle of understanding. We move from part to whole and back again, and in that dance of comprehension, in that amazing circle of understanding we come alive to meaning, to value, and to vision: the very circle of understanding guides our way, weaving together the pieces, healing the fractures, mending the torn and fractured fragments, lighting the way ahead – this extraordinary movement from part to whole and back again, with healing the hallmark of every step, and grace the tender reward.ā€

Eye of Spirit; an integral vision for a world gone slightly mad by Ken Wilber (1997)pub. Shambhala p.1.

Since on this site, and in the Build a Better Model of Education course, we are about to become ā€˜traders in conceptsā€™ we should keep in mind Heschelā€™s wonderful statement:ā€œConcepts are delicious snacks with which we try to alleviate our amazementā€- A. J. Heschel, Man Is Not Alone p.7

This need to experience the Whole as well as focusing on parts, such as concepts, is also contained in the following metaphor:ā€œThe larger the island of knowledge,the longer the shoreline of mystery.ā€ Anon

The above quotations teach us a lot about the theme of ā€˜parts and the Wholeā€™. Another major theme is that of generacy, as opposed to degeneracy. This includes the ability to see particulars as part of the Whole in such a way as to experience their full significance (and perhaps stop time and go beyond place). The alternative to being taken out of yourself is to be eternally burdened with self!

ā€”ā€“0ā€”ā€“

All postings to this site relate to the central model in the PhD. Summaries are HERE

ā€˜To see a world in a grain of sandand a heaven in a wildflower,

Hold infinity in the palm of your hand,and eternity in an hour.ā€™ William Blake

40 Meditation Practices – the Chris Corrigan collection

buddha.jpgSource Wiki on Meditation

A certain Chris Corrigan has assembled 40 meditation practices (a few links need re-newing)

 

 

Forty meditation practices

 

40 meditation practices in 4 positions

Walking Meditation

Standing Meditation

Sitting meditation

Lying meditation

Be sure to visit Chris Corrigan’s amazing collection of stuff HERE

ā€”ā€“0ā€”ā€“

All postings to this site relate to the central model in the PhD. Summaries are HERE

What is art? – definitions

tate_modern_london_2001_07.jpgSource

What is art?

One definition that works for me is;

Art is culturally significant meaning, skilfully encoded in an affecting, sensuous medium.

Richard Anderson quoted in Freeland (2001 p. 77)

I would make one change;

Art is culturally, and personally, significant meaning, skilfully encoded in an affecting, sensuous medium.

There is a whole range of art that I know has cultural meaning but for it to enable an aesthetic experience in me it has also to have personal as well as cultural meaning.

TASKS:Lesson questions

How far, and in what ways, has art , through the dominance of conceptual art, replaced philosophy?

How far, and in what ways, has art replaced religion?

More resources

Extensive quotations from Tolstoy at Professor Julie van Camp’s site are HERE

ā€”ā€“0ā€”ā€“

All postings to this site relate to the central model in the PhD. Summaries are HERE

Story and Personal Myth in making our selves, and our education, whole

island.jpg

My personal myth Island, Shoreline and Ocean ā€“

a view of story in Personal Development and in Holistic Education

Introduction:

By way of an introduction here are a few succinct thoughts. Skip this if you want to go straight to my ‘personal myth’;

Myth operates in us – its part of being human – like philosophizing. Therefore we should make the most of it – in terms of the mythology we make, and that with which we choose to identify.

Story is central to our meaning-making and how we (choose) to make sense of the world and give account of our encounters and experiences.

Myth, as opposed to story generally, is about our deepest concerns and is characterized as narrative that gives account of the unknown and unknowable as well as some of the known. E.g. we die but we don’t know what, if anything, happens after that. Myth creates and is derived from beliefs.

Myth intrapersonally is the clothing we give to the psycho-spiritual dynamics of inner experience.

Myth interpersonally is the stories we tell each other to explain encounters with the (mainly) unknown and unknowable.

Karen Armstrong’s A Short History of Myth is a must because it makes clear the relationship between myth and religion and world-views.

“Without myth, cult, ritual and ethical living, a sense of the sacred dies,” says Armstrong. Without the discipline of mythical thinking and practice, it was difficult for many to avoid despair. The dark epiphanies of the 20th century can be blamed on “the absence of a viable mythology” that could help us face the unspeakable. Guardian review by Tim Radford

A personal myth operates in us whether we choose to articulate it or not. It is closely allied to what one psychologist called ‘our personal script’ and the another (Kelly) called our set of ‘personal constructs’.

We can help in healing ourselves by articulating our personal myth in comparison and contrast to the group myths around us – or that exist as historical artifacts.

Restorying, (e.g.by writing different versions of) our personal myth can enable us to re-frame our personal experience and gain degrees of control and depths of energy that previously were denied us through locked-up pain.

Creating a personal myth can facilitate better self-understanding and there is potentially a powerful tool for teaching and learning.

My personal myth is here;

The ‘Island, Shoreline and Ocean’ personal Myth

The personal myth that follows was written as a ā€˜one-pageā€™ way of expressing a) a sense of the relationship with the cosmos, the Whole, and b) of a range of the ideas in, and behind, SunWALK. Jane is part of me, perhaps the same Jane as in Janeā€™s Short Story in Chapter 1.

The personal myth is an attempt at re-storying one kind of knowing. A felt need to undertake a re-storying of knowing can lie in acknowledgement of the fact that we know, and need to know, and need to express that knowing, in more ways than the empirical-reasoning mode ā€“ hence Island, Shoreline, Ocean. To admit other ways of knowing, is to admit that in our wholeness we are more than our senses and our reasoning. It is also to admit that in our knowing we are surrounded by mystery, which we encounter. We in various ways give accounts of those encounters.

3:3 Island, Shoreline and Ocean

a personal myth concerning the nature of mystical experience & its relationship to consciousness, & to knowledge creation ā€“ as such it is an attempt to include as much as possible of what I learned during the eleven year journey of the thesis – in a ā€˜one pageā€™ story

The sun always woke her. Every day Jane walked through her garden, inspecting this plant and that, analysing what needed to be done. The quest was never-ending. Sometimes she sat a while on an old tree stump in order to consider the tasks and challenges, trying to work out the feelings and puzzles of what didnā€™t seem quite right, what didnā€™t feel quite right. What she couldnā€™t physically arrange she sometimes tried to paint or write ā€“ she had an imaginary garden as well as a real one. Sometimes she looked at her neighboursā€™ gardens, wondering if that would give her inspiration, but she was always left with the feeling that her most important answers came from elsewhere.

Every day beneath the practical considerations she felt a longing. Having made her review of her garden Jane walked over the fields, across the two streams that eventually made their way down to the sea, and along the cliff, and down to the shoreline. At the shoreline she breathed in her sense of the infinity of the ocean, along with the ozone-heavy, sea-weedy, sea air.
Frequently she imagined the islandā€™s shoreline around the islandā€™s circumference. In her mindā€™s eye she saw each place being shaped in some different way by the ocean – which was sometimes gentle, and was sometimes awesome in its relentless might. Sometimes the feelings that filled her were so powerful that she was overcome. Sometimes the beauty of being in the presence of the ocean was so great that she felt that neither garden nor painting nor poetry would ever fully satisfy the deepest longing.

Often after such reverie she slipped into the sea.

The sea had so much salt that she just floated. And, when the temperature was right, in floating, eyes closed, she lost all sense of where she ended and where the surrounding sea began. There was no separate sea, no separate self – it was just ā€¦.. being. It was always that way, just being. At such times she felt both full and empty, both powerless and at that same time she felt herself to be the very ocean that insistently carved and re-carved the island shoreline.

Mostly at that point she just wanted to stay, to be just part of this place between land and sea, like a driftwood sculpture, ocean-polished, that had been thrown up after a long journey from some river bank, high up some vaguely-remembered river. The shoreline was exquisitely the best of places. But she always took that first step. A first step on the walk back to her garden. And with the walking the experience that was ineffable started to give up insights and possibilities to both refine the garden, and to extend it into some more of the islandā€™s familiar, wilderness, space.

