Parenting – Soul Needs

Education is a mess – is there an integrative way to teach?

I have updated an introduction to the SunWALK model of human-centred studies;

SunWALK: Summary of the main meanings of the components represented in

the model and its ‘logo-diagram-mandala’ – providing a teacher’s process model

SunWALK: Summary of the main meanings of the components represented in

the model and its ‘logo-diagram-mandala’ – providing a teacher’s process model

Give me a brief introduction:

SunWALK grew out of reflection on many years of teaching children and adults and particularly a period of five years teaching in a RC middle school – theorizing my practice via a PhD and practising my theory day-to-day.

SunWALK simply says that the quality of all of our lives will be higher if we undertake all education within the framework of deepening our humanity.

Deepening our humanity is a matter of developing technical competencies within the chief dimensions of the human spirit; Caring (the Humanities), Creativity (the Arts) and Criticality (the Sciences & Philosophy) – all in local, national and world Communities. These are the ‘4Cs’ of the model – 3 intra-personal, 1 inter-personal.

We and our one planet will be better of if all of the technical stuff, from learning to read to Masters degrees in engineering, take place in the context of humanization/the 4Cs. This requires international, national, school & classroom commitment to deepening the best of being human as the context for learning the technical.

We can’t afford to have character and morality and compassion as hoped-for accidental outcomes. Moral Education, PSME, RE etc. don’t work as bolt-on extras. They need to be the general context in which competencies are developed.

It is a model based on the energy flow of the human spirit – that is the given. That is physical, mental and spiritual energy that flows through all living human beings.

That energy, the human spirit, is the true ’stuff of education’. With the best of the past teachers need to equip children to face tomorrow’s challenges which will always be a mixture of new problems combined with eternally recurrent problems. Building all education with will be the medium with which the teacher works to nurture and challenge balanced development.

Today we have lost the balance between specialization, and whole-systems thinking and acting – SunWALK model brings into harmony the best of ‘Western’ & ‘Eastern’ world-views.

OK – so what’s the ‘Sun’ and the ‘WALK in the model’?

The ‘Sun’ = the individual’s spiritual inspiration & values sources – accumulated and ongoing, as operating internally and as expressed in speech and behaviour.

WALK = Willing & Wise Action through Loving & Knowing – here seen as the general goal for education, and as the interiority, character and behaviour of the student.

The model/logo combines a range of sub-models including the following:

a) An ‘interior’ model of the human spirit – in relation to ‘the world’.

b) A model for re-positioning education within being & becoming human – in the world with others.

c) A general model of the curriculum – for primary, secondary and higher education.

d) A framework for the analysis and evaluation of teaching episodes or projects.

e) A model of education that makes non-faith-specific spiritual and moral education intrinsic to all learning.

THE MODEL AND THE PROCESS IN ONE (long) SENTENCE: –

The SunWALK model of spiritualizing pedagogy sees human education as the

storied

development of

meaning, which is

constructed, and de-constructed,

physically, mentally and spiritually, through

Wise & Willing

Action, via

Loving and Knowing – developed in

Community, through the

‘Dialectical Spiritualization [1]’of

Caring, Creativity & Criticality processes, all undertaken in the light of the

‘Sun’ of chosen higher-order

values and beliefs, using best available,appropriate

content.

These underlined concerns are central components and focuses of the practice and theory in the model.

This is an intense combination of theory and practice. It automatically requires the teacher to practice their theory and theorise their practice – dynamically as practice-based research. It automatically enables the classroom to be connected to the school & community as a whole and to e.g. a relevant department in a university.

It attempts to suffuse all teaching with the demands, challenges and joy of being human in the world with others. But it seeks to bring together the Whole and the parts, the ineffable and the concepts – not just concepts because as Heschel (1971:7) says, “Concepts are delicious snacks with which we try to alleviate our amazement.”

The diagram/logo/

The outer ring of the SunWALK logo combines two dimensions:

1 ‘Community i.e. the social,interpersonal dimension of interaction with other individuals or groups.

2 ‘Cultural sources’ including such dimensions as the traditions, the political & the legal.

The three major divisions of the arts,sciences and humanities are here thought of as the stored, yet potentially dynamic, accumulation of knowledge and beliefs and procedures – everything from galleries to written laws of physics that the individual can draw upon or be influenced by. This is the ‘stuff out there’ rather than the interiority of consciousness in which there is the perpetual flow and re-shaping, focusing de-focusing etc. of heart-mind.

In SunWALK everything within the inner circle = a representation of ‘interiority’, i.e. human consciousness – the human spirit.

The human spirit is presented intra-personally as 3 ‘voices’ – 3 modes of being & of engaging with reality & of knowing.

The three emanate from the singleness of ‘heart-mind’, consciousness.

They are presented (metaphorically) as the ‘primary colours’ of Creativity (the yellow of inspiration), Criticality (the blue of reason) & Caring (the red warmth of love).

Creativity is the ‘I’ voice of subjective engagement via an artistic medium – it is concerned with subjective knowing and is particularly related to the core virtue ‘beauty’ and its products are of course ‘the Arts’.

Criticality is the ‘IT’ voice of objective engagement which enables progress in the Sciences ( & Maths., Philosophy and ‘critical’ studies). It is concerned with objective knowing – and it is related particularly to the core virtue ‘truth’. The products of course are the sciences and technology – but also philosophy and critical studies.

