‪Wisdom from one of today’s outstanding teachers – ‘descended’ from Rumi‬‏

Education is a mess – is there an integrative way to teach?

I have updated an introduction to the SunWALK model of human-centred studies; 

SunWALK: Summary of the main meanings of the components represented in 
the model and its ‘logo-diagram-mandala’ – providing a teacher’s process model 

 

sunwalk-logo

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SunWALK: Summary of the main meanings of the components represented in 

the model and its ‘logo-diagram-mandala’ – providing a teacher’s process model

Give me a brief introduction:

SunWALK grew out of reflection on many years of teaching children and adults and particularly a period of five years teaching in a RC middle school – theorizing my practice via a PhD and practising my theory day-to-day.

SunWALK simply says that the quality of all of our lives will be higher if we undertake all education within the framework of deepening our humanity.  

Deepening our humanity is a matter of developing technical competencies within the chief dimensions of the human spirit; Caring (the Humanities), Creativity (the Arts) and Criticality (the Sciences & Philosophy) – all in local, national and world Communities.  These are the ‘4Cs’ of the model – 3 intra-personal, 1 inter-personal.

We and our one planet will be better of if all of the technical stuff, from learning to read to Masters degrees in engineering, take place in the context of humanization/the 4Cs.  This requires international, national, school & classroom commitment to deepening the best of being human as the context for learning the technical.

We can’t afford to have character and morality and compassion as hoped-for accidental outcomes.  Moral Education, PSME, RE etc. don’t work as bolt-on extras.  They need to be the general context in which competencies are developed.

It is a model based on the energy flow of the human spirit – that is the given. That is physical, mental and spiritual energy that flows through all living human beings.  

That energy, the human spirit, is the true ’stuff of education’.  With the best of the past teachers need to equip children to face tomorrow’s challenges which will always be a mixture of new problems combined with eternally recurrent problems.  Building all education with will be the medium with which the teacher works to nurture and challenge balanced development.

Today we have lost the balance between specialization, and whole-systems thinking and acting – SunWALK model brings into harmony the best of ‘Western’ & ‘Eastern’ world-views. 

OK – so what’s the ‘Sun’ and the ‘WALK in the model’?

The ‘Sun’ = the individual’s spiritual inspiration & values sources – accumulated and ongoing, as operating internally and as expressed in speech and behaviour. 

WALK = Willing & Wise Action through Loving & Knowing – here seen as the general goal for education, and as the interiority, character and behaviour of the student. 

The model/logo combines a range of sub-models including the following:

a) An ‘interior’ model of the human spirit – in relation to ‘the world’.

b) A model for re-positioning education within being & becoming human – in the world with others.

c) A general model of the curriculum – for primary, secondary and higher education.

d) A framework for the analysis and evaluation of teaching episodes or projects.

e) A model of education that makes non-faith-specific spiritual and moral education intrinsic to all learning.

 

THE MODEL AND THE PROCESS IN ONE (long) SENTENCE: – 

The SunWALK model of spiritualizing pedagogy sees human education as the 

storied

development of 

meaning, which is 

constructed, and de-constructed, 

physically, mentally and spiritually, through 

Wise & Willing

Action, via 

Loving and Knowing – developed in 

Community, through the

‘Dialectical Spiritualization [1]’of 

Caring, Creativity & Criticality processes, all undertaken in the light of the 

‘Sun’ of chosen higher-order

values and beliefs, using best available,appropriate 

content.

These underlined concerns are central components and focuses of the practice and theory in the model. 

This is an intense combination of theory and practice.  It automatically requires the teacher to practice their theory and theorise their practice – dynamically as practice-based research.  It automatically enables the classroom to be connected to the school & community as a whole and to e.g. a relevant department in a university.

It attempts to suffuse all teaching with the demands, challenges and joy of being human in the world with others.  But it seeks to bring together the Whole and the parts, the ineffable and the concepts – not just concepts because as Heschel (1971:7) says, “Concepts are delicious snacks with which we try to alleviate our amazement.”

The diagram/logo/

The outer ring of the SunWALK logo combines two dimensions:

1 ‘Community i.e. the social,interpersonal dimension of interaction with other individuals or groups.

2  ‘Cultural sources’ including such dimensions as the traditions, the political & the legal.  

The three major divisions of the arts,sciences and humanities are here thought of as the stored, yet potentially dynamic, accumulation of knowledge and beliefs and procedures – everything from galleries to written laws of physics that the individual can draw upon or be influenced by. This is the ‘stuff out there’ rather than the interiority of consciousness in which there is the perpetual flow and re-shaping, focusing de-focusing etc. of heart-mind.

In SunWALK everything within the inner circle = a representation of ‘interiority’, i.e. human consciousness – the human spirit. 

The human spirit is presented intra-personally as 3 ‘voices’ – 3 modes of being & of engaging with reality & of knowing.

The three emanate from the singleness of ‘heart-mind’, consciousness.  

They are presented (metaphorically) as the ‘primary colours’ of Creativity (the yellow of inspiration), Criticality (the blue of reason) & Caring (the red warmth of love). 

Creativity is the ‘I’ voice of subjective engagement via an artistic medium – it is concerned with subjective knowing and is particularly related to the core virtue ‘beauty’ and its products are of course ‘the Arts’. 

Criticality is the ‘IT’ voice of objective engagement which enables progress in the Sciences ( & Maths., Philosophy and ‘critical’ studies). It is concerned with objective knowing – and it is related particularly to the core virtue ‘truth’.  The products of course are the sciences and technology  – but also philosophy and critical studies.

Caring is the ‘WE’ voice which enables moral engagement – for progress in the moral domain and in service of others. It is concerned with social knowing – related particularly to the core virtue ‘goodness’ and to ‘the Humanities’. 

All three of course need to be conditioned by the pre-eminent virtue of justice.  All students need to have these ways of engaging with reality developed in a balanced way.  High technical competence combined with moral dwarfism leads to ……

The physical dimension is seen as the instrument for the flow of spirit in all of its forms – e.g. via dance, drama & PE and sports.

Each individual develops her/his I, WE and IT voices, the 3Cs, via socialization, starting in the family, the local community and then later in formal education. A sense of justice is seen as paramount intrapersonally as well as inter-personally i.e. it enables us to engage with that which is beautiful, good or true with balance, clarity & due weight.

The essential process in all 4Cs is multi-level dialogue. In the case of the individual dialogue is seen as meditation, reflection and inner-talk. In the case of groups it is dialectical process via consultation.

The ‘Celtic’ knot that surrounds the central shield indicates that the 3Cs are simply aspects of the one human spirit– the flow of ‘heart-mind’.

The white shield at the centre represents the meditative state in which there is no ‘focused’ engagement via one of the 3Cs – and in which there is relatively little of the interference or chatter that we experience in the unquiet mind. 

This can enable us to ‘go beyond ourselves’, i.e. transcend our normal knowing – any of the 3Cs (I, WE or IT modes), as gateways, can be a pathway to the transcendent and to subsequent improved insight into reality.

The black dot at the centre is the ‘well-spring’ of consciousness. For artists (and great scientists) it is the Muse. For religionists it is the voice of God within (albeit distorted by the dust of self). For non-religionists it is the inner source of spirit as energy & inspiration – the bits of realization and insight that come to us for which we don’t make an effort.

Educating the human spirit is seen as nurturing, and cultivating, the life-force which culminates in the developed human who, through higher-order consciousness, realizes abilities from within Caring, Creative or Critical engagements. 

Teaching is seen as nurturing and cultivating what is normally present, almost from birth, & certainly by the time we go to school – namely the flow of spirit expressed in nascent forms of Caring, Creativity, and Criticality – in Community with others. Holistic Learning takes place when the learner uses Creativity, Criticality and Caring – in Community – inspired by higher-order values – in dynamic combinations such as Creativity providing texts for criticality – which then, via dialogue, produce/attract the spirit for more creativity.

In SunWALK spirituality is not a dimension; it is the model as a whole. In SunWALK moral education is not a dimension – it is intrinsic to all of its praxis. 

The SunWALK logo can also be seen as a mandala, or even as a plan drawing for a fountain or an ‘arts centre of light’!  

SunWALK is a major shift to a process view of the world, of being human and of educating our young people. It rejects a worldview that is limited to the mechanistic, the ‘human-as-computer, the fragmentary and the materialistic; seeking instead modelling that is based on flow/process, holism and the spiritual.   

SunWALK is designed to enable teachers and students to become agents of change to transform a world that is still operated as atomistic, mechanistic and materialistic into one that is holistic, dialogic, and derived from the best processes and products of the human spirit.