In the evenings she and her friends sat beneath the moon, in whichever was the most interesting of their gardens, at that particular time, and they discussed the issues that concerned them. They all, more or less, had similar such deep experiences as Jane. The ongoing conversation was what united them, along with their respect for how they clothed so differently, in imagination and form, the experiences that were ineffable.
C. from an unpublished doctoral thesis by Roger Prentice, Northumberland ver July 2003

—–0—–

Karen Armstrong’s book A Short History of Myth is HERE NB Read the Customer Reviews which are excellent and ignore the Editorial Reviews which are carping, mean-spirited and self-serving!

Relevant book that looks interesting Restorying Our Lives: Personal Growth Through Autobiographical Reflection HERE

Island map SOURCE

ā€”ā€“0ā€”ā€“

All postings to this site relate to the central model in the PhD. Summaries are HERE

Postmodernism and Modernism as the Frame and The Mirror

bush-faces-of-the-dead-795931.jpg‘Bush faces of the Dead – Source and a PoMo (Postmodern) primer

Postmodernism as the Frame and The Mirror

Further to my previous post re postmodernism I found this useful and stimulating;

“If the postmodern is a collage — as some critics have suggested — or if collage is itself a kernel of the postmodern, what does this mean for our way of understanding the world?” The Frame and the Mirror uses this question to probe the distinctive character of the postmodern situation and the philosophical problem of representationā€¦ā€¦ā€¦ā€¦

More than an introduction to the postmodern, The Frame and the Mirror advances our understanding of the contemporary world by relating its features to the peculiar characteristics of collage. Ultimately, Brockelman shows how collage demands that we reinterpret modernity, conceiving of it as suspended between a loss of certainty and a new kind of knowledge about the human condition.

In doing so, his work challenges many of the claims made in the name of postmodernism — and offers in their place a new and ironic view of the cultural space in which contemporary and historical events occur.

from a review of The Frame and the Mirror: On Collage & Postmodernism by Thomas P. Brockelman 2001 Northwestern Uni Press

—–0—–

This is only a fragment from a review but the key idea is that the past ideal was to mirror reality – either external reality as in a landscape or ‘internal reality’ in say the agonized energy of Van Gogh paintings. Now there is much greater consciousness about any ‘frame’ (context) that surrounds an object. Often there is much greater understanding about the ‘who, when, why, for whom, how etc’ of its creation.

 

In this spirit of postmodernism we can re-contextualize or re-frame anything from the past – for any one of numerous reasons. Reasons might include attacking the current status quo or attacking the status quo at the time of the original objects original creation.

 

This provides endless opportunities for novelty. We can take anything and re-contextualize it to create endless kaleidoscopic novelty. But do we also need a fixed point, an orientation, a harbour in a sea of change? I believe we do. That is we need a balance between that which is fixed and that which is open to change. But we can’t return to the past. Going back to earlier forms or over-simplified forms (fundamentalist religions) is to duck reality. The only position that can satisfy current challenges is a universalist one that includes a new form of humanism. Yes include the great world religions and philosophies – whatever leads us to be more just, true, good and beautiful. This universalist position above all recognizes oneness and arises from empathy and compassion towards all others of the species. Our humanity is our resistance to endless novelty that without some fixedness will only bring insanity.

 

The ‘portrait’ of President Bush is a kind of mosaic through artificial pixilation. It is also an astonishing assault on the normal conventions of portraiture as well as carrying its political and anti-war message. The image resonates with meanings and part of that is that it refers to modern digital communication except the ‘pixels’ are themselves the images of the fallen. The portrait itself is re-framed – and it reframes the meaning of this particular portrait.

 

 

—–0—–

Postmodernism at Wiki

Interesting site here on modernism postmodernism and architecture

ā€”ā€“0ā€”ā€“

All postings to this site relate to the central model in the PhD. Summaries are HERE

 

 

 

 

 

Texts and Contexts and the Ultimate context – post-modernism and dinosaurs

jigsaw-green.jpg

All postings, and pages, for this site are seen as texts as in ‘particulars’ or parts. But each post or page is as I will later point out in relation to an ‘ultimate’ context.

The parts or particulars are as in Wilber;

“To understand the whole it is necessary to understand the parts. To understand the parts, it is necessary to understand the whole. Such is the circle of understanding.

We move from part to whole and back again, and in that dance of comprehension, in that amazing circle of understanding we come alive to meaning, to value, and to vision: the very circle of understanding guides our way, weaving together the pieces, healing the fractures, mending the torn and fractured fragments, lighting the way ahead – this extraordinary movement from part to whole and back again, with healing the hallmark of every step, and grace the tender reward.” Eye of Spirit; an integral vision for a world gone slightly mad by Ken Wilber (1997) pub. Shambhala p.1.

Handling more and more challenging texts is one way to think of progress in education.

One aspect of post-modernism is the attention paid to con-texts. Literally con-text = what (meaning) comes with the text. A whole bunch of questions then become vital for examining the the text in one or more contexts. For example who wrote it or made it and for whom – and why, with what reward, what pressures etc.

One key variable then for the teacher is how s/he emphasizes (or de-emphasizes) contexts as s/he conducts discourse with the class.

I always felt that historical contexts were less important than how a text helps us right now- the group – in informing our selves more deeply concerning, ‘What it is to be positively and fully human’.

One source of novelty in post-modernist art is to re-contextualize objects – literally to give them a new framework. A friend got her first-class honours degree for – amongst other pieces of work – taking a reproduction of an old master and tucking under the arm of a central figure a baby dinosaur.

The most memorable teaching of my life was with a group 12-13 year olds when discussing the shortest story in the world, “When I woke up the dinosaur was still there.” All the drive and creativity was in construction of possible contexts as well as discussing whether or not it constitute a ‘story’ in any meaningful way. In due course I will post sections of the video of the ‘story lesson’.

Schools and teachers should provide experiences that help with developing a sense of the Whole and not just the ‘hell of relativity’ when the world is presented as just endless bits.

The ultimate context that we are all in, in reading all of the texts that come our way, is one of mystery, of not knowing. When we accept that we can enjoy both the concepts of separation and duality and the amazement of laying down the burden of self in an experience of unity- as in Heschel’s;

ā€œThe world presents itself in two ways to me. The world as a thing I own, the world as a mystery I face. What I own is a trifle, what I face is sublime. I am careful not to waste what I own; I must learn not to miss what I face. We manipulate what is available on the surface of the world; we must also stand in awe before the mystery of the world. We objectify Being but we also are present at Being in wonder, in radical amazement.ā€ A. J Heschel

Peter Ustinov makes the point in a different way; “We are united by our doubts and divided by our convictions.”

Our encounters with the Whole are part of the personal story (history or her-story) that we make up to explain the cosmos. We should all write our ‘personal myth’ at some stage. As an example I will post mine separately.

In the light of the above comments I have added this to the front page of the site;

CONTEXTUAL QUESTIONS AND ANSWERS


3 Questions and suggested answers that provide the context for all posts and pages on these sites

ā€”ā€“0ā€”ā€“

Q 1) ā€œWhat is it to be positively & fully human?ā€ = the most important of all questions. My answers are in 2 and 3 below.

 

ā€”ā€“0ā€”ā€“

 

Q 2) ā€œWhat is it to function holistically?ā€ My answer =

 

ā€œTo proceed in all particulars with a sense of the whole.ā€

 

Two quotations that are key to understanding. Firstly Jungā€™s,

 

ā€œThe utterances of the heartā€” unlike those of the discriminating intellectā€” always relate to the whole.ā€

 

Secondly Heschelā€™s;

 

ā€œConcepts are delicious snacks with which we try to alleviate our amazement.ā€

 

ā€”ā€“0ā€”ā€“

 

Q 3) How in one sentence does my PhD answer the question, ā€œHow should we educate to create a paradigm shift in education?ā€

ā€”ā€“0ā€”ā€“

The SunWALK model of spiritualizing (or humanizing) pedagogy sees human education as:

 

the storied development of meaning, which is

constructed, and de-constructed,

physically, mentally and spiritually, through

Wise & Willing Action, via

Loving and Knowing ā€“ developed in

Community, through the

ā€˜Dialectical Spiritualizationā€™ of

Caring, Creativity & Criticality processes, all undertaken in the light of the

ā€˜Sunā€™ of chosen higher-order values and beliefs, using

best available, appropriate content.