Caring is the ‘WE’ voice which enables moral engagement – for progress in the moral domain and in service of others. It is concerned with social knowing – related particularly to the core virtue ‘goodness’ and to ‘the Humanities’.

All three of course need to be conditioned by the pre-eminent virtue of justice. All students need to have these ways of engaging with reality developed in a balanced way. High technical competence combined with moral dwarfism leads to ……

The physical dimension is seen as the instrument for the flow of spirit in all of its forms – e.g. via dance, drama & PE and sports.

Each individual develops her/his I, WE and IT voices, the 3Cs, via socialization, starting in the family, the local community and then later in formal education. A sense of justice is seen as paramount intrapersonally as well as inter-personally i.e. it enables us to engage with that which is beautiful, good or true with balance, clarity & due weight.

The essential process in all 4Cs is multi-level dialogue. In the case of the individual dialogue is seen as meditation, reflection and inner-talk. In the case of groups it is dialectical process via consultation.

The ‘Celtic’ knot that surrounds the central shield indicates that the 3Cs are simply aspects of the one human spirit– the flow of ‘heart-mind’.

The white shield at the centre represents the meditative state in which there is no ‘focused’ engagement via one of the 3Cs – and in which there is relatively little of the interference or chatter that we experience in the unquiet mind.

This can enable us to ‘go beyond ourselves’, i.e. transcend our normal knowing – any of the 3Cs (I, WE or IT modes), as gateways, can be a pathway to the transcendent and to subsequent improved insight into reality.

The black dot at the centre is the ‘well-spring’ of consciousness. For artists (and great scientists) it is the Muse. For religionists it is the voice of God within (albeit distorted by the dust of self). For non-religionists it is the inner source of spirit as energy & inspiration – the bits of realization and insight that come to us for which we don’t make an effort.

Educating the human spirit is seen as nurturing, and cultivating, the life-force which culminates in the developed human who, through higher-order consciousness, realizes abilities from within Caring, Creative or Critical engagements.

Teaching is seen as nurturing and cultivating what is normally present, almost from birth, & certainly by the time we go to school – namely the flow of spirit expressed in nascent forms of Caring, Creativity, and Criticality – in Community with others. Holistic Learning takes place when the learner uses Creativity, Criticality and Caring – in Community – inspired by higher-order values – in dynamic combinations such as Creativity providing texts for criticality – which then, via dialogue, produce/attract the spirit for more creativity.

In SunWALK spirituality is not a dimension; it is the model as a whole. In SunWALK moral education is not a dimension – it is intrinsic to all of its praxis.

The SunWALK logo can also be seen as a mandala, or even as a plan drawing for a fountain or an ‘arts centre of light’!

SunWALK is a major shift to a process view of the world, of being human and of educating our young people. It rejects a worldview that is limited to the mechanistic, the ‘human-as-computer, the fragmentary and the materialistic; seeking instead modelling that is based on flow/process, holism and the spiritual.

SunWALK is designed to enable teachers and students to become agents of change to transform a world that is still operated as atomistic, mechanistic and materialistic into one that is holistic, dialogic, and derived from the best processes and products of the human spirit.

The SunWALK logo and model of education Copyright Roger Prentice 1995 & 2009

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A slide version of the SunWALK holistic education model – on what it is to be fully and positively human

A slide version of the SunWALK holistic education model – on what it is to be fully and positively human:

HERE

PARENTS & PARENTING

The challenge of parenting brings out our weak points as well as our strengths!

I don't give him much chance in resisting her winning ways! — I don't give him much of a chance in resisting that cheeky face!

In addition to personal and professional development for all this site is for three groups in particular; managers, teachers – and parents.

Many of the 1000+ themes on this site are relevant to you as a parent or a ‘parent-to-be’ – or to your personal or professional development.

In brief the model here – my SunWALK PDS (People Development System) sees parenting as maximizing the energy that flows through each of those you parent – and through the family as a whole, with each having a range of rights and responsibilities that help maximise the flow of the life-force.

The parent’s job is to nurture growth and development through keeping that flow of energy maximised – within a context of unconditional love and appropriate discipline.

That means paying attention to the needs of the individual as well as to the family as a whole.

Your parenting is as good as your self-parenting and that is as good as the personal development you’ve achieved – including transforming any negative created by imperfections in the parenting you received.

The good news is that on this site are ideas that you can put to work straight away.

More to come soon – why not use the SEARCH button or the Categories/Index.

ParentlinePlus – one major source of help for parents in the UK

One major source of help for parents in the UK is HERE

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All postings to this site relate to the central model in the PhD.

Summaries are HERE

Parenting: circumcision or not?

I have long thought male circumcision to be only marginally less barbaric than female circumcision this site should answer most questions:

Listed in the British Medical JournalThe Circumcision Information and Resource Pages are an Internet
resource that provide you with information about all aspects of
the genital surgery known as circumcision.

CIRP is essentially divided into two parts:

The Circumcision Reference Library contains technical material, medical and historical articles, and statistics.

The Circumcision Information Pages contain a morereadable collection of information, suitable for parents and educators.

This site has links to information on the rights of the child,
religious issues, and related issues.

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Click HERE to go to the site

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All postings to this site relate to the central model in the

PhD. Summaries are HERE

Being human – an American high school principal´s view

Many years ago a copy of this letter came my way – supposedly issued by a high school principal to his/her teachers on the first day of school.

It was seminal in the development of my world-view – and it is worthy of re-circulation;

Dear Teacher

     I am a survivor of a concentration camp. My eyes saw what no man should witness:

        Gas chambers built by learned engineers.