The SunWALK logo and model of education Copyright Roger Prentice 1995 & 2009

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SEE ALSO these allied blogs –

 Human-centred courses –

 Dictionary of Concepts

Home is HERE i.e. my ‘meta-blog’ -The ´1000 ways …of Celebrating the human spirit

 

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A slide version of the SunWALK holistic education model – on what it is to be fully and positively human

A slide version of the SunWALK holistic education model – on  what it is to be fully and positively human:

 

HERE

 

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Ram Dass Interview

Ram Dass - WikiPedia
Ram Dass - WikiPedia

An interesting interview of Ram Dass by David Jay Brown and Rebecca McCLen Novick is available online HERE

David Jay Brown : I see that you have Bob Dole on your altar. That’s a nice touch.(laughter)

Ram Dass : I take the person who most closes my heart and I watch my heart close as I look at their picture.

David : What was it that originally inspired your interest in the evolution of human consciousness?

Ram Dass : I’m inclined to immediately respond – mushrooms, which I took in March 1961, but that was just the beginning feed-in to a series of nets. Once my consciousness started to go all over the place, I had to start thinking it through in order to understand what was happening to me. It wasn’t until after I’d been around Tim Leary, Aldous Huxley and Alan Watts, that I started to reflect about issues like the evolution of consciousness.

David : Was there a common denominator between what drew you to study psychology and what drew you to spiritual transformation ?

Ram Dass : I am embarrassed to admit what drew me to psychology. I didn’t want to go to medical school. I was getting good grades in psychology and I was charismatic and people in the psychology department liked me. It was as low a level as that. My whole academic career was totally out of Jewish anxiety, and issues surrounding achievement and adequacy. It was totally socio-political. It had nothing to do with intellectual content at all.

David : You talk about that time in your life as if it was a period of simple bad judgment, but wasn’t it also a necessary part of your evolution ?

Ram Dass : Well, that’s different. I was, after all, teaching Freudian theory. Human motivation was my specialty, so I thought a lot about all that stuff. That served me in very good stead because it’s an exquisitely articulated sub-system. If you stay in that sub-system, it’s very finite and not very nourishing. But when you have a meta-system, and then there’s the sub-system within it, then it’s beautiful, it’s like a jewel – just like with chemistry or physics.

But when I was in it, it was real. When I was a Freudian, all I saw were psycho-sexual stages of development, and as a behaviorist all I saw were people as empty boxes.

Rebecca McCLen Novick : You seem to be able to incorporate and apply some of the things you learned as a psychologist to this larger understanding of the human condition.

Ram Dass : Everything I learned has, within that relative system, validity. So, if somebody comes to me with a problem, they come to me living within that psychological context. I have incredible empathy for their perception of reality, partly because of what I’ve been through in it. You’ve got to go into the sub-system to be with the person within it, and then create an environment for them to come out of it if they want to. That seems to me to be a model role for a therapist.

It’s also showed me a certain kind of arrogance in Western science. Here was Western science really ignoring the essence of what human existence was about and presenting it as if concerns about that were some kind of bad technique.

Full interview available online HERE

Back to the Eckhart Tolle discussion – intellectuality & the mind are as spiritual as prayer & meditation

sun-and-plant

In the context of discussion with contributor ‘Patrick’ I offer a contribution to the issues I raised concerning the brilliant Eckhart Tolle. I do this via a beautiful poem that describes, with exquisite simplicity, the mystical experience of non-duality, or oneness. The poem is by the renowned Chinese poet Li Po;

The birds have vanished into the sky,

and now the last cloud drains away.

We sit together, the mountains and me,

until only the mountains remain.

Li Po (701-762)

IMHO

1 Clearly for Li Po there was, to start with, on that occasion, duality.

2 I’m assuming that Li Po returned from non-duality, back in to duality – unless he sat there until his bones turned to dust.  I assume he returned in order to do the laundry, chop wood, carry water.  Of course he would now do them on the bed-rock of enhanced consciousness derived from his mystical/aesthetic experience of non-duality.  Both wings of being human would be beating – as he scrubbed and carried and chopped. Enlightenment is now – if we let it.

In this world – the contingent world, the world of duality, the ‘Kingdom of Names’ – the complementarity of duality and non-duality is the key. Duality is not a curse, or a failing. When in dynamic inter-relation with non-dual experience it is heaven and perfection. Without non-dual experience it is hell, including the hell of relativity. The purpose of life is not just transcendence and timelessness – it is also immanence and being in time, moment by moment. Complementarity is the key.

3 The non-duality or mystic state is the same as the state of creativity (or the truly aesthetic experience).  We are ‘taken out of ourselves’ as we say in modern parlance.  Art  and ‘religion’ are not similar, they are the same – as Coomaraswami says.  It is the forgetting of self, a loss of ego boundaries, a letting go and letting God etc.  But the artist as well as the mystic comes out of the non-dual state back into the dual state. – and s/he becomes someone who lives with what s/he has created. What s/he has produced might even be a bit of a shock – a bit like the dumb panda who jumps when she sees that something is moving on the floor beneath her i.e the cub to which she has just given birth.  The artist becomes nurturer/appreciator/critic – more or less. They in duality are the left-brain evaluator (criticality mode) to complement their non-dual right-brain creativity mode. Complementarity is the key. One mode, and only one mode is in the foreground at any one time. Duration is from milliseconds to hours in the case of non-duality.

4 The question is are both states normal, desirable and, if the term is acceptable, God-given, i.e. both part of the life’s teaching-machine from which we are supposed to learn.  Or is one state bad, immature, to be got rid of, so that we can be non-dual 24/7?

5 Intellectuality is not the same as intellectualism, just as individuality is not the same as individualism.  In both cases the first is normal, healthy, proper, desirable.  In both cases the second is excessive, unbalanced, undesirable and pathological.  The same difference incidentally exists between sexuality and sexual-obsession. Tolle IMHO makes the mistake of not distinguishing between ego and the egotistic. He also can give the impression that he is trying to invalidate mind per se instead of distinguishing between true mind and the neurotic egotistical mind, trapped as it is by attachment.

Awareness, raised consciousness, is true mind. True mind is ‘xin’ heart-mind, interiority bathed in the light of the intellect and the warmth of true love, without attachment to forms – derived from the complementarity of the modes of duality and non-duality. ‘Without attachment to forms’ doesn’t mean without love of forms. Forms are the means (the only means) by which we can come to understand the essentiality of formlessness.

True love as Tolle says is realization of oneness – complementary to which is the glory of diversity.

God loves our celebrating diversity with Him as much as wanting us to realize oneness.

The one who is awakened is a one as well as a not-one – the Buddha was not non-Buddha – at least as a gateway, a pointer.

Spirituality or transcendence or consciousness is not increased by a diminution of intelligence, or more correctly a diminution of intellectuality. The intellect as enlightened heart-mind is the human spirit. Enlightenment comes from realization of the true Self, as opposed to self, that is the eternal. Unlimited Whole, the Silent One, God the Father, God without Name, the Nameless One etc.

Complementarity is the key. Yin is lovely only in the balanced presence of yang – and vice-versa.

6 ‘Before all else, God created the mind.’ (Koranic tradition)  The intellect is the supreme gift of God to man, the pinnacle of the way in which we are made in His image – providing we realize that all rivers flow back to the one Ocean, from which those parts also have their origin. Complementarity is the key.

7 The fear and misunderstanding of the term ego. The ego is simply the part of the self – the dimension or mode – that deals with immediate reality. As such it is neutral – like the heart or lungs or kidney. Whether it is healthy or diseased – now that is a different matter. The ego is as much part of the enlightened one as with the crass self-obsessive.

God celebrates His Creativity in the uniqueness of me, as well as in His Creation of our species.

We believe what we believe – some we choose to believe, some is ingrained.

The happiest of worlds is one where we can believe different things without feeling an obligation to kill each other! Complementarity is the key.

The ultimate sickness is to know who you are through knowing who you hate.

Enough

Namaste!

Twenty things to remember about Eckhart Tolle

What isn't and what is this contemporary mystic teaching?
Eckhart Tolle

Ten things to remember about Eckhart Tolle.

What isn’t Eckhart Tolle saying and doing?

He has impacted on my life as he has on millions of others.  In addition to his general spiritual illumination of our lives and of reality I am interested in how he can illumine specialist areas of life including teaching, parenting and management.  However this first post is an attempt to separate what he is doing and saying from what he isn’t.  Why?  Well take a look at the cistern of hate and mis-representation that has poured out from ‘Christians’ and others on YouTube and elsewhere.

1 He is not a religionist.

2 He has not started a religion.

3 He is not speaking from the point of view of inter-faith but meta-faith or pan-faith and beyond.

4 He doesn’t speak from within a religion, or about others’ religious beliefs.

5 He avoids religion, and thereby teaches the purest heart of religion.

6 His life has been in three stages.

7 Before the age of 29, there was extensive ‘dark-night-of-the soul’ experience.

8 At the age of 29 he had a transformative experience.

9 The subsequent 35 years, his life’s work, has simply been a commentary on that transformative experience.

10 The 35 years is itself split into two phases, the first of which was 30 years processing the experience – via reflection, study and articulation.