 

NB Please see these 3 questions, and suggested answers, as the context for all postings and pages on these sites.

sunwalk-logo.jpg

The diagram that pulls everything together

Summaries of SunWALK model are HERE

—–0—–

The ‘Rules for being Human’, Perennial Philosophy and Universalism

life-rules-fist-and-rosedsarose.jpg

These ‘Life-Rules’ by Cherie Carter-Scott, from her book If Life is a Game, These are the Rules are becoming well-known and they seem to me to be are interesting in relation to a holistic perspective, and to the ideas of Perennial Philosophy and a mystical world-view.

When you were born, you didn’t come with an owner’s manual; these guidelines make life work better.

1. You will receive a body. You may like it or hate it, but it’s the only thing you are sure to keep for the rest of your life.

2. You will learn lessons. You are enrolled in a full-time informal school called “Life on Planet Earth”. Every person or incident is the Universal Teacher.

3. There are no mistakes, only lessons. Growth is a process of experimentation. “Failures” are as much a part of the process as “success.”

4. A lesson is repeated until learned. It is presented to you in various forms until you learn it — then you can go on to the next lesson.

5. If you don’t learn easy lessons, they get harder. External problems are a precise reflection of your internal state. When you clear inner obstructions, your outside world changes. Pain is how the universe gets your attention.

6. You will know you’ve learned a lesson when your actions change. Wisdom is practice. A little of something is better than a lot of nothing.

7. “There” is no better than “here”. When your “there” becomes a “here” you will simply obtain another “there” that again looks better than “here.”

8. Others are only mirrors of you. You cannot love or hate something about another unless it reflects something you love or hate in yourself.

9. Your life is up to you. Life provides the canvas; you do the painting. Take charge of your life — or someone else will.

10. You always get what you want. Your subconscious rightfully determines what energies, experiences, and people you attract — therefore, the only foolproof way to know what you want is to see what you have. There are no victims, only students.

11. There is no right or wrong, but there are consequences. Moralizing doesn’t help. Judgments only hold the patterns in place. Just do your best.

12. Your answers lie inside you. Children need guidance from others; as we mature, we trust our hearts, where the Laws of Spirit are written. You know more than you have heard or read or been told. All you need to do is to look, listen, and trust.

13. You will forget all this.

14. You can remember any time you wish.

(From the book “If Life is a Game, These are the Rules” by Cherie Carter-Scott)

TASK:/LESSON

1 Take a look at Perennial Philosophy and the Golden Rule and compare and contrast them to Carter-Scott’s ‘Rules’.

2 Re-write these according to your beliefs and world-view.

3 Find out what Cherie Carter-Scott meant by reading her book.

ā€”ā€“0ā€”ā€“

All postings to this site relate to the central model in the PhD. Summaries are HERE

The Golden Rule as one aspect of the world-view shared by most holistic educators

rule.jpg

The Golden Rule

Two aspects of the world-view shared by most holistic educators are Perennial Philosophy (see separate post) and the Golden Rule.

 

 

One measure of the challenge facing us is in the following. In looking for short definitions that might be useful I was struck by the fact that several (many?) Western encyclopedias actually refer to the Golden Rule as a Christian doctrine! Ethnocentricity rules! The point is also well pinned down in an interesting article from Arab News by Iman Kurdi

Below are some of the most interesting sites that present and explore the Golden Rule along with some suggestions for lessons and all ages.

 

http://www.jcu.edu/philosophy/gensler/goldrule.htm

http://www.goldenruleradical.org/

Home

 

SOME SUGGESTIONS FOR LESSONS/Discussion

1 In what sense is the Golden Rule the same as or different to acting justly?

2 Collect some examples, via interviews, of where the Golden Rule was applied with good effect?

3 Choose several of the problems that exist in the world and see how far you can a) analyze the problem and b) obtain inspiration for steps toward a solution.

poster.gifSource – for your poster Golden Rule info and much more

 

A TOUCH OF IRONY: The Wiki entry on the Golden Rule currently shows the price of democracy in that it is hung up in disputes! Re-named as the Ethic of Reciprocity – has it been hijacked or up-lifted by philosophers! I’m sure it will settle eventually – in the mean time there is a lot of good stuff alread on the site – including additional sources.

ā€”ā€“0ā€”ā€“

NB All postings to this site relate to the central model in the PhD.

Summaries are HERE

 

 

 

 

Gandhi, certainty and the ‘Healthy Doubt’ – as the basis for ‘federating’ common ground

mohandas_gandhi_resized_for_biography.jpg

Whatever our religious background we tend to say something equivalent to, ‘I know that my Redeemer liveth’. This is an assertion of certainty. For some of us strength of certainty is an indicator of the quality of faith. Unfortunately, to take an extreme example, unconditioned certainty can lead to unspeakable horrors – the Nazis were certain that their killing of millions was a right and proper thing to do. So is a smidgen of doubt, the cousin of humility? And might it also be that such a conditioner of faith as a ‘healthy doubt’ hold us back from continuously negating ‘the other’.

I’m also suggesting that water-tight, hermetically-sealed certainty might put a break on an individual’s willingness to recognize the essential sameness in all of the world’s great faiths. Why can’t we be one? Well because we think our path up the mountain is the only right one – and because we are familiar and comfortable with it.

I can only think of three possible solutions. Firstly we all become Baha’is, Unitarians or or some form of Universalist worldview. Secondly we all wait to see which religion dominates and then hop on board (a time-honoured method but not out of Morality’s top drawer). Thirdly we take a leaf out of Ghandi’s book and expand our heart and consciousness so that we can revere our own tradition and the inner essence of all of the other great world religions.

Gandhi said;

I came to the conclusion long ago ā€¦ that all religions were true and also that all had some error in them, and whilst I hold by my own, I should hold others as dear as Hinduism. So we can only pray, if we are Hindus, not that a Christian should become a Hindu ā€¦ But our innermost prayer should be a Hindu should be a better Hindu, a Muslim a better Muslim, a Christian a better Christian. (Young India: January 19, 1928)

This is interesting because it suggests that we can have a universal heart that works from within the particular. Is that possible? Is it only possible for a few? Whether or not we go with Ghandi ‘s ‘particular-to-the-universal way we need to break through from narrow-mindedness and close-heartedness. To be able to cherish both the particular culture into which we were born and have a heart that embraces the inner light of all of the great world religions seems to me to make sense – just as federalism makes sense in say America or Germany.

There are some other of Ghandi’s thoughts that are relevant to the view expressed here;

  • God has no religion
  • My whole soul rebels against the idea that Hinduism and Islam represent two antagonistic cultures and doctrines. To assent to such a doctrine is for me a denial of God.
  • We must respect other religions, even as we respect our own. Mere tolerance thereof is not enough.
  • A religion that takes no account of practical affairs and does not help to solve them is no religion.
  • (When asked if he was a Hindu) Yes I am, I am also a Muslim, a Christian, a Buddhist, and a Jew.
  • ā€œThe sayings of Muhammed are a treasure of wisdom not only for Muslims but for all of mankind.ā€
  • The most heinous and the most cruel crimes of which history has record have been committed under the cover of religion or equally noble motives. Source WikiQuotes

If we can’t quite yet expand our consciousness to recognizing the inner oneness of all of the great faiths at least the Golden Rule (separate postings) is an ethic through which we can start to clear a meeting place within the forest of beliefs.

It is only beliefs that prevent the realization of our oneness. And it is only realization of oneness that will enable us to overcome our current ‘hardening of the hearteries’. That ‘hardening of the hearteries’ = beliefs so narrowed as to prevent us seeing ourselves reflected in the eyes of the ‘other’.

PERENNIAL PHILOSOPHY – TWO VIEWS A) BY KEN WILBER AND B) BY DEB PLATT

wilber-ken-b-w.jpg

Even a cursory glance at the ideological and physical conflicts of today will indicate the desperate need for understanding that enables a ‘clearing in the forest’ of beliefs – one that will enable harmony in diversity.

.