        Children poisoned by educated physicians.

      Infants killed by trained nurses.

        Women and babies shot and burned by high school and college graduates.

        So, I am suspicious of education.

My request is: Help your students become human. Your efforts must never produce learned monsters, skilled psychopaths, educated Eichmans.

Reading, writing, arithmetic are important only if they serve to make our children more human.

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All postings to this site relate to the central model in the PhD. Summaries are HERE

What if mothers did rule the world?

From QuakerDave we have a post we should all be asking – What if mothers did rule the world?

Funny. Sally Field is getting ripped by the Right because of her “insane ranting” at the Emmys last night. This savaging comes in spite of the fact that what she said (despite Fox’s attempt to censor her) is about as “family values” as you can get. The war-hawkers at Fox had to cut what she said because she had the audacity to mention war in the context of her being (and portraying) somebody’s mother, and Rupert couldn’t ever let that happen:

“This (award) belongs to all the mothers in the world – may they be seen, may their work be valued and raised – and especially to mothers who stand with an open heart and wait — wait for their children to come home – from danger, from harm’s way and from war. I am proud to be one of those women… If mothers ruled the world there would be no (expletive) wars.”

Here’s the question for the day: What if mothers did rule the world? ………………

I would say:

Those that live under terror might then have security.

Those that hunger might be fed.

Those that thirst might have clean water.

Those that long for education and a means to earn a living might be affirmed.

Those that seek justice and a respected place in the human family might be given a place at the human family’s ‘table’.

To read QuakerDave’s answers go HERE

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All postings to this site relate to the central model in the PhD.

Summaries are HERE

Free Schools India – work worthy of your support?

You might feel that this work is worthy of some support, we do;

Free Schools India is a small organisation made up of people dedicated to sustainable development, and to the ideal that all children should receive a free, quality, education. We are a collection of people from several fields who have come together to start a school for the children of the rural poor in several villages. From this idea our vision for this project has grown into something bigger, and we have already moved into the provision of health care also. Our plans do not stop here though. We would one day like to be able to provide full medical insurance for the families of our children and the wider community, and maybe one day start some micro industry.

The Inspiration

While working for an anti-child labour non-governmental organisation (NGO) in Delhi , Joanna Härmä and Gaurav Siddhu had the opportunity to speak with children in the city and in villages about their experiences with school. They found in one village that several girls could have attended school, if only it had been completely free of cost. Their families were not at all reliant on the income these children received from stitching footballs all day, but the costs associated with schooling were prohibitive for them, and yet they amounted to only US$15 per annum.

Go HERE to read BBC report on Free Schools India

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All postings to this site relate to the central model in the PhD. Summaries are HERE

Diagram of the SunWALK model of Holistic Education

The SunWALK logo/diagram conveys the basic ideas of the SunWALK model of Holistic Education;

The diagram functions as a logo, badge, a mandala, diagram, curriculum outline, model of what it is to be human (- and even as a building plan design).

You can read more about the basic ideas HERE

or a complete doctoral thesis HERE

Story and storying: the teacher’s self as text in reform of education

Parker Palmer in, The Courage to Teach, (1998 p.3), says that his book:

explores the teacher’s inner life, but it also raises a question that goes beyond the solitude of the teacher’s soul: How can the teacher’s selfhood become a legitimate topic in education and in our public dialogues on educational reform?

It turns out that this site is an attempt to answer Palmer’s question.

In a similar vein Sondra Perl (1994), (in Laidlaw, Mellett and Whitehead 2003) says:

Stories have mythic powers. To know this … is to know the shaping power of the tale. But how, I wonder, do we see beyond the boundaries of a familiar story and envision a new one? What, in other words, are the connections between texts we read and the lives we live, between composing our stories and composing ourselves?

Stories are one answer to the question; ‘What is it that makes of the parts a whole?’. Story-making of our experience is in-built. Conversely we tend to read the world according to the stories to which we subscribe, or that we ourselves have created. A religious world-view would be an example of the former. Concerning personal stories and how we construe the world see the psychology, and methodology, of George Kelly HERE

I am seeking on this site, and have sought in my thesis, to see beyond the familiar stories of my life, and of education as it is has been, and, through ‘a re-composing’ of my life via autobiography, my teaching and dialogues, I have sought to envision a new story for education. This is what is meant by ‘applied autoethnography’.

Starting your own school

Today someone wrote me from Mexico and asked about starting a holistic school or centre. Below is what I wrote back but I will add more as I think of it;

If I were much younger and was able to start a school, my hard-won general principles would include;

.

1 Find the finance to buy a school that is already successful. Develop its potential further – including the summer period. Don’t change anything until you understand everything and fully have the trust of the parents staff and children. Alternatively if all you can do is teach 3 children under the village tree then do that. Or support others in home-schooling.

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2 Develop an MA course and get it accredited by an internationally acceptable university.

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3 Draw your MA students from around the world and pair them with classroom teachers for at least half of each day. The teachers with their MA student assistants would consequently be involved in on-going research that was classroom-inspired – what is the best way to teach Maths?, how can the spiritual dimension of all subjects be developed?, what is the optimum amount of physical expression e.g. drama, dance etc.

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4 Make sure that you eventually institutionalize the holistic procedures – one school I about to be holistic when the core charismatic teachers left.

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5 Live what you teach.