11 The writing of his few books, has been over the last half decade, and the meteoric rise in their and his popularity over just the last year or two.

12 He is a Universalist, and one who most of the time avoids the trigger words that set off fundamentalists and ‘exclusivists’ and other professional haters. (That hasn’t stopped a rag-bag of fundamentalists and ‘exclusivists’ and other professional haters from attacking him, especially since Oprah gave him a platform!)

13 He is existentialist by tone and direction.

14 He is not a theologian (thank God), but he is closest theologically to panENtheism.

15 He avoids scholarship (thank God) as one of many ego-traps that potentially ensnare any of us.

16 He is quintessentially the doer as opposed to the talker – but via talking about non-talking and non-duality!

17 He is quintessentially a Universalist.

18 He is directly in the tradition(s) of all of the great mystics.

19

20

I haven’t decided on the 18th and 19th – which ones would you add to the list?

The WikiPedia entry on Tolle is a good place to start if you want to know more about him.

Photo source Flickr

Perls of wisdom in Gestalt therapy

The only form of dream analysis that seemed to me to offer the dreamer real insight – as opposed to hocus-pocus interpretation – is that found in Gestalt Therapy, as developed by Fritz and Laura Perls.

In this form the dreamer identifies all of the elements in the dream, one by one, and re-tells the story of the dream to her/his self, (and to the therapist if there’s one present). The point being that all of the elelments in the story are aspects of the self and/or concerns and conflicts within the individual and her/his life. – all meaning all, every thing that is re-called even such things as wall-paper, or carpets!

This multiple re-tellings of the story include every element identified – including inanimate objects and animals. The idea is that in these re-tellings, with the empathic entering into each of the elements, a breakthrough of insight will come to the dream-teller. Often it does.

I learned about this form of dream ‘analysis’ when doing a counseling course. For the person doing the analyzing it is to seek integration through insight – without interpretation, especially on the part of others. We used a little book The Red Book of Gestalt (1982) by Gaie Houston which I’m astonished to see is stilled stocked by Amazon. The relevant chapter is chapter 6.

Below is the beginning of an introductory article about the Perls and Gestalt;

Overview

Gestalt therapy is a phenomenological-existential therapy founded by Frederick (Fritz) and Laura Perls in the 1940s. It teaches therapists and patients the phenomenological method of awareness, in which perceiving, feeling, and acting are distinguished from interpreting and reshuffling preexisting attitudes. Explanations and interpretations are considered less reliable than what is directly perceived and felt. Patients and therapists in Gestalt therapy dialogue, that is, communicate their phenomenological perspectives. Differences in perspectives become the focus of experimentation and continued dialogue. The goal is for clients to become aware of what they are doing, how they are doing it, and how they can change themselves, and at the same time, to learn to accept and value themselves.

Gestalt therapy focuses more on process (what is happening) than content (what is being discussed). The emphasis is on what is being done, thought and felt at the moment rather than on what was, might be, could be, or should be.

Basic Concepts

The Phenomenological Perspective

Phenomenology is a discipline that helps people stand aside from their usual way of thinking so that they can tell the difference between what is actually being perceived and felt in the current situation and what is residue from the past (Idhe, 1977). A Gestalt exploration respects, uses and clarifies immediate, “naive” perception “undebauched by learning” (Wertheimer, 1945, p. 331). Gestalt therapy treats what is “subjectively” felt in the present, as well as what is “objectively” observed, as real and important data. This contrasts with approaches that treat what the patient experiences as “mere appearances” and uses interpretation to find “real meaning.”

The goal of Gestalt phenomenological exploration is awareness, or insight. “Insight is a patterning of the perceptual field in such a way that the significant realities are apparent; it is the formation of a gestalt in which the relevant factors fall into place with respect to the whole” (Heidbreder, 1933, p. 355). In Gestalt therapy insight is clear understanding of the structure of the situation being studied.

Awareness without systematic exploration is not ordinarily sufficient to develop insight. Therefore, Gestalt therapy uses focused awareness and experimentation to achieve insight. How one becomes aware is crucial to any phenomenological investigation. The phenomenologist studies not only personal awareness but also the awareness process itself. The patient is to learn how to become aware of awareness. How the therapist and the patient experience their relationship is of special concern in Gestalt therapy (Yontef, 1976, 1982, 1983).

The Field Theory Perspective

The scientific world view that underlies the Gestalt phenomenological perspective is field theory. Field theory is a method of exploring that describes the whole field of which the event is currently a part rather than analyzing the event in terms of a class to which it belongs by its “nature” (e.g., Aristotelian classification) or a unilinear, historical, cause-effect sequence (e.g., Newtonian mechanics).

The field is a whole in which the parts are in immediate relationship and responsive to each other and no part is uninfluenced by what goes on elsewhere in the field. The field replaces the notion of discrete, isolated particles. The person in his or her life space constitutes a field.

In field theory no action is at a distance; that is, what has effect must touch that which is affected in time and space. Gestalt therapists work in the here and now and are sensitive to how the here and now includes residues of the past, such as body posture, habits, and beliefs.

The phenomenological field is defined by the observer and is meaningful only when one knows the frame of reference of the observer. The observer is necessary because what one sees is somewhat a function of how and when one looks.

Field approaches are descriptive rather than speculative, interpretive, or classificatory. The emphasis is on observing, describing, and explicating the exact structure of whatever is being studied. In Gestalt therapy, data unavailable to direct observation by the therapist are studied by phenomenological focusing, experimenting, reporting of participants, and dialogue (Yontef, 1982, 1983).

The Existential Perspective

Existentialism is based on the phenomenological method. Existential phenomenologists focus on people’s existence, relations with each other, joys and suffering, etc., as directly experienced.

Most people operate in an unstated context of conventional thought that obscures or avoids acknowledging how the world is. This is especially true of one’s relations in the world and one’s choices. Self-deception is the basis of inauthenticity: living that is not based on the truth of oneself in the world leads to feelings of dread, guilt and anxiety. Gestalt therapy provides a way of being authentic and meaningfully responsible for oneself. By becoming aware, one becomes able to choose and/or organize one’s own existence in a meaningful manner (Jacobs, 1978; Yontef, 1982, 1983).

The existential view holds that people are endlessly remaking or discovering themselves. There is no essence of human nature to be discovered “once and for all.” There are always new horizons, new problems and new opportunities.

Dialogue

The relationship between the therapist and the client is the most important aspect of psychotherapy. Existential dialogue is an essential part of Gestalt therapy’s methodology and is a manifestation of the existential perspective on relationship.

Relationship grows out of contact. Through contact people grow and form identities. Contact is the experience of boundary between “me” and “not-me.” It is the experience of interacting with the not-me while maintaining a self-identity separate from the not-me. Martin Buber states that the person (“I”) has meaning only in relation to others, in the I-Thou dialogue or in I-It manipulative contact. Gestalt therapists prefer experiencing the patient in dialogue to using therapeutic manipulation (I-It).

Gestalt therapy helps clients develop their own support for desired contact or withdrawal (L. Perls, 1976, 1978). Support refers to anything that makes contact or withdrawal possible: energy, body support, breathing, information, concern for others, language, and so forth. Support mobilizes resources for contact or withdrawal. For example, to support the excitement accompanying contact, a person must take in enough oxygen.

The Gestalt therapist works by engaging in dialogue rather than by manipulating the patient toward some therapeutic goal. Such contact is marked by straightforward caring, warmth, acceptance and self-responsibility. When therapists move patients toward some goal, the patients cannot be in charge of their own growth and self-support. Dialogue is based on experiencing the other person as he or she really is and showing the true self, sharing phenomenological awareness. The Gestalt therapist says what he or she means and encourages the patient to do the same. Gestalt dialogue embodies authenticity and responsibility.

The therapeutic relationship in Gestalt therapy emphasizes four characteristics of dialogue:

1. Inclusion. This is putting oneself as fully as possible into the experience of the other without judging, analyzing or interpreting while simultaneously retaining a sense of one’s separate, autonomous presence. This is an existential and interpersonal application of the phenomenological trust in immediate experience. Inclusion provides an environment of safety for the patient’s phenomenological work and, by communicating an understanding of the patient’s experience, helps sharpen the patient’s self-awareness.