On this site I argue that the deepest recognition has to lie in our humanity which we hold in common with all others – I am human, you are human, they are human – we all are human. However since religion exists in many and powerful manifestations the most important of all questions is, “In what ways is there a common light at the centre of of all of the great world religions?” The answer is presented in Perennial Philosophy. Perennial Philosophy is not a particularly good title – something like ‘core mystical reality’ or ‘the great chain of being’ are more accurate, albeit much clumsier titles.

In many ways the appeal to recognize sameness in others, harmony in diversity, is also a call to a kind of federalism. That is to say such a recognition will enable the people of the world to hold an allegiance to the whole as well as to the particular – much as most Americans or Germans hold an allegiance to their national government as well as to their state governments.

.

HERE IS HOW KEN WILBER SUMMARIZES THE SEVEN MAJOR POINTS OF THE PERENNIAL PHILOSOPHY, IN HIS BOOK GRACE AND GRIT:

1. Spirit exists.
2. Spirit is found within.
3. Most of us don’t realize this Spirit within, however, because we are living in a world of sin,
separation, and duality–that is, we are living in a fallen or illusory state.
4. There is a way out of this fallen state of sin and illusion, there is a Path to our liberation.
5. If we follow this path to its conclusion, the result is a Rebirth or Enlightenment, a direct experience
of Spirit within, a Supreme Liberation, which–
6 marks the end of sin and suffering, and
which
7 issues in social action of mercy and compassion on behalf of all sentient beings.

.

THIS IS HOW DEB PLATT PRESENTED HER LATE LAMENTED SITE ON WHICH SHE BROUGHT TOGETHER A VAST AND BEAUTIFUL SELECTION OF QUOTATIONS FROM WORLD RELIGIONS

.

If anyone knows what happened to her site please tell me. Her site was a truly great contribution toward religious understanding and its disappearance a great loss. Equally if you managed to copy her site before it was taken down please let me know (onesummit ATgmail.com replace AT with @).

This is the ‘universal’, mystic heart of all of the great wisdom traditions as Deb Platt presented it;

ā€¢ There’s a reality beyond the material world:
ā€¢ Which is uncreated.
ā€¢ It pervades everything,
ā€¢ but remains beyond the reach of human knowledge and understanding.
ā€¢ You approach that reality by:
ā€¢ Distinguishing ego from true self
ā€¢ Understanding the nature of desire
ā€¢ Becoming unattached
ā€¢ Forgetting about preferences
ā€¢ Not working for personal gain
ā€¢ Letting go of thoughts
ā€¢ Redirecting your attention
ā€¢ Being devoted
ā€¢ Being humble
ā€¢ Invoking that reality
ā€¢ Surrendering
ā€¢ That reality approaches you through:
ā€¢ Grace
ā€¢ The teacher
ā€¢ You’re transformed so that you embody that reality by:
ā€¢ Dying and being reborn

Holistic Education doesnā€™t have allegiance to any one religion or philosophy, but Perennial Philosophy is very important for many and is the position of this site. It is motivated by recognition of the essential oneness of the great wisdom traditions

(SEE also Aldous Huxley’s Perennial Philosophy or Chap 2 of Jack Miller’s Educating for Wisdom & Compassion)

From ‘Summer is a-coming in’ (1250) to ‘Cummin Thru Ya Fuckin Block’ (1994); each generation’s popular song lyrics – for cultural exploration

bob-dylan-freewheelin-lyrics.jpgSource – and lyrics for the Freewheelin’ Bob Dylan

From SUmair is IcUmin in (1250) to Cummin Thru Ya Fuckin Block (1994); each generation’s popular song lyrics – for cultural exploration of values and beliefs

Great song lyrics are inspiring. Of course when they are coupled with great music the two have a multiplier effect and become ‘transcendent’. Why? How do the words when combined with the music become so powerful ā€“ so powerful that they can ‘take us out of ourselves’ and transport us delightfully?

Once or twice I’ve heard teachers and/or preachers refer to lyrics in popular song and I’m sure a lot of work has been done in schools and colleges. Here I just post one or two ideas and hope that I get to hear about more such work.

 

I did look many many years ago at some of the lyrics used by Joan Baez and Bob Dylan with secondary school pupils in the context of teaching English in the first school in which I taught. (I’m afraid I am one of those who thought that Bob Dylan did fall from grace with the electric guitar – but no one can take away the diamond-like clarity and poetry of his early work!) Still good stuff!

 

If you can avoid too much initial resistance folk song is, of course, a very interesting vehicle to look at historical events and work-related and class and geographic issues.

 

One of the earliest songs is SUmair is IcUmin in (c.1250)

SUmair is IcUmin in, lU-duh sing cUckU
GrOweth sAd and blOweth mAd and springth the wUduh nU
ow-uh blAteth after lahhhmb, lOth after cal-vuh cU
Bullock stairteth, buck-uh vairteth, mUrI sing cUckU
Well singst thU cUckU; nA swick thU nevair nU
Sing cUckU, nU….

Translation:
Summer is coming in, loudly sings the cuckoo, cuckoo, cuckoo….
The seed grows; the meadow blossoms, and the woods alivens anew.
The ewe bleats after the lamb; the cow lows after the calf;
The bull leaps; the goat capers*; merrily sing cuckoo!
Well sing you, cuckoo–don’t ever stop now.
Sing cuckoo, now….

Hear the music HERE

Lastly I want to mention films – probably like me you are astonished in having watched a film to see that it had used 30 or so songs and yet you were not aware of them – so looking at the use of popular music in films is another very interesting area.

TASK/LESSONs – a few ideas

1 Look at some lyrics that stand up as poetry and some that don’t but get transformed when coupled with the music.

2 Explore the multiplier effect’ when lyrics and song come together – via a good/great singer.

3 Use song lyrics (and photographs/photography) in ‘reminiscence work’ with senior citizens and multi-generational work.

4 Explore why each generation gets attached to and is defined by (?) the songs that are popular.

5 what are the down-sides of music in films? What part does music play in ‘Hollywood’ type movies?

6 Watch some key/favourite/ important sections of films with and without the music sound-track ā€“ what’s the difference and what’s going on?

7 Cows are said to like music ā€“ why. If its true and what is known about music in the work-place?

8 Get children to interview parents grand-parents about key music in relation to key events in their lives.

9 Get children to develop a set of images in relations to a particular song that is important to them e.g. Strange Fruit

HERE ARE A FEW OF MY FAVOURITE LYRICS AND EDUCATIONAL SOURCES FOR THEM

Every time we say good bye (Cole Porter)

We love each other so deeply
that I ask you this, sweetheart,
why should we quarrel ever,
why can’t we be enough clever,
never to part.
Ev’ry time we say goodbye
I die a little,
ev’ry time we say goodbye
I wonder why a little,
why the gods above me
who must be in the know
think so little of me
they allow you to go.
When you’re near
there’s such an air
of spring about it,
I can hear a lark somewhere
begin to sing about it,
there’s no love song finer,
but how strange the change
from major to minor…
ev’ry time we say goodbye.
Ev’ry time we say goodbye
I die a little,
ev’ry time we say goodbye
I wonder why a little,
why the gods above me
who must be in the know
think so little of me
they allow you to go.
When you’re near
there’s such an air
of spring about it,
I can hear a lark somewhere
begin to sing about it,
there’s no love song finer,
but how strange the change
from major to minor…
ev’ry time we say goodbye.
Ev’ry single time
we say goodbye

Source

Miss Otis Regrets
“Oh, hi! A-heh heh! Is Miss Otis in?”
“Miss Otis regrets she’s unable to lunch today.”

Miss Otis regrets she’s unable to lunch today, madam.
Miss Otis regrets she’s unable to lunch today, mmmmmm.
And she’s sorry to be delayed,
but last evening down at lover’s lane
she strayed, madam.
Miss Otis regrets she’s unable to lunch today.

When she woke up and found
that her dream of love was gone, madam,
she ran to the man
who had lead her so far astray.
And from under her velvet gown
she drew a gun and shot her lover down, madam.
Miss Otis regrets she’s unable to lunch today.

When the mob came and got her
and dragged her from the jail, madam,
they strung her up
on the willow across the way.
And the moment before she died
she lifted up her lovely head and cried, madam.
Miss Otis regrets she’s unable to lunch.
Miss Otis regrets she’s unable to lunch today.