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6 Be democratic – use PFC Philosophy for Children but realize that your responsibilities as an adult mean that it is you that will be held to account! Make clear contracts between all stakeholders including children, teachers, parents, community members etc. Authority must be given to the Head – revising policy by others should be restricted to just a few meetings per year.

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7 If the children can help build and care for the school, along with community members, it would be very useful!

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Of course there are a whole bunch of more general principles that you can assemble – have sufficient finance to last if your development stages take 2 or 3 times as long as you expect. etc.

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One UK source of relevant advice is the Human-scale Education movement

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All postings to this site relate to the central model in the PhD. Summaries are HERE

Personal Helicon by Seamus Heaney; resonance, memory, self-understanding and depths of the soul

Sculpture the ‘Well of Life’, Zagreb – source

I chose the following poem by Seamus Heaney (1996 p.14) as ‘the poem’ for my doctoral thesis because it shows beautifully how we resonate now, in relation to what we sensed and experienced as children. It also shows how, through metaphor, the objective connects with the subjective to thrill, to the very quick of our being.

About the poem, Personal Helicon Pelligrino (2003 p.1) explains;
Mount Helicon is a mountain in Greece, that was, in classical mythology, sacred to Apollo and the Muses. From it flowed two fountains of poetic inspiration. Heaney is here presenting his own source of inspiration, the “dark drop” into personal and cultural memory, made present by the depths of the wells in his childhood. Now, as a man, he is too mature to scramble about on hands and knees, looking into the deep places of the earth, but he has his poetry – and, thank God, so do we.

Of course if Heaney was reading it we would have that wonderful voice, like an aromatic tree giving up the sap, and perfuming the air with all the good things from the soil.

Personal Helicon by Seamus Heaney
for Michael Longley

As a child, they could not keep me from wells
And old pumps with buckets and windlasses.
I loved the dark drop, the trapped sky, the smells
Of waterweed, fungus and dank moss.
One, in a brickyard, with a rotted board top.
I savoured the rich crash when a bucket
Plummeted down at the end of a rope.
So deep you saw no reflection in it.
A shallow one under a dry stone ditch
Fructified like any aquarium.
When you dragged out long roots from the soft mulch
A white face hovered over the bottom.
Others had echoes, gave back your own call
With a clean new music in it. And one
Was scaresome, for there, out of ferns and tall
Foxgloves, a rat slapped across my reflection.
Now, to pry into roots, to finger slime,
To stare, big-eyed Narcissus, into some spring
Is beneath all adult dignity. I rhyme
To see myself, to set the darkness echoing.

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All postings to this site relate to the central model in the PhD. Summaries are HERE

What is art? – definitions

Source

What is art?

One definition that works for me is;

Art is culturally significant meaning, skilfully encoded in an affecting, sensuous medium.

Richard Anderson quoted in Freeland (2001 p. 77)

I would make one change;

Art is culturally, and personally, significant meaning, skilfully encoded in an affecting, sensuous medium.

There is a whole range of art that I know has cultural meaning but for it to enable an aesthetic experience in me it has also to have personal as well as cultural meaning.

TASKS:Lesson questions

How far, and in what ways, has art , through the dominance of conceptual art, replaced philosophy?

How far, and in what ways, has art replaced religion?

More resources

Extensive quotations from Tolstoy at Professor Julie van Camp’s site are HERE

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All postings to this site relate to the central model in the PhD. Summaries are HERE

From ‘Summer is a-coming in’ (1250) to ‘Cummin Thru Ya Fuckin Block’ (1994); each generation’s popular song lyrics – for cultural exploration

Source – and lyrics for the Freewheelin’ Bob Dylan

From SUmair is IcUmin in (1250) to Cummin Thru Ya Fuckin Block (1994); each generation’s popular song lyrics – for cultural exploration of values and beliefs

Great song lyrics are inspiring. Of course when they are coupled with great music the two have a multiplier effect and become ‘transcendent’. Why? How do the words when combined with the music become so powerful – so powerful that they can ‘take us out of ourselves’ and transport us delightfully?

Once or twice I’ve heard teachers and/or preachers refer to lyrics in popular song and I’m sure a lot of work has been done in schools and colleges. Here I just post one or two ideas and hope that I get to hear about more such work.

I did look many many years ago at some of the lyrics used by Joan Baez and Bob Dylan with secondary school pupils in the context of teaching English in the first school in which I taught. (I’m afraid I am one of those who thought that Bob Dylan did fall from grace with the electric guitar – but no one can take away the diamond-like clarity and poetry of his early work!) Still good stuff!

If you can avoid too much initial resistance folk song is, of course, a very interesting vehicle to look at historical events and work-related and class and geographic issues.

One of the earliest songs is SUmair is IcUmin in (c.1250)

SUmair is IcUmin in, lU-duh sing cUckU
GrOweth sAd and blOweth mAd and springth the wUduh nU
ow-uh blAteth after lahhhmb, lOth after cal-vuh cU
Bullock stairteth, buck-uh vairteth, mUrI sing cUckU
Well singst thU cUckU; nA swick thU nevair nU
Sing cUckU, nU….

Translation:
Summer is coming in, loudly sings the cuckoo, cuckoo, cuckoo….
The seed grows; the meadow blossoms, and the woods alivens anew.
The ewe bleats after the lamb; the cow lows after the calf;
The bull leaps; the goat capers*; merrily sing cuckoo!
Well sing you, cuckoo–don’t ever stop now.
Sing cuckoo, now….