2. Presence. The Gestalt therapist expresses herself to the patient. Regularly, judiciously, and with discrimination she expresses observations, preferences, feelings, personal experience and thoughts. Thus, the therapist shares her perspective by modeling phenomenological reporting, which aids the patient’s learning about trust and use of immediate experience to raise awareness. If the therapist relies on theory-derived interpretation, rather than personal presence, she leads the patient into relying on phenomena not in his own immediate experience as the tool for raising awareness. In Gestalt therapy the therapist does not use presence to manipulate the patient to conform to pre-established goals, but rather encourages patients to regulate themselves autonomously.

3. Commitment to dialogue. Contact is more than something two people do to each other. Contact is something that happens between people, something that arises from the interaction between them. The Gestalt therapist surrenders herself to this interpersonal process. This is allowing contact to happen rather than manipulating, making contact, and controlling the outcome.

4. Dialogue is lived. Dialogue is something done rather than talked about. “Lived” emphasizes the excitement and immediacy of doing. The mode of dialogue can be dancing, song, words, or any modality that expresses and moves the energy between or among the participants. An important contribution of Gestalt therapy to phenomenological experimentation is enlarging the parameters to include explication of experience by nonverbal expressions. However, the interaction is limited by ethics, appropriateness, therapeutic task, and so on.

To read the full article, and a whole bunch of other articles go HERE

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All postings to this site relate to the central model in the

PhD. Summaries are HERE

SEE also Learning Motivation for Success

Selfhelp Magazine – a wonderful source of helpful articles

Selfhelp Magazine is an astonishing source of advice for nearly every concern under the sun. There blurb reads thus;

Welcome to SelfhelpMagazine, your trusted self help website and online psychology magazine since 1994. In our pages, you will find peer-reviewed educational materials written by professionals who have gathered self help tips from general psychology research and applied them to your everyday life. You will find our discussion forums are civilized and our self-help blog will raise your eyebrows – in a good way. We bring you cartoons, self help books, and self help resources from around the world. Enjoy the “labor of love” delivered to you by more than 300 professionals who volunteered to create SHM, one of the first, most popular and free self-help websites online!

Several cartoonists have supported the magazine’s work including Randy Glasbergan.  Go HERE for the magazine and HERE for Randy’s work

Coming Home: an Introduction to Spirituality

There are many who yearn for spiritual food who are put off by the antics and corruption of religions. Perennial Philosophy or mystical paths such as Sufism can provide that food. But what are the basics of this core belief that transcends religions?

This is the beginning of an attempt to provide such a n i.ntroduction. Currently I am developing it in a question and answer format.

 

 

 

 

 

 

Coming Home

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Waking up to the Spirit you have always been

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A book for the non religiously spiritual.

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Roger Prentice

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Introduction:

 

This is an attempt, using questions and answers, to present simply and clearly the truth about being spiritual – initially without reference to religions.

 

This is for family, friends and students – and all those who want to realize, i.e. realize the deepest in themselves. I haven’t achieved this to a high order. Many of you can out-do me in many good things. But it seems my task is to collect and re-present these insights. I am painfully aware of my shortcomings. But as Heschel says to be human is to suffer the knowledge of the difference between what we should be and what we are. The only ‘crime’ is to say ‘that’s the way I am and I’m not going to change’. To say that is also very dangerous. We are all designed to struggle toward our own perfection – to become more and realize our gifts more fully in the mutuality of love.

 

This is an action-based account i.e. there are a range of simple ‘To do’ practices that can help you relax into:

To do: Sit quietly as often as you can – and let your breath breathe you. (More to follow)

 

Part 1 is an attempt to present the ‘bare bones’ without reference to the great and the good, or to philosophies or religions.

 

Part 2 goes a stage deeper and introduces ideas from some of the great and the good – people such as Ken Wilber.

 

Part 3 goes deeper.

Coming Home

Part 1- Re-finding our-selves = re-finding the spirit we thought we had lost

 

Q. What is spirit?

A. All that isn’t simply physical.

 

Q. Does that mean mind as well as feelings?

A. Yes if we put mind and heart together we get ‘heart-mind’. Heart-mind = our interior landscape or simply consciousness – the great inner ‘sea’ of feelings and thoughts. Neither heart nor mind in this sense are physical.

 

Q. Is that all spirit is?

A. It a) is the life-force b) the force of attraction that holds all bodies together and c) it is walking on in the right spirit – until all becomes Spirit.

 

Q. Are there other names for the spiritual?

A. Yes many – love, energy, chi etc.

 

Q. So spirit, or love as attraction, holds everything together?

A. Yes. Another definition of being spiritual is ‘to live for others’, to be of service.

 

Q. What else comes from spirit, apart from the warmth of love?

A. The light of the mind, knowing. ‘Warmth and holding together’ and ‘the light of seeing and knowing’ – both flow from love.

 

Q. What about everyday activities? Is walking spiritual?

A. It can be.

 

Q. Is running spiritual?

A. It can be.

 

Q. Is Sky-diving spiritual?

A. It can be.

 

Q. Is sex spiritual?

A. It can be.

 

Q. Is breathing spiritual?

A. It can be. The great yogic teaching is that the breath is that which connects the physical and the spiritual.

 

Q. Why ‘can be’ in all of these?

A. It is ‘yes’ if we a) re-cognize such activities in the context of the spiritual and b) realize the eternal in ourselves.

But it is ‘no’ if we remain tied to the miseries of our own ego.

 

Q. Does that mean that everyone is spiritual?

A. Yes but each needs to plug in and switch on! We all spring from the Whole, just as sunlight emanates from the sun. But we have to allow ourselves to feel, & acknowledge, the awareness that deep down we know was there from the beginning.

 

Q. Is being spiritual a normal state of being?

A. Yes it is simply being more than self-centredness. It is being conscious of the Whole/the Source/the Spirit that is beyond our individual ego. This consciousness gradually widens the circle of its concern and allows us to lessen our attachment to our ego.

 

Q. So loving more widely – like the outflowing circles from a dropped stone in a pond – is freeing?

A. Yes – those who really achieve insight cease to be run by the pleasures and torments of the the ‘small self’ – the ego and tru freedom increases..

 

Q. Isn’t this something that only special people – saints or mystics – can do?

A. No it is part of being human and we all have such experiences. But we fail to realize their closeness and fullness, mainly because they are so simple & there all the time – we’ve failed to notice, for want of quietness and contemplation! In any case we are all mystical just as we are all philosophical its part of the package of being human – just as much as is being social, sexual and creative.

 

Q. How do we make those experiences a stronger part of our lives?

A. Contemplation or meditation – as one source says ‘Be still, and know …’.

 

Q. How do we stop or prevent ourselves being spiritual?

A. Not staying conscious of that Whole from which we spring (emanate). And by staying attached to the pleasures and torments of ego-identification.

 

Q. Is there any other sense that someone might not be, or stop being, spiritual?

A. When they are attached to any thing that prevents her/him from experiencing their true Self.

 

Q. How many kinds of attachment are there?

A. Many – we think of gross ones such as alcohol and drugs but many are subtle – materialism, status etc – some are very subtle, perhaps ultimately even the attachment to not being attached!

 

Q. What do I do if violent or filthy or self-destructive thoughts or ‘demons’ come into my head?

A. Let them pass as though they were moving across a cinema screen and say, ‘Hello good morning/ eve etc, thank you and goodbye.’ Our True Self is not our thoughts. Thoughts come from the ego.

 

Q. Why what good would that do?

A. It will help you understand that you are not your thoughts.

 

Q. If I’m not my thoughts then what am I?

A. You are part of the Whole, in the temporary emanation and form of being uniquely you for 80 or so years.

 

Q. The Whole of what?

A. The Universe and beyond (everything – and all that is beyond that isn’t a thing!)

 

Q. What else am I?

A. You are star-stuff made conscious (SEE the 3 recent BBC physics documentaries called ‘Atom’.)

 

Q. What else am I?

A. You are ‘a hairy bag of sea-soup’. (This is not only a joke but is an accurate statement about our physical make up and evolution!) Science and spirituality are two ways of approaching truth.

 

Q. Do rituals and practices help?

A. Yes providing we don’t allow them to breed complacency, narrowness, and self-satisfaction i.e. a state of attachment. The most important are contemplation/meditation, prayer, and service to others.

 

Q. What really is contemplation or meditation?

A. Being still to experience our True Self, instead of the mind chatter and ‘TV interference’ of the ego.

 

Q. And what is the ultimate secret of the universe?

A. It is pointed to, not described, in these the final sentences of Wilber’s The Eye of Spirit;

When the great Zen master Fa-ch’ang was dying, a squirrel screeched out on the roof. ‘It’s just this’ he said, ‘and nothing more’. SFB P.258

 

Q. I don’t geddit!

A. Here it is again from another master;

The world is illusory

Brahman alone is real;

Brahman is the world. (SFB p19)

 

Q. Still don’t geddit!

A. Here it is again from another master;

There is neither creation nor destruction,

Neither destiny nor free-will;

Neither path nor achievement;

This is the final truth. (One Taste p468)

Q. Still don’t geddit!

A. ‘Walk on‘ (The Buddha). Walk on in the right spirit – lighten up and have forgiving and compassionate fun – until all becomes Spirit.