Source

Strange Fruit

Southern trees bear strange fruit,
Blood on the leaves and blood at the root,
Black bodies swinging in the southern breeze,
Strange fruit hanging from the poplar trees.

Pastoral scene of the gallant south,
The bulging eyes and the twisted mouth,
Scent of magnolias, sweet and fresh,
Then the sudden smell of burning flesh.

Here is fruit for the crows to pluck,
For the rain to gather, for the wind to suck,
For the sun to rot, for the trees to drop,
Here is a strange and bitter crop.

Source

All the things You Are

You are the promised breath of springtime
That makes the lonely winter seem long
You are the breathless hush of evening
That trembles on the brink of a lovely song
You are the angel glow that lights the stars
The dearest thing I know are what you are
Someday my happy arms will hold you
And some day I’ll know that moment divine
When all the things you are, are mine

 

Source

There is a very funny (and strangely moving) version of All the Things You Are by Peter Sellers ā€“ you can hear a bit HERE

 

Of course neither have the lyric and romantic charm and transcendental sweetness of Cummin Thru Ya Fuckin Block;

 

Author/Artist/Singer: Artifacts
Music Title/Track: Cummin Thru Ya Fuckin Block
Theme ID: 31545
N/A

 

featuring RedmanTo the beat y’all
*rat-a-tat drumming sound*
[all] Make it funky (4X)
[Red] My nigga Tame [all] makes it funky
[Red] My nigga El [all] makes it funky
[Red] Redman [all] makes it funky
[Red] Huh, check it out
Verse One: El Da SensaiI Ego Trip like Ultramag, sag my Girbauds I drag
competition so listen and raise the white flag
Cause the instructor, of the New Jerz verse dusts
another motherfucker I discover what no other brother
can do, hard to handle and to, stamp
I play Tramp like Grace Jones in that movie Vamp
I’m fit to wreck shit, I dip into the skit
Spit lyrics exquisite, blitted as I hit it
I suppose I knows the ways of the pros
Bros be like, “Oh that nigga’s got mad flows”
Creep’ll get it deep, I got it when it’s strict against
ducks who suck, and didn’t have the best defense
I make shit nice, defies with my device
And if I’m in a rap fight, you can catch a cap, right
Bust it, whassup what did ya ask me?
Crafty with my sassafrass P-Funk, thought been handy
Dandy Mayor Ave., back in the lab create my trap
Dibble dabble in the midst of the Artifact we have
swiftness, I blitz, specific and you dig it
from N.J., the Notty Headed Terror and da Sensai
Chorus: Artifacts, Redman

Pump! Pump! We’re lickin off the mad shots
[Red] It’s the Artifacts and Redman cummin thru ya fuckin block
(repeat 3X)
Pump! Pump! We’re lickin off the mad shots
[Red] It’s the Artifacts and Redman cummin thru ya fuckin!!

Verse Two: Tame One

Well I come live from the Artifact exhibit as a misfit
Larger than Jurassic Park I lick off like Wilson Pickett
Drama like a talk show I hit more cheese than nacho
Feelin Machu when I Pi on; a Coltrane like Roscoe
Hostile underground fossil, nigga bout to rock ya
So peep it how I freak it check the technique yeah I rock ya
I glide like drips and blaze a trail like I was Portland
When ill stressed, I still rock a vest like Ed Norton
The ill king, taking all things cash, crash, and asses
Backstage passes, V.I.P. all access
I got the props pon cock, fuck the know-nots
Whose techniques are weaker than the graphics for the Gobots
I rock with raw steel like Sue Richards, when Rick smacks her
Up motherfuck that I got more funk than muskrats
With my hocus pocus I can fuck up where ya focus
wit my left hook, dip right jab shuffle I can smoke ya
it don’t matter, cause all my shit is fatter than the
pads on MPC-60’s, hit me you got five second to jet G
Straight from the Bricks, now back to the N.J.
The Notty Headed Nigga and da motherfuckin Sensai

[Red] Hoooaaaahhh! One two, one two, one two
This is for Jersey, haha ahh, ah hah
One two, one two

Verse Three: Tame One, MC El

I’m the black king, quick to grease my naps with Royal Crown
and aloe vera representin for the Notty Headed nigga era
However whatever my Posse Packs the Pistols
and my Skwad got the Boom, rid the room, get the bitches

The exact Artifact, who is that, you speak of
Leak my speakers, unique and freakin beats track in fact
I be dat, nigga who you look for, in your worst fears
Peace to my nigga Lord Sear and Samere
Display, niggaz from N.J.
Notty Headed Terror and da motherfuckin Sensai

Outro: Artifacts, Redman

Pump! Pump! We’re lickin off the mad shots
[Red] It’s that Notty Headed Nigga cummin thru ya fuckin block
Pump! Pump! We’re lickin off the mad shots
[Red] It’s the Artifacts and Redman cummin thru ya fuckin block
Pump! Pump! We’re lickin off the mad shots
[Red] Big up to Boom Skwad’s cummin thru ya fuckin block
Pump! Pump! We’re lickin off the mad shots
[Red] It’s the Artifacts and Redman cummin thru ya fuckin block
Pump! Pump!
[Red] Booyaka
Pump! Pump! (6X)
[Red] For nine-fo’
Pump! Pump!
[Red] Artifacts get dapped like that y’all
*sound of rat-a-tat drumming again*
[Red] Jersey’s in the fuckin house y’all
New York’s live in the house y’all
Newark is live in the house y’all
E-O’s live in the house y’all
Word is bond in the hizouse y’all
I’m in the motherfuckin hizouse y’all
So niggaz get the fuckin balls y’all

 

Source

 

Endpoint

Question: If ‘sewage’ is the spiritual food of choice how precisely did we fail to develop the appetite for the sublime?

 

In parenting we go from almost total control to indirect influence. Intrinsic worth, value, meaning, taste, discrimination are the kinds of qualities most of us hope our children acquire. In this process we have to stay conscious of the fact that if we don’t have (a reasonable degree of) control over our children’s environment someone far less benign will be manipulating them.

 

 

 

‘Practical theory’ re: Jane’s Short Story, meaning, interpretation, stories, meta-thinking, the teacher – and generating an antidote to fundamentalism!

logo_triskelion.gif

 

Ā Ā Ā Ā  Teachers, and other professionals, deal in a) texts (written and other kinds) and b) discourse about their meaning and interpretation with students every day.

 

Ā Ā Ā Ā  When we engage with texts we do so in one of three voices – the philosophical-scientific, the creative or the moral-caring. This article comprises the first of a few reflections about hermeneutics in relation to the process of teaching ā€“ and in relation to the SunWALK model and ‘what it is to be fully and positively human’ – the main focus of this site.

 

‘Essentially, hermeneutics involves cultivating the ability to understand things from somebody else’s point of view, and to appreciate the cultural and social forces that may have influenced their outlook. Hermeneutics is the process of applying this understanding to interpreting the meaning of written texts and symbolic artifacts (such as art or sculpture or architecture), which may be either historic or contemporary.’ Wiki

 

Ā Ā Ā Ā  1 It makes sense for middle school children, and above, to come to understand that texts represent possible meanings and ‘critiques’ represent readings of texts. It might also be useful from this to understand that readings can both change over time in our lives, but principles might remain constant.

 

Ā Ā Ā Ā 
Developing meta-thinking via periodic re-visits to a useful text

Ā Ā Ā Ā  There are calls for teachers to help children to achieve meta-thinking and one enjoyable way is to re-visit a story in succeeding years with the discourse centred around such questions as;

ā€œHow do you read the story?ā€ and

ā€œHow do you feel what you’ve learned over last year has changed your views and, what you value ā€“ in relation to the story?ā€ and

ā€œIn what respects have you, and your thinking, changed and developed over the last year?ā€and

ā€œHow do you read the story now compared to when you first ‘met it’ ā€“ what’s stayed the same and what has changed?ā€

 

Ā Ā Ā Ā  One re-visiting was to Jane’s Short Story in a Roman Catholic middle school. Jane’s Short Story was posted to this site yesterday (8th Aug 2007). I wrote Jane’s Short Story to see how good Year 7 children (11 to 12 year olds) were at de-constructing and critiquing a piece that was deliberately stream-of-consciousness, oblique and cryptic! They surprised me the first time we used the story as a text and they also impressed me with their reflections on how their thinking had developed and the differences they saw on their second encounter.