Hear the music HERE

Lastly I want to mention films – probably like me you are astonished in having watched a film to see that it had used 30 or so songs and yet you were not aware of them – so looking at the use of popular music in films is another very interesting area.

TASK/LESSONs – a few ideas

1 Look at some lyrics that stand up as poetry and some that don’t but get transformed when coupled with the music.

2 Explore the multiplier effect’ when lyrics and song come together – via a good/great singer.

3 Use song lyrics (and photographs/photography) in ‘reminiscence work’ with senior citizens and multi-generational work.

4 Explore why each generation gets attached to and is defined by (?) the songs that are popular.

5 what are the down-sides of music in films? What part does music play in ‘Hollywood’ type movies?

6 Watch some key/favourite/ important sections of films with and without the music sound-track – what’s the difference and what’s going on?

7 Cows are said to like music – why. If its true and what is known about music in the work-place?

8 Get children to interview parents grand-parents about key music in relation to key events in their lives.

9 Get children to develop a set of images in relations to a particular song that is important to them e.g. Strange Fruit

HERE ARE A FEW OF MY FAVOURITE LYRICS AND EDUCATIONAL SOURCES FOR THEM

Every time we say good bye (Cole Porter)

We love each other so deeply
that I ask you this, sweetheart,
why should we quarrel ever,
why can’t we be enough clever,
never to part.
Ev’ry time we say goodbye
I die a little,
ev’ry time we say goodbye
I wonder why a little,
why the gods above me
who must be in the know
think so little of me
they allow you to go.
When you’re near
there’s such an air
of spring about it,
I can hear a lark somewhere
begin to sing about it,
there’s no love song finer,
but how strange the change
from major to minor…
ev’ry time we say goodbye.
Ev’ry time we say goodbye
I die a little,
ev’ry time we say goodbye
I wonder why a little,
why the gods above me
who must be in the know
think so little of me
they allow you to go.
When you’re near
there’s such an air
of spring about it,
I can hear a lark somewhere
begin to sing about it,
there’s no love song finer,
but how strange the change
from major to minor…
ev’ry time we say goodbye.
Ev’ry single time
we say goodbye

Source

Miss Otis Regrets
“Oh, hi! A-heh heh! Is Miss Otis in?”
“Miss Otis regrets she’s unable to lunch today.”

Miss Otis regrets she’s unable to lunch today, madam.
Miss Otis regrets she’s unable to lunch today, mmmmmm.
And she’s sorry to be delayed,
but last evening down at lover’s lane
she strayed, madam.
Miss Otis regrets she’s unable to lunch today.

When she woke up and found
that her dream of love was gone, madam,
she ran to the man
who had lead her so far astray.
And from under her velvet gown
she drew a gun and shot her lover down, madam.
Miss Otis regrets she’s unable to lunch today.

When the mob came and got her
and dragged her from the jail, madam,
they strung her up
on the willow across the way.
And the moment before she died
she lifted up her lovely head and cried, madam.
Miss Otis regrets she’s unable to lunch.
Miss Otis regrets she’s unable to lunch today.

Source

Strange Fruit

Southern trees bear strange fruit,
Blood on the leaves and blood at the root,
Black bodies swinging in the southern breeze,
Strange fruit hanging from the poplar trees.

Pastoral scene of the gallant south,
The bulging eyes and the twisted mouth,
Scent of magnolias, sweet and fresh,
Then the sudden smell of burning flesh.

Here is fruit for the crows to pluck,
For the rain to gather, for the wind to suck,
For the sun to rot, for the trees to drop,
Here is a strange and bitter crop.

Source

All the things You Are

You are the promised breath of springtime
That makes the lonely winter seem long
You are the breathless hush of evening
That trembles on the brink of a lovely song
You are the angel glow that lights the stars
The dearest thing I know are what you are
Someday my happy arms will hold you
And some day I’ll know that moment divine
When all the things you are, are mine

Source

There is a very funny (and strangely moving) version of All the Things You Are by Peter Sellers – you can hear a bit HERE

Of course neither have the lyric and romantic charm and transcendental sweetness of Cummin Thru Ya Fuckin Block;

Author/Artist/Singer: Artifacts

Music Title/Track: Cummin Thru Ya Fuckin Block

Theme ID: 31545

N/A

featuring RedmanTo the beat y’all
*rat-a-tat drumming sound*[all] Make it funky (4X)
[Red] My nigga Tame [all] makes it funky
[Red] My nigga El [all] makes it funky
[Red] Redman [all] makes it funky
[Red] Huh, check it outVerse One: El Da SensaiI Ego Trip like Ultramag, sag my Girbauds I drag
competition so listen and raise the white flag
Cause the instructor, of the New Jerz verse dusts
another motherfucker I discover what no other brother
can do, hard to handle and to, stamp
I play Tramp like Grace Jones in that movie Vamp
I’m fit to wreck shit, I dip into the skit
Spit lyrics exquisite, blitted as I hit it
I suppose I knows the ways of the pros
Bros be like, “Oh that nigga’s got mad flows”
Creep’ll get it deep, I got it when it’s strict against
ducks who suck, and didn’t have the best defense
I make shit nice, defies with my device
And if I’m in a rap fight, you can catch a cap, right
Bust it, whassup what did ya ask me?
Crafty with my sassafrass P-Funk, thought been handy
Dandy Mayor Ave., back in the lab create my trap
Dibble dabble in the midst of the Artifact we have
swiftness, I blitz, specific and you dig it
from N.J., the Notty Headed Terror and da SensaiChorus: Artifacts, Redman

Pump! Pump! We’re lickin off the mad shots
[Red] It’s the Artifacts and Redman cummin thru ya fuckin block
(repeat 3X)
Pump! Pump! We’re lickin off the mad shots
[Red] It’s the Artifacts and Redman cummin thru ya fuckin!!