 

End of Part 1 (To be developed)

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All postings to this site relate to the central SunWALK model in the PhD.

Summaries are HERE

Wilber – a key passage to enable us to discuss his work in relation to education?

For some time I have been looking for a key passage as a way into discussing aspects of Wilber’s work – especially in relation to education. This is the best I’ve found so far.

….according to the great sages there is something in us that is always conscious – that is literally conscious or aware at all times and through all states, waking dreaming, sleeping. And that ever-present awareness is Spirit in us. That underlying current of constant consciousness (or nondual awareness) is a direct and unbroken ray of pure Spirit itself. It is our connection with the Goddess, our pipeline straight to God.

 

Thus, if we want to realize our supreme identity with Spirit, we will have to plug ourselves into this current of constant consciousness, and follow it through all changes of state-waking, dreaming, sleeping – which will (1) strip us of an exclusive identification with any of those states (such as the body, the mind, the ego, or the soul; and (2) allow us to recognize and identify with that which is constant – or timeless – through all of those states, namely, Consciousness as Such, by any other name, timeless Spirit …..

 

The moment this constant nondual consciousness is obvious in your case, a new destiny will awaken in the midst of the manifest world. You will have discovered your own Buddha-mind, your own Godhead, your own formless, spaceless, timeless, infinite Emptiness, your own Atman that is Brahman, your Keter, Christ consciousness, radiant Shekhinah – in so many words, One Taste. It is unmistakably so. And just that is your true identity – pure Emptiness or pure unqualifiable Consciousness as Such – and thus you are released from the terror and the torment that necessarily arise when you identify with a little subject in a world of little objects.

 

Once you find your formless identity as Buddha-mind, as Atman, as pure Spirit or Godhead, you will take that constant, nondual, ever-present consciousness and re-enter the lesser states, subtle mind and gross body, and re-animate them with radiance. You will not remain merely Formless and Empty. You will Empty yourself of Emptiness: you will pour yourself out into the mind and world, and create them in the process, and enter them all equally, but especially and particularly that specific mind and body that is called you (that is called, in my case, Ken Wilber); this lesser self will become the vehicle of the Spirit that you are.

 

And then all things, including your own little mind and body and feelings and thoughts, will arise in the vast Emptiness that you are, and they will self-liberate into their own true nature just as they arise, precisely because you no longer identify with any one of them, but rather let them play, let them all arise, in the Emptiness and Openness that you now are. You then will awaken as radical Freedom, and sing those songs of radiant release, beam an infinity too obvious to see, and drink an ocean of delight. You will look at the moon as part of your body and bow to the sun as part of your heart, and it is all just so. For eternally and always, eternally and always, there is only this.

 

But you have not found this Freedom, or in any way attained it. It is in fact the same Freedom that has lived in the house of the pure Witness from the very start. You are merely recognizing the pure and empty Self, the radical I-I, that has been your natural awareness from the beginning and all along, but that you didn’t notice because you had become lost in the intoxicating movie of life.

 

With the awakening of constant consciousness, you become something of a divine schizophrenic, in the popular sense of ‘split-minded,’ because you have access to both the Witness and the ego. You are actual ‘whole-minded’, but it sounds like it’s split, because you are aware of the constant Witness of Spirit in you, and you are also perfectly aware of the movies of life, the ego and all its ups and downs. So you still feel pain and suffering and sorrow, but then can no longer convince you of their importance – you are no longer the victim of life, but its Witness.

 

In fact, because you are no longer afraid of your feelings, you can engage them with much greater intensity. The movies of life becomes more vivid and vibrant, precisely because you are no longer grasping or avoiding it, and thus no longer trying to dull or dilute it. You no longer turn the volume down. You might even cry harder, laugh louder, jump higher. Choiceless awareness doesn’t mean you cease to feel; it means you feel fully, feel deeply, feel to infinity itself, and laugh and cry and love until it hurts. Life jumps right off the screen, and you are one with all of it, because you don’t recoil.

 

p.45-6, EKW

This passage covers a lot – but that’s the point.

To be developed.

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All postings to this site relate to the central SunWALK model in the PhD.

Summaries are HERE

Toxic Childhood, its healing and ‘It’s never too late to have a happy childhood’

The idea that the lives we are constructing (or allowing others to construct) for our children are toxic is surely part of the wider debate on education, and therefore it is as old as debate on education. However it has been given a major boost by a book by Sue Palmer called Toxic Childhood which stimulated a variety of articles in the educational and general press.

Amazon’s Book Description

One in six children in the developed world is diagnosed as having ‘developmental or behavioural problems’, and the number is rising by 25% each year – this book explains why and shows what can be done about it

Synopsis

Children throughout the developed world are suffering: instances of obesity, dyslexia, ADHD, bad behaviour and so on are all on the rise. And it’s not simply that our willingness to diagnose has increased, there are very real and growing problems. Sue Palmer, a former head teacher and literacy expert, has researched into a whole range of problem areas, from poor diet, a lack of exercise and sleep deprivation to a range of modern difficulties that are having a major effect: television, computer games, mobile phones. This combination of factors, added to the increasingly busy and stressed life of parents, means that we are developing a toxic new generation. Sue Palmer’s wonderful book illustrates the latest research from around the world – in Japan, for example, use of chopsticks is declining rapidly among children – and provides answers for worried parents as to how they can protect their families from the problems of the modern world and help ensure that their children emerge as healthy, intelligent and pleasant adults. Toxic Childhood is an enormously important book that reveals the issues behind our general concerns that ‘things are getting worse’ and shows how you can make sure that your own children suffer as little as possible.

It might be that the book has done a great deal of good in that it has started a debate that is widening even if it isn’t deepening.

The reason I went back to what I considered to be the ultimate of all questions; “What is it to be human – fully and positively?” The toxicity of what we provide for children is not just physical and technological – it is spiritual as well and to de-toxify, and prevent toxicity, we need to go back to basics – not to the nonsense touted by UK Prime Minister John Major some years ago but to basics that enable children to develop healthily and holistically.

What would you include in that list?

Mine would be quite a long list. Here are three chosen at random;

1) Enable children to maintain interaction with the natural world.

2) Identify those skills and attitudes that enable children to deal most effectively with toxic messages – what is the spiritual equivalent of Jamie Olivers’s healthy school dinners?

3) Enable parents to support their children in 2) through identifying and communicating good practice – why is there such a dearth of good examples – they don’t have to be ‘monolithic’, there can be a variety of views as to what constitutes good practice?

There is a lot of debate re the toxicity of the childhood our children are having – just Google the term ‘toxic childhood’.

My last word for now is to recall a short epithet that I found healing, ‘It’s never too late to have a happy childhood!’

—–0—–

All postings to this site relate to the central SunWALK model in the PhD.

Summaries are HERE

Getting our I, WE & IT voices Balanced – inspired by Ken Wilber

Getting our I, WE & IT Voices Balanced

 

Are your voices in a twist? We each have 3 God-given voices to sing different kinds of songs. Imagine if one voice dominates & consequently the other 2 ‘shrivel’ to almost nothing. Where would we be?

 

Answer – where we and our world are now. This is how Ken Wilber explains our situation.

 

All great wisdom traditions (and Perennial Philosophy) used to believe in the Great Chain of Being which taught that reality was a rich tapestry of levels starting with matter:

spirit

 

soul

mind

body

 

matter

Wilber suggests reality now is best understood as a Great Nest of Being – like a set of ‘Russian Dolls’ – same levels – ‘matter-body-mind-soul-spirit’ but like an onion. (All are forms of spirit?)

 

He speaks of three historical periods: 1) before the Enlightenment = pre-modernism; 2) after the Enlightenment = modernism; 3) recently = post-modernism.

 

What did the good side of modernism give us? The good side of modernism = we were able to develop separately the 3 voices of I. WE & IT – I, (Art) WE (Morality) and IT (Science)

 

I = the subjective voice that we express in the arts (Beauty – and subjective truth)

WE = the moral voice that we express in the Humanities including religion (Goodness)

IT = the objective voice that we express in the Sciences (Objective Truth)

 

In pre-modern times I, WE and IT were not separate voices. Before the Enlightenment the Church decided everything. It forced Galileo to recant the truth of what he saw scientifically through his telescope. The Church insisted the sun went around the earth. It also decided what was and wasn’t good, and what was and wasn’t beautiful in the arts.