 

Ā Ā Ā Ā  Such work is also an antidote to the shallowness and superficiality that blights much of what children suffer in school. If you treat children as profound thinkers they show that they are profound thinkers ā€“ that’s part of the genius of the process in Lipman’s Philosophy for Children

 

What’s the connection with the SunWALK model?

sunwalk-logo.jpg

 

Ā Ā Ā Ā  PFC Philosophy for Children is the exemplary programme for the ‘IT’ voice, the objective mode of engaging with truth. The spirit flows even more powerfully if we combine IT engagement with working with the ‘I’ voice of creative expression. This means that the children can treat the text, including occasionally pieces by the teacher and/or other pupils both as literary text and as philosophical text. Switching back and forth between the two activities and the two treatments of text becomes a very powerful mode of teaching ā€“ including for the third voice, that of the moral and other-centred i.e Caring.

 

What’s the connection with fundamentalism?

Ā Ā Ā Ā  There are many including;

Once you have separated out the different forms of truth-telling, the IT voice of philosophy and science, the ‘I’ voice of Creativity and the ‘WE’ voice of Caring you no longer have to defend texts in inappropriate and very dangerous ways. Treating religious texts as the supreme sources of inspiration for acting with justice, truth, beauty and goodness makes sense. Treating such texts as finite and fixed in their meaning as if they were simply mathematic formulae doesn’t.

Ā Ā Ā Ā  It is we who make the meaning, not God ā€“ which is why we should always be tentative in how we assert our interpretations (including this one!). Sacred texts are gifts of meaning-making possibilities. Of course part of the texts is time-related and part constitutes eternal realities, but understanding what we are doing as we engage in objective, subjective or moral truth-seeking helps minimize confusion.

Ā Ā Ā Ā  Literalism is the denial of God because it is the denial of meaning-making possibilities in relating to sacred texts ā€“ it limits the text to fixed and finite meaning ā€“ and tends to take us away from the focus on the need to act in the world with justice, truth, beauty, goodness – and all of the other so-called names and attributes of God.

 

Ā Ā Ā Ā  It also allows people to start believing that the ‘others’ have broken whatever covenant is deemed to have existed so that no ‘rules’ of war’ need be complied with.

Ā Ā Ā Ā  Its only in early life that we can prevent the kind of indoctrination of hatred for others. Understanding that spirituality, be it theistic or humanist, is simply the process of gaining the will to act morally is vital. Understanding the ‘voices’ with which engage and the texts that we engage with are all either objectively focused or subjectively focused or morally focused is vital in developing the truly mature mind-set and world-view.

 

Jane’s Short Story; teaching children ‘nowness’ in creative writing and photography

cartier-bresson-child-carrying-painting.jpgSource

In the unpublished doctoral thesis, from which this piece and Janeā€™s Short Story, is largely taken, the range of concerns include ‘the perpetuation in the present of early experience’. I’m interested to discover that one definition of ‘nowness’ is presentness: the quality of being the present; “a study of the pastness of the present and…of the presentness of the past”.

I wrote Jane’s Short Story to see what a Year 7 class (11 ā€“ 12 year olds in the UK) could ā€˜handleā€™, but it has become a major piece for teaching me, as well as for teaching others.

Janeā€™s short story (line numbers are simply to help in discussion)

1 ā€œCome to mummy Jane. Come on, yes, you can do it.ā€ Steā€¦stepppā€¦stagger step..step got there BIGKISSmmmmsā€™nice. Her motherā€™s nose stroked back and forth across her neck, as giggles of delight and laughter bubbled from Jane.
ā€œJane pay attention otherwise youā€™ll be asking me what the work is in five minutes time.ā€
5 (ā€™Oh no I wonā€™t Mr Moaner, I know perfectly well what youā€™re asking – so stop picking on me!ā€™)
ā€œImages Jane, images.ā€
Tulips. Gigantic red tulips, opened a bit beyond their best, and bigger than any red thing and redder than any red thing and she crawled to grasp, to know the greenness of the green cool green stems and embrace them and lose herself in the redness that was ā€¦ā€¦..
10 ā€œI want you all to pay attention to the structure of your storyā€¦ā€¦..ā€
How could she tell her mother that she never felt safe after he left. Only in his hugs with the smell of him did she ever, could she ever, feel safe. She chewed over this and poured herself another bowl of corn-flakes, sensing school time getting nearer and nearer. Her mother had left without giving the bus fare.
Yet again Janeā€™s leg itched from the nylon thread in the seam of her skirt.
15 She grasped the chair to ease her leg away from the itch, only to put her fingers under her chair and into some freshly placed chewing-gum. ā€œUgh! Boys are so disgusting!ā€
ā€œThank you Jane. Iā€™m not sure what that has to do with careful control of your narrative but I suppose we should be grateful that at least youā€™ve re-visited our world, even though the visit will no doubt be brief. The trouble with you Jane is that you donā€™t use the possibilities and talent you have.ā€
20 Endless possibilities. The muddy brown wet sand, miles and miles of it. She sensed freedoms beyond the edge of her imagination, she would be all creation itself.
ā€œPut your hat on Jane and come here – youā€™re not going in the sun until I put some cream on you.ā€ Jane submitted to the sun-cream and enjoyed it but also remembered the tug of the harness around her shoulders – tug tug, with her running but not going anywhere.
25 ā€œā€¦ā€¦and do try to put some images into your writing – do make it come alive.ā€
The finch, with feathers going in directions they shouldnā€™t, struggled on its side. The broken leg would not need mending because the shock was already killing the tiny creature. Jane hated the cat with an acid and granite hatred.
ā€œYou have ten minutes to finish your story.ā€
30 Jane sat back on her rump and examined her motherā€™s radiant face.
She spat out the tulip petals as her sadness entered her.
She was as rigid as the door he had slammed behind him.
She willed the incoming tide to consume her castle and leave only empty sands.
The finch stopped its fluttering and took on the stillness of death.
35 Jane wrote some lines.
Jane felt the tug tug of the harness and struggled to go somewhere.

—–0—–

Jane is, substantially, but not wholly, me.Ā  It was an attempt to make the feminine side of my soul ‘walk and talk’

In writing the story I reached back down to early memories with which to ā€˜clotheā€™ some of the levels in the streams of consciousness.

In continuing to work with children, or adults, I still sometimes use Janeā€™s Short Story ā€“ as a way to encourage others to create their own stories, made from their own real, and imagined, experience. I discovered how powerful it is if PFC (Philosophy for Children), and creative task-setting, are combined/interwoven ā€“ so much so that I believe that the two, when harnessed, together create something akin to ā€˜exponential developmentā€™ i.e the most powerful form of transformative learning. It is still a joy, and a learning experience, when children make their own creations walk and talk, sing and shout, just as Jane became ā€˜realā€™ to me, some 9 or 10 years earlier. From time to time I revisit the story and change a few words. Once I also gave it to the same class on succeeding years and asked them to see what they could see compared to their ā€˜readingā€™ of the previous year – and to say what differences they felt between the two readings. On the success of this I think that it is worth doing something similar with every class, i.e. for them to re-visit a piece two years running. What they are looking at, with each re-visiting, is, in part, the growth they have had via another yearā€™s experience – a very useful exercise in meta-cognition for the children.

Although it was written when I was in my early fifties I include the story here because it encapsulates some of how autobiography is expressed in even the most creative, or the most abstract, of our work. The story was written in a ā€˜stream of consciousnessā€™ style to see how well my classes could be at deconstructing the text. It was written in my second year of doing PFC. Sometimes I use it just as a text, sometimes the classes go on to write their own episodes from Janeā€™s life.

My experience is that children in Year 7 or 8 take a little time to decode the levels in the ā€˜stream of consciousnessā€™ but then respond most sensitively to the possibilities that exist in and around the story. It seems to work at quite a deep level for some, and very few, except perhaps in initial perplexity, reject the story. It also helps to teach them that story, in its different kinds of truth, can combine re-collected personal experience and meld it with imaginative material. It can be a minor revelation for children who see ‘story is story’ and ‘real life = the truth.