Verse Two: Tame One

Well I come live from the Artifact exhibit as a misfit
Larger than Jurassic Park I lick off like Wilson Pickett
Drama like a talk show I hit more cheese than nacho
Feelin Machu when I Pi on; a Coltrane like Roscoe
Hostile underground fossil, nigga bout to rock ya
So peep it how I freak it check the technique yeah I rock ya
I glide like drips and blaze a trail like I was Portland
When ill stressed, I still rock a vest like Ed Norton
The ill king, taking all things cash, crash, and asses
Backstage passes, V.I.P. all access
I got the props pon cock, fuck the know-nots
Whose techniques are weaker than the graphics for the Gobots
I rock with raw steel like Sue Richards, when Rick smacks her
Up motherfuck that I got more funk than muskrats
With my hocus pocus I can fuck up where ya focus
wit my left hook, dip right jab shuffle I can smoke ya
it don’t matter, cause all my shit is fatter than the
pads on MPC-60’s, hit me you got five second to jet G
Straight from the Bricks, now back to the N.J.
The Notty Headed Nigga and da motherfuckin Sensai

[Red] Hoooaaaahhh! One two, one two, one two
This is for Jersey, haha ahh, ah hah
One two, one two

Verse Three: Tame One, MC El

I’m the black king, quick to grease my naps with Royal Crown
and aloe vera representin for the Notty Headed nigga era
However whatever my Posse Packs the Pistols
and my Skwad got the Boom, rid the room, get the bitches

The exact Artifact, who is that, you speak of
Leak my speakers, unique and freakin beats track in fact
I be dat, nigga who you look for, in your worst fears
Peace to my nigga Lord Sear and Samere
Display, niggaz from N.J.
Notty Headed Terror and da motherfuckin Sensai

Outro: Artifacts, Redman

Pump! Pump! We’re lickin off the mad shots
[Red] It’s that Notty Headed Nigga cummin thru ya fuckin block
Pump! Pump! We’re lickin off the mad shots
[Red] It’s the Artifacts and Redman cummin thru ya fuckin block
Pump! Pump! We’re lickin off the mad shots
[Red] Big up to Boom Skwad’s cummin thru ya fuckin block
Pump! Pump! We’re lickin off the mad shots
[Red] It’s the Artifacts and Redman cummin thru ya fuckin block
Pump! Pump!
[Red] Booyaka
Pump! Pump! (6X)
[Red] For nine-fo’
Pump! Pump!
[Red] Artifacts get dapped like that y’all
*sound of rat-a-tat drumming again*
[Red] Jersey’s in the fuckin house y’all
New York’s live in the house y’all
Newark is live in the house y’all
E-O’s live in the house y’all
Word is bond in the hizouse y’all
I’m in the motherfuckin hizouse y’all
So niggaz get the fuckin balls y’all

Source

Endpoint

Question: If ‘sewage’ is the spiritual food of choice how precisely did we fail to develop the appetite for the sublime?

In parenting we go from almost total control to indirect influence. Intrinsic worth, value, meaning, taste, discrimination are the kinds of qualities most of us hope our children acquire. In this process we have to stay conscious of the fact that if we don’t have (a reasonable degree of) control over our children’s environment someone far less benign will be manipulating them.

‘I am what I eat; Salads, Soups, Sikhism, and Harmony in Diversity – starting with our children

Discovering the site ‘gateway to Sikhism‘ was one of today’s pleasures.

Discovering the 100+ recipes was also a pleasure and set me thinking.

I’ve heard that one of the last elements of group culture to go in the process of assimilation is food.

Food and harmony in diversity seem connected in many ways.

Firstly of course who in their right mind wants assimilation – of themselves or others. As the (wo)man said, “I want salads not soup” – that was on the question of diversity and its harmony! However what is needed is an understanding of the harmony that can help the diversity flourish. That’s what is in short supply. Perennial Philosophy and a universalist worldview is one way forward. Perhaps this doesn’t require leaving our own culture and religious roots – (although the Baha’is would say, “Yes it does – and that is the ultimate of act of allegiance.”). Gandhi had something interesting to say about this;

“After long study and experience, I have come to the conclusion that [1] all religions are true; [2] all religions have some error in them; [3] all religions are almost as dear to me as my own Hinduism, in as much as all human beings should be as dear to one as one’s own close relatives. My own veneration for other faiths is the same as that for my own faith; therefore no thought of conversion is possible.” (M. K. Gandhi, All Men Are Brothers: Life and Thoughts of Mahatma Gandhi as told in his own words, Paris, UNESCO 1958, p 60.)

He also said, I’m given to understand, “God has no religion.”

Secondly food is one of the great universals – it demonstrates universality in the fact that we all need, and most love it, and its diversity is astonishing!

Thirdly many of us enjoy (too much?) eating our way into other cultures. I’ve not (yet) visited Japan but we had a meal in a new a Japanese restaurant in Brighton (England). Of course we need to go further so that we can touch some other parts of the essential reality of other cultures. In doing so we need to sense both that which is distinctive and that which is universal.