 

After the Enlightenment modernism gave us three voices developing separately I, WE and IT which were also three separate ways of knowing which I prefer to express thus:

 

‘I knowing’ = the subjective voice in the Arts (Beauty as pleasing patterns en-formed) -Creativity

‘WE knowing’ = the moral voice in the Humanities inc. religion (Goodness as fellow-feeling) -Caring

‘IT knowing’ = the objective voice in the Sciences (Truth as sorting, measuring, replicating) -Criticality

 

The bad side of modernism = the domination by the IT voice (‘Scientism’) to create ‘Flatland’. That is the ITness of science has become so powerful that it has caused the other two voices, more or less, to become invalid. This has been called the dis-enchantment of the modern world.

 

Therefore:

Pre-modernism = science, the humanities & the arts couldn’t develop separate to ‘Church’

Modernism = all three could develop separately (includes separation of Church and State)

Post-modernism means different things to different people a) a reaction against modernism, b) a counter-balance to (Flatland) modernism or c) a continuation of modernism

 

More narrowly postmodernism = the idea that there is no ‘truth’ only interpretations, and all interpretations are socially constructed (by elites to exploit groups e.g. women or colonies)

 

Important in pm = ‘there is no grand narrative’ that binds – such as the Christian story. My answer = ‘yes there is – being human in the world, with others, seeking truth, beauty, goodness and justice = the perennial grand narrative’.

 

The bad side of modernism = the empiricism of science has like a cuckoo forced out ‘I knowing’ and ‘WE knowing’. Inappropriately applying the scientific way of knowing (empiricism) to other areas of life is called scientism . (Creates ‘Flatland’)

 

Fundamentalism is, in part, derived by rejection of modernism – especially separation of state & religion. Ultimately it = the unwillingness to let the I, WE & IT voices grow separately.

 

The good side of post-modernism – it teaches us that

1 Reality is not always pre-given, but in some significant ways is a construction, an interpretation. The belief that reality is simply given, is referred to as ‘the myth of the given’.

2 Meaning is context-dependent, and contexts are boundless.

3 Cognition must therefore privilege no single perspective. (SEE Wilber p121)

 

Conclusion: We still validate science (the empirical and the rational), though we teach it poorly, but we don’t validate contemplation. Contemplation can also be thought of as heart-knowing – which is inspiration that follows meditation, especially the experience of at-one-ment/egolessness.

 

Our interior self is a flow of ‘heart-mind’. – separating heart and mind has been a disaster that has invalidated, or diminished, the feminine principle in men and women. (Heart-mind is an ancient idea ‘xin’ or ‘hsin’ in Chinese).

 

I, WE and IT ways need each other. If a person gets inspiration from contemplation (as Einstein did) s/he needs to order it or check it with IT knowing and WE knowing. Science needs I knowing and WE knowing as well. The Humanities need I knowing as well as IT knowing. Art needs WE & IT knowing.

 

Organized religion has suffered because it couldn’t stay clear on I, WE and IT knowing. It has made a comeback via the arts and ‘pick and mix’ spirituality. Its special domain, like art is I knowing – + WE knowing as inspired by what it sees as the revealed word of God.

 

Action needed = The world (especially the religions, governments & parents) need to nurture the I, WE and IT voices to achieve balance and concord. Unity, peace & development depend on validating objective truth and knowing, subjective truth and knowing and the moral wisdom that lies at the heart of all of the great traditions. The call is to the balancing of these three ‘voices’ of the human spirit.

 

My educational model towards this end I have called SunWALK = we need to teach our children, and ourselves, to pursue Wise, Action, through Loving and Knowing guided by the Sun of higher-order values SEE www.SunWALK.org.uk Roger Prentice Email; rogerprentice@bigfoot.com Ver 8.7.06

Adapted from and inspired by the work of Ken Wilber in The Marriage of Sense & Soul

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All postings to this site relate to the central model in the PhD. Summaries are HERE

 

Answering ‘Who am I?’, portraying the world and finding ourselves

“A man sets himself the task of portraying the world. Over the years he fills a given surface with images of provinces and kingdoms, mountains, bays, ships, islands, fish, rooms, instruments, heavenly bodies, horses, and people. Shortly before he dies he discovers that this patient labyrinth of lines is a drawing of his own face.” ~ Jorge Luis Borges, Epilogue

I walk the same three mile triangular walk almost every day – in exquisite Northumbrian countryside. The following question popped into consciousness; “From whence does the landscape come in which I walk.” Not long after the question arrived I came across a wonderful paper by Sarah (Sally) Hill of the University of Auckland (?). She heads up her paper with this;

It seems to me an interesting idea: that is to say the idea that we live in the description of a place and not in the place itself, and in every vital sense we do.
-Wallace Stevens

However reality like meaning made of texts is not only a matter of personal construction as David Chandler;

The range of theories about where meaning emerges in the relationship between readers and texts can be illustrated as a continuum between two extreme positions respectively, those of determinate meaning and completely ‘open’ interpretation, thus:

* Objectivist: Meaning entirely in text (’transmitted’);
* Constructivist: Meaning in interplay between text and reader (’negotiated’);
* Subjectivist: Meaning entirely in its interpretation by readers (’re-created’).

Chandler points out that the reader is less passive, more active across the continuum toward the subjective.

From The Act of Writing Daniel Chandler http://www.aber.ac.uk/media/Documents/act/act.html

References

“Landscape,Writing, and Photography”by Sarah (Sally) Hill of University of Auckland

SEE also http://rmmla.wsu.edu/ereview/55.2/articles/parker.asp

SEE previous posting re Triadic Forms

‘You browse, therefore I am.’ Paul McIlvenny

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NB All postings to this site relate to the central model in the PhD.

Summaries are HERE

 

“The Self is an ocean without a shore”: Bill Viola, a perfect match of spirit and form?

THE ARGUMENT The past lives only in the present in that our consciousness is marked and shaped by those whose insights we come to re-realize – including those that come from the great spiritual teachers. Memories are like art and sacred writings that are simply marks made – but marks made that can transport us to our own high realization in inspired consciousness. Bill Viola is now re-presenting us through his mastery of one of newest of mediums, video, with access to that spiritual core at the heart of the great world wisdom traditions. Is this a perfect post-modernist match of spirit and form?

In my SunWALK model about ‘what it is to be human‘ and about ‘how can we spiritualize education without the exclusivity of sectarian religion‘ I was inspired by several quotations as well as by Seamus Heaney’s poem Personal Helicon.

Bill Viola from ‘Ocean Without a Shore‘ – click to see full size – Source artdaily

“One of the things the camera taught me was to see the world, the same world that my eye sees, in its metaphoric, symbolic state. This condition is, in fact, always present, latent in the world around us .”
Bill Viola

I was interested to see news about Bill Viola’s recent work ‘Ocean Without a Shore’ (shown at Chiesa di San Gallo, Venice). Viola’s website cites the following two inspirations;

“The Self is an ocean without a shore. Gazing upon it has no
beginning or end, in this world and the next.”

Ibn al’Arabi (1165 – 1240)

From the Viola site we learn;

‘Ocean Without a Shore’ is about the presence of the dead in our lives. The three stone altars in the church of San Gallo become portals for the passage of the dead to and from our world. Presented as a series of encounters at the intersection between life and death, the video sequence documents a succession of individuals slowly approaching out of darkness and moving into the light. Each person must then breakthrough an invisible threshold of water and light in order to pass into the physical world. Once incarnate however, all beings realize that their presence is finite and so they must eventually turn away from material existence to return from where they came. The cycle repeats without end.

The work was inspired by a poem by the 20th century Senegalese poet and storyteller Birago Diop:

“ Hearing things more than beings,
listening to the voice of fire,
the voice of water.
Hearing in wind the weeping bushes,
sighs of our forefathers.

The dead are never gone:
they are in the shadows.
The dead are not in earth:
they’re in the rustling tree,
the groaning wood,
water that runs,
water that sleeps;
they’re in the hut, in the crowd,
the dead are not dead.

The dead are never gone,
they’re in the breast of a woman,
they’re in the crying of a child,
in the flaming torch.
The dead are not in the earth:
they’re in the dying fire,
the weeping grasses,
whimpering rocks,
they’re in the forest, they’re in the house,
the dead are not dead.”
(from David Melzter, ed. Death – An Anthology of Ancient Texts, Songs, Prayers and Stories (San Francisco: North Point Press, 1984)

The Ibn al’Arabi quotations reminded me of my attempt to portray our state in visiting ‘the shoreline’ and encountering the unknowable Whole – in my Personal Myth and the four key qutations (SEE below)

The poetic sense of the dead speaking in the ‘dying fire, the weeping grasses’ etc is secondary for me to how they live on in the consciousness that we possess, because of them. Our spirits continue to live out their consciousness through ours.