Jane, both as part of my spirit and personal history, and as an independent spirit, has continued to exist, but she has also been transmogrified into the creations of other authors, adults as well as children. It is Jane in the personal myth called Island Shoreline Ocean, presented at the beginning of Chapter 3. My (our) past is re-presented and it is continuously transmogrified, in further re-representations. Each of us re-experiences what we are, as we engage or re-engage, with our beliefs, values, attitudes memories and new experiences. We echo past experiences in each new experience, even when we are seeking to help others in their creativity. Janeā€™s short story lives on in me as a crystallization of the feelings and images deep in my soul, deep, one might say, in my ā€˜presentā€™. It has generated versions from 11 ā€“ 12 year olds, but also from an 84 year old man who, on one of my courses, wrote the first story he had ever written in his life. (He was pleased and amazed; I was deeply moved by his openness and courage!)

TASK/SUGGESTED LESSONS: It would be fascinating to combine the ideas above with photography!

Great photography blog HERE

SunWALK a model of (holistic) education in a nutshell

nutshell1.gif

SunWALK a model of (holistic) education

The SunWALK model of
spiritualizing (or humanizing) pedagogy sees
human education as: the
storied development of
meaning, which is
constructed, and de-constructed,
physically mentally and spiritually, through
Wise & Willing
Action, via
Loving and
Knowing ā€“ developed in
Community, through the
ā€˜Dialectical Spiritualizationā€™ of
Caring,
Creativity &
Criticality processes, all undertaken in the light of the
ā€˜Sunā€™ of chosen higher-order values and beliefs, using best available, appropriate
content.

So Sun = the values we internalize through which we read the world and see the path ahead.

WALK = Wise and Willing Action driven by Loving and Knowing.

We do the WALKing in the light of the ‘Sun’.

Working with such a model enables teaching and learning to be a spiritualizing/humanizing process and reduces the tendency for education to be just materialistic, mechanistic and atomistic.

ā€”ā€“0ā€”ā€“

All postings to this site relate to the central model in the PhD. Summaries are HERE

TOO CONDENSED? – LONGER VERSIONS HERE!

DIAGRAM of the SunWALK model

Diagram of the SunWALK model

Who are you? Who am I? What is human being?

heschel-with-king-selma.jpg

Saw this today – with some quick ideas for a lesson;

“You are the average of the five people
you spend the most time with.”
– Jim Rohn

Are you? Am I?

Do we have an essence? Or are we each an admixture of the roles we play and the relationships in which we are embedded?

Or both?

The best answers I ever found were in Who is Man? by Abraham Joshua Heschel.

The Photo is of Heschel with MLK at Selma – they consider each other to be a ‘prophet’

Is my essence the sum of that with which I identify?

Or is there an essence that is independent of the accidents of personal history ?

ā€”ā€“0ā€”ā€“

All postings to this site relate to the central model in the PhD. Summaries are HERE

Fundamentalist science and alchemical religion: a holistic take on ā€˜Intelligent Designā€™ versus the ā€˜modern-scientific mindsetā€™

Draft updated 15.11.07

god-stop1.gifalchemist-250px-william_fettes_douglas_-_the_alchemist.jpg

Fundamentalist science and

alchemical religion:

: a holistic take on ā€˜Intelligent Designā€™ versus the ā€˜modern-scientific mindsetā€™

 

The politico-religious movement that advocates ā€˜Intelligent Designā€™, and its rejection by some scientists, is just one of the less bloody battles going on in our world. Is there a solution to this conflict, since it plugs in to other battles that involve a great deal of blood-letting? What and how should we be teaching in schools that might help prevent or heal the conflict between ā€˜Intelligent Designā€™ and what has been called the MWM (Modern Western Mind-set)?

 

The ā€˜Intelligent designā€™ people make the mistake of using dubious science to promote their religious views and end up, as Karen Armstrong has said, with bad religion as well as bad science. Ill-chosen, or ā€˜plain wrongā€™, science would seem to be a fundamentalist as well as a fundamental mistake.

 

Unqualified literalism is seen as one of the chief destructive characteristics of fundamentalism. Another is belief in ā€˜textual inerrancyā€™. However Terry Eagleton, in Beyond Theory, has pointed out, that as soon as a text and a (subjective) human being come together the idea that a text can remain absolutely, objectively, ā€˜fixedā€™ is inevitably shattered. Each person has a unique history and each textual engagement is therefore unique. (You can only have the cultural records of previous agreements about ‘readings’). Truth and comm-unity codes then become a matter of agreement and mutuality. Of course to maintain a fundamentalist position it also helps if we switch off all critical faculties – to swallow teaching that is falsified through over-simplification, as well as by literalism.

 

The mystical heart of the religious can only be expressed in parable, allegory and symbol. Even if required actions are crystal clear ā€“ be loving, be good etc. When religion falls to fundamentalist levels there is ā€“ in effect – no longer the need for the individual to be a responsible, autonomous human being. In such a case we can relieve ourselves of the burden of self, not through transcendent experience, but through the capitulation of obedience to an imposed, fixed, interpretation. Then religion is as false as the promise, and premises, of alchemy.

 

On the other hand scientists, when they also happen to be materialists, only value one kind of knowing ā€“ the rational-empirical. They invalidate other ways of knowing – rather as women have been invalidated throughout history. Might there might be a connection here?

 

 

Extreme denial of other ways of truth-telling by those who have turned the MWM into a creed can be as fundamentalist as religious extremism. Materialistic scientists, and other MWM de-valuers, need to open up to respecting the positives that can flow from other ways of knowing.

 

What can help toward a solution? Karen Armstrong, most recently in her A Short History of Myth has argued for a re-balancing through a modernised form of mythos to counter-balance the current form of logos. Mythos is not just a matter of myth, as detractors like to argue. The origin of ā€˜mythosā€™ relates it to speech, narrative, plot, or dialogue. I would also see it as closer to ā€˜heart-knowingā€™, to the imagistic and the ā€˜gestalticā€™. It is a mode of knowing that flows from apprehension of the whole with a subsequent moving toward the particular.

 

It would be good to have the two, or more, ways of knowing validated and seen as complementary. On the head-knowing and heart-knowing front there might be useful correlations with left-right hemisphere brain functioning – but only if you get the philosophy and the science in good balance!

 

Instead of complementariness gradually, in the MWM since the Age of Enlightenment, the only valued, and therefore the only valid, way of thinking has come to be a matter of starting, proceeding and ending, in measurable ā€˜bitsā€™. But being human is always far more than what can usefully be measured. This monopolism rightly upsets ā€˜goodā€™ religionists as well as extremists ā€“ so much so that they mistakenly reach for bits of science.

 

Before the MWM became a monopoly, in the West, ā€˜the wholeā€™ had value complementary to knowledge of parts. The ā€˜ologyā€™ of biology, zoology and geology was the whole ā€“ in relation to the particulars of ā€˜bioā€™, ā€˜zooā€™ and ā€˜geoā€™. It accepted as we do that the ā€˜ologyā€™, the whole, is always more than we can comprehend, but humility like mutual respect is in short supply. To re-new this lost balance requires first a re-legitimization of a modernised understanding of mythos. It is true that literature, film and the plastic and performing arts have kept us spiritually connected to the mythic but the language to re-factor mythos into our various discourses has to be re-discovered.

 

Were we to have legitimated forms of mythos and logos, the arts and religion, on the one hand and science-reason-logic on the other hand could then be explored in many kinds of complementary relationship. Mythos and logos, the arts and sciences, characterise two ways of truth-discovery as well as truth-telling.

 

The third way to truth is a matter of agreements. A communityā€™s agreements, and our internalization of those agreements as conscience and moral sensibility, is the third voice, the moral. All three are ways to enable us to engage in reality.

 

Truth and reality might usefully be seen as one but it is vital that truth-telling be seen as multiple. When truth-telling is seen as being of three kinds (at least) the two camps have a way to unite. Ken Wilber has called these three the I, WE and IT ways of knowing truth and reality.

 

The ā€˜I voiceā€™ of the arts speaks of reality perceived via subjective truth-telling. It, of course, often uses mythos, symbol, allegory and metaphor.