Some of the many cultural and sacred connections between food and culture and ‘acting-in-the-world’ can be seen in the Sikh Langar

Through food we can also celebrate our sense of ‘world citizenship’. I’m not only defined by what I think, or that with which I ‘link’ as the wit said, but also by the cuisines I celebrate!

Our giving and receiving food is of course the continuation of the ancient practice of neighbourliness. Today we can extend this to distant people through giving via charities.

Many years ago a Roman Catholic school I taught in would celebrate another religion’s festival in the morning assembly. Divali and Just as enjoyable – one of the teachers organized that those children would bring in a ‘pot luck’ of ‘Indian’ food. Now for many of the children this was a memorable kind of experiential education!

With our children and our neighbours, near and distant, let’s reach out and break bread – or mix rice – even more!

‘Practical theory’ re: Jane’s Short Story, meaning, interpretation, stories, meta-thinking, the teacher – and generating an antidote to fundamentalism!

Teachers, and other professionals, deal in a) texts (written and other kinds) and b) discourse about their meaning and interpretation with students every day.

When we engage with texts we do so in one of three voices – the philosophical-scientific, the creative or the moral-caring. This article comprises the first of a few reflections about hermeneutics in relation to the process of teaching – and in relation to the SunWALK model and ‘what it is to be fully and positively human’ – the main focus of this site.

‘Essentially, hermeneutics involves cultivating the ability to understand things from somebody else’s point of view, and to appreciate the cultural and social forces that may have influenced their outlook. Hermeneutics is the process of applying this understanding to interpreting the meaning of written texts and symbolic artifacts (such as art or sculpture or architecture), which may be either historic or contemporary.’ Wiki

1 It makes sense for middle school children, and above, to come to understand that texts represent possible meanings and ‘critiques’ represent readings of texts. It might also be useful from this to understand that readings can both change over time in our lives, but principles might remain constant.

Developing meta-thinking via periodic re-visits to a useful text

There are calls for teachers to help children to achieve meta-thinking and one enjoyable way is to re-visit a story in succeeding years with the discourse centred around such questions as;

“How do you read the story?” and

“How do you feel what you’ve learned over last year has changed your views and, what you value – in relation to the story?” and

“In what respects have you, and your thinking, changed and developed over the last year?”and

“How do you read the story now compared to when you first ‘met it’ – what’s stayed the same and what has changed?”

One re-visiting was to Jane’s Short Story in a Roman Catholic middle school. Jane’s Short Story was posted to this site yesterday (8^th Aug 2007). I wrote Jane’s Short Story to see how good Year 7 children (11 to 12 year olds) were at de-constructing and critiquing a piece that was deliberately stream-of-consciousness, oblique and cryptic! They surprised me the first time we used the story as a text and they also impressed me with their reflections on how their thinking had developed and the differences they saw on their second encounter.

Such work is also an antidote to the shallowness and superficiality that blights much of what children suffer in school. If you treat children as profound thinkers they show that they are profound thinkers – that’s part of the genius of the process in Lipman’s Philosophy for Children

What’s the connection with the SunWALK model?

PFC Philosophy for Children is the exemplary programme for the ‘IT’ voice, the objective mode of engaging with truth. The spirit flows even more powerfully if we combine IT engagement with working with the ‘I’ voice of creative expression. This means that the children can treat the text, including occasionally pieces by the teacher and/or other pupils both as literary text and as philosophical text. Switching back and forth between the two activities and the two treatments of text becomes a very powerful mode of teaching – including for the third voice, that of the moral and other-centred i.e Caring.

What’s the connection with fundamentalism?

There are many including;

Once you have separated out the different forms of truth-telling, the IT voice of philosophy and science, the ‘I’ voice of Creativity and the ‘WE’ voice of Caring you no longer have to defend texts in inappropriate and very dangerous ways. Treating religious texts as the supreme sources of inspiration for acting with justice, truth, beauty and goodness makes sense. Treating such texts as finite and fixed in their meaning as if they were simply mathematic formulae doesn’t.

It is we who make the meaning, not God – which is why we should always be tentative in how we assert our interpretations (including this one!). Sacred texts are gifts of meaning-making possibilities. Of course part of the texts is time-related and part constitutes eternal realities, but understanding what we are doing as we engage in objective, subjective or moral truth-seeking helps minimize confusion.

Literalism is the denial of God because it is the denial of meaning-making possibilities in relating to sacred texts – it limits the text to fixed and finite meaning – and tends to take us away from the focus on the need to act in the world with justice, truth, beauty, goodness – and all of the other so-called names and attributes of God.

It also allows people to start believing that the ‘others’ have broken whatever covenant is deemed to have existed so that no ‘rules’ of war’ need be complied with.

Its only in early life that we can prevent the kind of indoctrination of hatred for others. Understanding that spirituality, be it theistic or humanist, is simply the process of gaining the will to act morally is vital. Understanding the ‘voices’ with which engage and the texts that we engage with are all either objectively focused or subjectively focused or morally focused is vital in developing the truly mature mind-set and world-view.

How can we make our teaching and parenting more holistic?

Source – beautiful work at Yellow Cottage Mosaics

Loosening the strait-jacket and increasing the holism

Question: “What is it that constitutes holistic teaching?”

Answer: “The holistic teacher is one who proceeds in all particulars with a sense of the whole –

and who once a lesson (at least) brings the pupils/students back to a sense of the Whole.”