FOUR KEY QUOTATIONS

The Ibn al’Arabi quotation also reminded me of the inspiration I got from four key quotations in relation to a sense of the Whole and to a panentheistic and Universalist perspective I hoped that they contributed to the leitmotif that made of the thesis parts, a whole;

Text 1)

“The larger the island of knowledge, the longer
the shoreline of mystery.” Unknown author

Text 2)

The search for reason ends at the shore of the known;
on the immense expanse beyond it
only the sense of the ineffable can glide.
It alone knows the route to that
which is remote from experience and understanding.
Neither is amphibious:
reason cannot go beyond the shore,
and the sense of the ineffable
is out of place where we measure, where we weigh…….

Citizens of two realms, we must all sustain dual allegiance:
we sense the ineffable in one realm;
we name and exploit reality in another.

Between the two we set up a system of references,
but can never fill the gap.
They are as far and as close to each other

As time and calendar, as violin and melody,
as life and what lies beyond the last breath.

The tangible phenomena we scrutinize with our reason,

The sacred and indemonstrable we overhear

with the sense of the ineffable.

Heschel A. J. (1971), Man is Not Alone, New York: Octagon Books p.8

Text 3)

Tao, the subtle reality of the universe

cannot be described.

That which can be described in words

is merely a conception of the mind.

Although names and descriptions have been applied to it,

the subtle reality is beyond the description.

One may use the word ‘Nothingness”

to describe the Origin of the universe,

and “Beingness”

to describe the Mother of the myriad things,

but Nothingness and Beingness are merely conceptions.

From the perspective of Nothingness,

one may perceive the expansion of the universe.

From the perspective of Beingness,

one may distinguish individual things.

Both are for the conceptual convenience of the mind.

Although different concepts can be applied,

Nothingness and Beingness

and other conceptual activity of the mind

all come from, the same indescribable subtle Originalness

The Way is the unfoldment of such subtle reality.

Having reached the subtlety of the universe,

one may see the ultimate subtlety,
the Gate of All Wonders.

Ni, Hua-Ching (1997), The Complete Works of Lao Tzu, Santa Monica, USA: Seven Star Communications – Tao The Ching (‘Chapter’ 1)

Text 4)

….set then yourselves towards His holy Court, on the shore of His mighty Ocean, so that the pearls of knowledge and wisdom, which God hath stored up within the shell of His radiant heart, may be revealed unto you….
(Baha’u’llah: Proclamation of Baha’u’llah, Pages: 8-9)

The past lives only in the present in that our consciousness is marked and shaped by those whose insights we come to re-realize – including those that come from the great spiritual teachers. Memories are like art and sacred writings that are simply marks made – but marks made that can transport us to our own high realization in inspired consciousness. Bill Viola is now re-presenting us through his mastery of one of newest of mediums, video, with access to that spiritual core at the heart of the great world wisdom traditions. Is this a perfect post-modernist match of spirit and form?

The mystic inner core of the great world wisdom traditions is incorrectly named as Perennial Philosophy

• There’s a reality beyond the material world:
• Which is uncreated.
• It pervades everything,
• but remains beyond the reach of human knowledge and understanding.
• You approach that reality by:
• Distinguishing ego from true self
• Understanding the nature of desire
• Becoming unattached
• Forgetting about preferences
• Not working for personal gain
• Letting go of thoughts
• Redirecting your attention
• Being devoted
• Being humble
• Invoking that reality
• Surrendering
• That reality approaches you through:
• Grace
• The teacher
• You’re transformed so that you embody that reality by:
• Dying and being reborn

Two views of the structure of Perennial Philosophy are HERE

Viola in our sea of uncertainty, and maelstrom of violence, is helping us re-connect.

Perhaps also Viola is showing us that video can do more fully what photographers – Minor White for example – have longed to do – to ‘en-form’ the spiritual?

—–0—–

All postings to this site relate to the central model in the PhD.

Summaries are HERE

Inspiring quotations for PhD thesis

Like heroes and heroines certain key sayings inspire us. Here I’m assembling the ones that have meant most to me.

As I re-find them I am putting the NEWEST at the top:

From my thesis;

The four texts that contributed to the leitmotif that, I hope, makes, of the thesis parts, a whole

Text 1)

“The larger the island of knowledge, the longer
the shoreline of mystery.” Unknown author

Text 2)

The search for reason ends at the shore of the known;
on the immense expanse beyond it
only the sense of the ineffable can glide.
It alone knows the route to that
which is remote from experience and understanding.
Neither is amphibious:
reason cannot go beyond the shore,
and the sense of the ineffable
is out of place where we measure, where we weigh…….

Citizens of two realms, we must all sustain dual allegiance:
we sense the ineffable in one realm;
we name and exploit reality in another.

Between the two we set up a system of references,
but can never fill the gap.
They are as far and as close to each other

As time and calendar, as violin and melody,
as life and what lies beyond the last breath.

The tangible phenomena we scrutinize with our reason,

The sacred and indemonstrable we overhear

with the sense of the ineffable.

Heschel A. J. (1971), Man is Not Alone, New York: Octagon Books p.8

Text 3)

Tao, the subtle reality of the universe

cannot be described.

That which can be described in words

is merely a conception of the mind.

Although names and descriptions have been applied to it,

the subtle reality is beyond the description.

One may use the word ‘Nothingness”

to describe the Origin of the universe,

and “Beingness”

to describe the Mother of the myriad things,

but Nothingness and Beingness are merely conceptions.

From the perspective of Nothingness,

one may perceive the expansion of the universe.

From the perspective of Beingness,

one may distinguish individual things.

Both are for the conceptual convenience of the mind.

Although different concepts can be applied,

Nothingness and Beingness

and other conceptual activity of the mind

all come from, the same indescribable subtle Originalness

The Way is the unfoldment of such subtle reality.

Having reached the subtlety of the universe,

one may see the ultimate subtlety,
the Gate of All Wonders.

Ni, Hua-Ching (1997), The Complete Works of Lao Tzu, Santa Monica, USA: Seven Star Communications – Tao The Ching (‘Chapter’ 1)

Text 4)

….set then yourselves towards His holy Court, on the shore of His mighty Ocean, so that the pearls of knowledge and wisdom, which God hath stored up within the shell of His radiant heart, may be revealed unto you….
(Baha’u’llah: Proclamation of Baha’u’llah, Pages: 8-9)

“The utterances of the heart — unlike those of the discriminating intellect — always relate to the whole.” (Jung)

Also from the thesis;

Introduction to Chapter 1 – an ‘overture’

By way of a short introduction I want to ‘sound’, as in an overture, certain ‘notes’, or themes or resonances. They are from writers, and a film-maker, whose statements have come to mean a great deal, in the struggle to search out my own story, and its meaning educationally.

Autobiography is a journey inward. St Augustine said:

Men go to gape at mountain peaks, at the boundless tides of the sea, the broad sweep of rivers, the encircling ocean and the motion of the stars; and yet they leave themselves unnoticed; they do not marvel at themselves.
St. Augustine, Confessions X2

Autobiography is not entirely a matter of re-collecting objective facts: it is re-creation as well as re-collection, but it is a seeking after a kind of truth; the truth of authentically being in oneself. Peter Abbs (1974 p. 7) calls autobiography: the search backwards into time to discover the evolution of the true self. It is, as such, about self-knowing, but something beyond the fripperies of the ego. Baha’u’llah, Founder of the Baha’i religion, in one of His own writings, cites a tradition from Islam: He hath known God who hath known himself. (Baha’u’llah: Gleanings, MARS database3 p.178).

For the theistically religious the more we come to know our true selves, the closer we come to the Divine within us, and vice versa. I make no claim, beyond a few faltering steps, but the ideas continue to inspire.

The ‘Thesis Poem’
I have chosen the following poem by Seamus Heaney (1996 p.14) as ‘the poem’ for the thesis because it shows beautifully how we resonate now, in relation to what we sensed and experienced as children. It also shows how, through metaphor, the objective connects with the subjective to thrill, to the very quick of our being.

About the poem, ‘Personal Helicon’ Pelligrino (2003 p.1) explains;

Mount Helicon is a mountain in Greece, that was, in classical mythology, sacred to Apollo and the Muses. From it flowed two fountains of poetic inspiration. Heaney is here presenting his own source of inspiration, the “dark drop” into personal and cultural memory, made present by the depths of the wells in his childhood. Now, as a man, he is too mature to scramble about on hands and knees, looking into the deep places of the earth, but he has his poetry – and, thank God, so do we.

Of course if Heaney was reading it we would have that wonderful voice, like an aromatic tree giving up the sap, and perfuming the air with all the good things from the soil.