The ā€˜WE voiceā€™ of the humanities, speak about the moral aspects of reality via what we might call ā€˜community truthā€™. ā€˜Community truthā€™ is, of course, negotiated according to the societyā€™s political structure. In academe religion is often classed as one of the humanities.

 

The ā€˜IT voiceā€™ of the sciences uses the objective truth-telling of empirical methods. But we are always more than we can usefully measure.

 

Philosophy which used to combine all truth-telling voices, and from which the ā€˜fragmentationā€™ of subjects sprang is all but lost. Matthew Lipman, the developer of ‘Philosophy for Children’, sees the restoration of philosophy as the means to restore wholeness. I prefer to add the contemplative and transcendent as well. Philosophy starts with ā€œI wonderā€; the mystical with just ā€œwonderā€.

 

If religion has a purpose it is to generate spirituality. If spirituality has a purpose it is to convert good feeling into good action. If religion doesnā€™t lead to justice, truth, beauty and goodness, etc., we are better off without it.

 

Religion however is in some ways closer to art than to the humanities. The ā€˜studying aboutā€™ versus ā€˜studying inā€™ distinction is vital here. Spiritual and moral competency comes through ā€˜practice and actionā€™ not just through academic knowledge. But religion, or at least first hand religious experience ā€“ John Hickā€™s definition of the mystical ā€“ can only, like art, be subjective. Ideally it is universal enough to be agreed upon, agreement being necessary in all knowing/ knowledge as Wittgenstein pointed out. This is why common ground needs to be established, and expanded, and ‘perennial philosophy’ re-looked at. However we can I believe agree only on our human predicament ā€“ we all love, hope, need security etc. We can go a bit further with recognizing matters of justice, truth, beauty and goodness, but theology is (rightly) too subjective. Academic theology is often just a version of bean-counting.

 

In education the experiential is vital; doing religion, or at least spirituality, is just as important as learning about religions. If the violent possessiveness and exclusiveness that many people of religion feel could be eased then a pan-religious, meta-religious spirituality could be developed ā€“ without denying others their beliefs. In such a ā€˜non specific-faith-groupā€™ form of spirituality the widening and deepening of consciousness might have a chance. A sense of reverence, a sense of the sacred, a sense of transcendence might then be part of all childrenā€™s entitlement Qualities such as respect and humility, that can help inoculate against such negatives as racism, might then thrive a bit more. We canā€™t go on forever relying on David Beckham and Thierry Henri to band-aid a bad situation.

 

All truth systems only provide degrees of certainty. Demanding scientific certainty of the metaphysical is dangerous ā€“ usually to others as minorities ā€“ as well as plain impossible to achieve. The ā€˜healthy doubtā€™ is vital not just to enable respect for others but to prevent our own excesses. Absolute certainty requires a ā€˜narrowing of the hearteriesā€™ as well as a closing of the mind. It also prevents humility.

 

The ā€˜IT voiceā€™ of the sciences uses reason and the empirical to reveal reality via objective truth. But isnā€™t the overbearing assertion that this, and only this, has human value just as fundamentalist as Christian or Islamic extremists? Deifying science and reason can lose us the better part of our humanity. Debasing religion has the same effect.

 

All three truth-telling voices need to be validated through working with each other and by avoiding making claims from the ground and viewpoint of each other. Religion that pretends to be scientific can end up in an embarrassment of scientism. However each way of knowing can inspire and support the others.

 

 

In the case of religion and beliefs the proof is always in the pudding. Personally I donā€™t care what a person believes so long as it leads to virtuous action ā€“ to the ā€˜I WE and IT voicesā€™ manifested in the world as some expression of beauty, goodness or truth all conditioned internally as well as externally by the spirit of justice.

 

 

Can extremist-fundamentalist mindset ever be transformed ā€“ its in virtually every religion? I saw a flicker of hope on an edition of The Daily Show. Jon Stewart interviewed an ex- fundamentalist, Bart Ehrman, who had been converted to having an open mind! Although the show’s large audience may well believe that Stewart’s satire get’s nearer truth than ‘straight’ news programmes ā€“ (is that an I, WE or IT voice?) – Stewart gave Ehrman a largely admiring and straight interview.

 

 

Ehrman was an evangelical Episcopalian (see http://www.publishersweekly.com/article/CA6301707.html ) but through serious studies of the Bible shifted to a ‘happy agnostic’ because of what he found – that the Bible, far from guaranteeing inerrant comfort for the literalist, was a ‘living document’ derived from an almost limitless number of changes effected by copiers of texts down through the ages. His book Misquoting Jesus has become a best seller. It is not clear whether he has received any death threats – or faeces.

The poison of religious hatred can only be overcome step by step, perhaps person by person. Education is vital to such a healing. We could all help in making clear the ideas that separate out the roles of Wilberā€™s ā€˜I, WE and ITā€™ voices.

Shouldnā€™t we teach these basic different kinds of ā€˜truth-telling and truth investigationā€™ ideas in every school? Better still shouldnā€™t they be a way of teaching in every school? As someone interested in holistic education I see the need not just for the theoretical acceptance of other ways of knowing but also for the praxis that enables them to be combined in discourse by all teachers of all subjects.

In my own teaching in schools I found that using the three voices in ā€˜creative dialogueā€™ within the subject discourse of English, and Philosophy for Children, a produced amazing results in pupil performance. A fuller account of this way of teaching is at https://sunwalked.wordpress.com/

There just remains the task of persuading the two camps and, oh yes, HM Government and its TTA.

Dr Roger Prentice

Email: rogerprentice AT bigfoot.com

 

ā€”ā€“0ā€”ā€“

All postings to this site relate to the central model in the PhD. Summaries are HERE

 

Lectures

In development

rp-teaching-at-wuhan_uni.jpgAdditional Lecture-workshops

Listed here are examples of a range of additional lectures supplementary to the modules in the 30 unit course.

1 Happiness, Self-understanding and Better Relationships

2 Hard Times, Measure for Measure and the spirit of poetry – a literary take on Holistic Education

3 Seeking a Friendly Face: reflections of holism in contemporary UK art

4 Exploring ‘cinematic’ language and experience as metaphor of holistic reality

5 New Circus and Holistic Education

6 An aesthetic view via an appreciation of the photography of Henri Cartier-Bresson

7 Science and Religion: Fundamentalist Science and Alchemical Religion

 

 

ā€”ā€“0ā€”ā€“

All postings to this site relate to the central model in the PhD. Summaries are HERE

 

Key Terms

old_keys.jpg

This is a list of key terms indicating the interests of this site – such as might be used for tags.

A List of terms key to the SunWALK model and to holistic education generally

 

Below is the list as at Dec 2006 – I will add others from time to time.

 

holistic, education, SunWALK, essay, dissertation, help, spirit, spiritualizing, thesis, quotations, teaching, perennial, philosophy, model, alternative, teacher, course, pedagogy, human, humanistic, story, storying, development, meaning, meaning-making, constructed, de-constructed, college, university, development, health, whole, hale, holy, physical, mind, body, soul, mind, body, will, chi, ki, energy, life-force, volition, action, service, agent, change, transformation, love, knowledge, caring, create, creativity, critical, criticality, community, children, youth, adult, professional, dialogue, dialectical, process, philosophy, light, religion, inter-faith, oneness, content, curriculum, parts, character, student, pupil, government, mainstream, QCA, OFSTED, minister, DfES, inspection, policy, learning, family, higher, local authority, skills, first, primary, secondary, parents, governors, employers, head-teachers, early years, quality, standards, exams, evaluation, subjects, performance tables, UK, American, integral studies, home, alternative, religious, English, BahĆ”ā€™Ć­, Jewish, Islamic, Christian, Hindu, Taoism, Buddhist, better, Shinto, Confucianism, Zoroastrianism, Jainism, Sikhism, arts, humanities, sciences, special, Steiner, Montessori, Froebel, Ron Miller Jack, Tobin Hart, Heschel, Abduā€™l-Baha, Namaste, Zen, Ibn-al-Arabi, fragmentary, whole, hale, heart, hearty, holy, Ibn ‘Arabi,

ā€”ā€“0ā€”ā€“

All postings to this site relate to the central model in the PhD. Summaries are HERE