Holistic Education – you must be joking! Fragmentation rules! I know that in the UK at least teachers are in a continually worsening government strait-jacket

So what can you do – starting today – to make your teaching and lessons more holistic and more satisfying for you and for those you teach? Here are a few suggestions.

a) ‘Re-framing’

By re-framing I have in mind that we all habitually use ways of thinking that we were taught or that we have adopted over the years. We can enrich what we do by seeing it in a new light and by then consequently changing how we work.

‘Re-frame’ your thinking via ‘added’ creativity. (SEE quote by Charles Darwin below)

If you are an arts teacher (performing creative or otherwise) see what inspiration can come from the sciences.

If you are a science teacher explore the creative and the humanities to re-fresh your thinking and practice. It was Darwin’s one great regret that he didn’t stay closer to the arts:

“If I had my life to live over again, I would have made it a rule to

read some poetry and listen to some music at least every week…

The loss of these tastes is a loss of happiness, and may possibly

be injurious to the intellect, and more probably to

the moral character, by enfeebling the emotional part of our nature.”

Charles Darwin (quoted in Christian p. 611)

Add the creative suggestions/connections to the presentation and discussion not just as balm for your own soul!

b) Make a deliberate effort to link each activity with other activities. In modelling through your behaviour/talk this ‘making of connections’ you will encourage pupils/students to make such connections. When a pupil/students does make a connection point it out; “Did you see how Juan/Maria made a connection between what we’re doing and the History lesson we did yesterday? Can you see any other connections?”

c) Relate subjects that are specifically concerned with values to values contexts.

d) Point out the creative potential in activities that are not specifically concerned with creativity.

e) Build in some simple form of contemplation/meditation in which the children let go of all of the busy-busy ‘freneticism’ and just ‘sense the whole’ to which we all belong.

NB Even if we could all agree on what constitutes a fully holistic form of teaching/education most teachers are restricted, particularly in the State system. Therefore it makes sense to think of stages or degrees of ‘holising’ given that teachers have such restricted freedom to plan courses.

The above principles will help in moving your teaching several steps toward being fully holistic.

TASK: Is this the crunch question and answer?

It took me 15 years to formulate the key question and provide myself with a reasonably satisfactory answer. (OK I know I’m a slow worker!) I know its very simple – we always overlook the obvious. If you can think of a better answer – or a good alternative – please send me it.

Question. “What is it that constitutes holistic teaching?”

Answer: “The holistic teacher is one who proceeds in all particulars with a sense of the whole – and who once a lesson brings the pupils/students back to a sense of the Whole.”

More questions

Question: What is it that makes of the parts a whole?

Answer:……………………………………

Question: Does a mosaic serve well as a symbol of holism – or is it ‘too mechanical and fragmentary’?

How is it that our consciousness/perception sees beyond parts to wholes?

Answers:……………………..

False prophets – new book

How many kinds of false prophet are there? Today’s BBC Heaven and Earth show featured three sisters and their new book that shows one kind of false prophet;

Children of God – child abuse
Three sisters, Kristina, Celeste and Juliana, join Gloria to talk about their harrowing upbringing within the new religious movement known then as ‘The Children of God’.

From the age of three, the girls were considered to be sexual beings by their ‘guardians’. They were abused and were the victims of advances from men old enough to be their grandfather. They were denied formal schooling; they were forced to beg on the streets and were beaten for ‘crimes’ as benign as reading an encyclopaedia.

Eventually the sisters escaped, along with their mother, when they realised that the group’s leader was a false prophet. The three sisters, now grown women, have started their own organisation called RISE International to help other victims of abusive religious groups. Their new book is called Not Without My Sister.

Book Description (from Amazon)
The true story of three sisters’ courageous struggle to escape
a perverse community that betrayed them in the name of love, deprived of
their childhood and robbed of their innocence.
This is a horrific story of perversion and loss but, ultimately, it is an
account of immense love and immeasurable bravery.

Synopsis
The devastating account of three sisters, torn apart and forced to suffer abuse and exploitation at the hands of a community that robbed them of their childhood. They reveal three lives, separate but entwined, that have experienced unspeakable horror, unrelenting loyalty and unforgettable courage. From as early as 3 years old, Juliana, Celeste and Kristina were treated by their ‘guardians’ as sexual beings. They received love letters and sexual advances from men old enough to be their grandfather, and were forced into abusive relationships that barely went unhidden. They were denied access to formal schooling, forced to wander the streets begging for money, and were mercilessly beaten for ‘crimes’ as unpredictable as reading an encyclopaedia. Finally, realizing that the cult’s leader, David Berg, was a false prophet, their mother escaped with Kristina, leaving Celeste behind with their father. Juliana, his daughter by another woman, also remained behind. Celeste finally broke free after falling pregnant and realising that the child she was carrying would be subjected to the same fate if she could not find the courage to escape. Juliana was the last to leave, staying behind long enough to look after her younger siblings and feed Celeste information from the inside. Now the three sisters have finally come together to reveal in full and horrific detail their existence within a group that has destroyed the lives of so many. Their stories intertwine throughout the years, revealing a community spread throughout the world whose legacy of anorexia, depression, drug abuse, suicide and even murder are impossible to erase. Lives that follow parallel paths are ripped apart and painstakingly mended with a shared strength that finally enabled the sisters to free themselves from the shadows of their past.

—–0—–

All postings to this site relate to the central model in the PhD. Summaries are HERE

Author/Artist/Singer:	Artifacts
Music Title/Track:	Cummin Thru Ya Fuckin Block
Theme ID:	31545
	N/A

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