Personal Helicon by Seamus Heaney
for Michael Longley

As a child, they could not keep me from wells
And old pumps with buckets and windlasses.
I loved the dark drop, the trapped sky, the smells
Of waterweed, fungus and dank moss.
One, in a brickyard, with a rotted board top.
I savoured the rich crash when a bucket
Plummeted down at the end of a rope.
So deep you saw no reflection in it.
A shallow one under a dry stone ditch
Fructified like any aquarium.
When you dragged out long roots from the soft mulch
A white face hovered over the bottom.
Others had echoes, gave back your own call
With a clean new music in it. And one
Was scaresome, for there, out of ferns and tall
Foxgloves, a rat slapped across my reflection.
Now, to pry into roots, to finger slime,
To stare, big-eyed Narcissus, into some spring
Is beneath all adult dignity. I rhyme
To see myself, to set the darkness echoing.

Later I take up the issues of resonance, and of objective and subjective meaning combined in metaphor, and the power of the subjective in personal history, to continue to generate the new in the meaning-making we do. The darkness echoes, as we stare into the part darkness of the self, and its memories – we stare, each a big-eyed Narcissus.

The final ‘sounding’, or theme, in the Introduction to Chapter 1 concerns identity and the moment, which lives on, and in which the past continues to create. The piece is by Jorge Luis Borges4, who says:

Any life, no matter how long and complex it may be, is made
up of a single moment – the moment in which a man finds
out, once and for all, who he is.

The one moment could conceivably be a choice – as in Japanese filmmaker Hirokazu Kore-eda’s After Life where a group of 22 people are suspended between earth and heaven with a week to answer the important question: “What is the one memory that you choose to carry into the afterlife?” When each chooses his or her memory, this is all that will be remembered for eternity.

Professionally, the lesson, or pair of lessons, upon which this thesis is, in part, an extended reflection contains the one memory I would choose. Ideally it would be the whole of the two ‘story’ lessons.

If it was reduced just to seconds it would be the moment that one ‘deviant’ boy offered an explanation of the possible symbolic meaning of the two fishes that I had drawn on the blackboard. One fish was a line drawing, the other a similar shaped fish, but its shape was delineated via chalk shading (i.e. from ‘the outside’).

“Mr P I think one fish represents bounded imagination, and the other stands for unbounded imagination.”

His brilliantly insightful comment was the jewel in the crown of an outstanding lesson in which the class and I, so I felt, was as ‘one-mind’, intellectually sharp but attitudinally contemplative, in ‘cross-over’ from extreme left-brain and extreme right-brain engagement – and here he was, the boy always in trouble with various teachers, speaking my as yet unrealized thoughts, and riveting me to that moment.

It was the supreme moment, within the supreme experience in a life-time of teaching, and it was, as Jack Nicholson and the movie title say, ‘As good as it gets’.

One key quotation is missing from this section. It is; “The larger the island of knowledge,the longer the shoreline of mystery.” Anon. I now find that in a piece of his work Bill Viola was inspired by;

“The Self is an ocean without a shore. Gazing upon it has no
beginning or end, in this world and the next.”
Ibn al’Arabi (1165 – 1240)

The ocean and island metaphors, the limitless Self, the fathomless self, the moment and memories, ‘After Life’, self-knowledge and the impossibility of knowing the Self – all these and more are essential threads in my attempt too present in SunWALK a model of what it is to be positively and fully human as well as a model of how education can be intrinsically spiritualizing without the narrow sectarian religion.

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All postings to this site relate to the central model in the PhD.

Summaries are HERE


Ancient wisdom: insights from Sufi sacred Islamic poetry

I came across this wonderful poem in The Sufi Book of Life by Neil Douglas-Klotz (p.56)


‘I’ and ‘you’ focus light

like decorative holes cut

in a lampshade.

But there is only One Light.

 

‘I’ and ‘you’ throw a

thin veil between

heaven and earth.

Lift the veil and all

creeds and theologies disappear.

 

When ‘I’ and ‘you’ vanish,

how can I tell whether I am

in a mosque, a synagogue,

a church, or an observatory.

Shabistari – Sufi poet

We think that the idea that truth is one and all religions are the same at their core – that as Ghandi said,”God has no religion”- as being modern but here we can see these ideas in this poem from the 13th/14th century.

In looking for more information I came upon the material listed below. It set me thinking along a theme that first took my interest long ago. So much wisdom that we desperately need is enshrined not just in the philosophy of the past but also in ancient poetry and other forms of literature.

A wealth of wisdom and sacred insight can be ‘sipped at’ the Poetry Chaikana

What is a Chaikhana?

A chaikhana is a teahouse along the legendary Silk Road pilgrimage and trading route linking China to the Middle East and Europe. It is a place of rest along the journey, a place to shake off the dust of the road, to sip tea, and to gather together to sing songs of the Divine..

So enjoy visiting the tea-house.

The complete text of Shabistari’s The Rose Garden is HERE

You can find out more about Shabistari starting with Wiki HERE

Another good place to start re Sufism and beautiful poetry is the UK Rumi organization HERE

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All postings to this site relate to the central model in the PhD.

Summaries are HERE

Key photography quotations toward defining a photographic aesthetic

This is a running list of quotations selected to help me move toward an understanding of my own photographic aesthetic – based on the SunWALK model.

The camera is an instrument of detection. We photograph not only what we know, but also what we don’t know. ” Lisette Model

The book (Camera Lucida by Roland Barthes) develops the twin concepts of studium and punctum: studium denoting the cultural, linguistic, and political interpretation of a photograph, punctum denoting the wounding, personally touching detail which establishes a direct relationship with the object or person within it. Wiki

While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see. ~Dorothea Lange

A photograph is usually looked at – seldom looked into. ~Ansel Adams

There are always two people in every picture: the photographer and the viewer. ~Ansel Adams

The camera can photograph thought. ~Dirk Bogarde

I think the best pictures are often on the edges of any situation, I don’t find photographing the situation nearly as interesting as photographing the edges. ~William Albert Allard, “The Photographic Essay”

When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence. ~Ansel Adams

The goal is not to change your subjects, but for the subject to change the photographer. ~Author Unknown

A photograph is memory in the raw. ~Carrie Latet

All photos are accurate. None of them is the truth. ~Richard Avedon

The camera cannot lie, but it can be an accessory to untruth. ~Harold Evans, “Pictures on a Page”

You don’t take a photograph, you make it. ~Ansel Adams

Most things in life are moments of pleasure and a lifetime of embarrassment; photography is a moment of embarrassment and a lifetime of pleasure. ~Tony Benn

A great photograph is a full expression of what one feels about what is being photographed in the deepest sense, and is, thereby, a true expression of what one feels about life in its entirety. ~Ansel Adams

I never question what to do, it tells me what to do. The photographs make themselves with my help. ~Ruth Bernhard

A Ming vase can be well-designed and well-made and is beautiful for that reason alone. I don’t think this can be true for photography. Unless there is something a little incomplete and a little strange, it will simply look like a copy of something pretty. We won’t take an interest in it. ~John Loengard, “Pictures Under Discussion”

I just think it’s important to be direct and honest with people about why you’re photographing them and what you’re doing. After all, you are taking some of their soul. ~Mary Ellen Mark

Photography records the gamut of feelings written on the human face, the beauty of the earth and skies that man has inherited, and the wealth and confusion man has created. It is a major force in explaining man to man. ~Edward Steichen

The photograph itself doesn’t interest me. I want only to capture a minute part of reality. ~Henri Cartier Bresson

The creative act lasts but a brief moment, a lightning instant of give-and-take, just long enough for you to level the camera and to trap the fleeting prey in your little box. ~Henri Cartier Bresson

Photographers deal in things which are continually vanishing and when they have vanished there is no contrivance on earth which can make them come back again. ~Henri Cartier-Bresson

If I could tell the story in words, I wouldn’t need to lug around a camera. ~Lewis Hine

A photograph is like the recipe – a memory the finished dish. ~Carrie Latet

Everyone has a photographic memory, but not everyone has film. ~Author Unknown

Photographs that transcend but do not deny their literal situation appeal to me. ~Sam Abbel

A picture is worth a thousand words; a slide show is both. ~Author Unknown

One photo out of focus is a mistake, ten photo out of focus are an experimentation, one hundred photo out of focus are a style. ~Author Unknown

All photographs are there to remind us of what we forget. In this – as in other ways – they are the opposite of paintings. Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it. ~John Berger

I didn’t want to tell the tree or weed what it was. I wanted it to tell me something and through me express its meaning in nature. ~Wynn Bullock

Photography deals exquisitely with appearances, but nothing is what it appears to be. ~Duane Michals

The negative is the equivalent of the composer’s score, and the print the performance. ~Ansel Adams

Useful sites

http://www.photoquotes.com/ Blogs on Photography

http://photosleavehome.blogspot.com/2005/03/john-berger-understanding-photograph.html

http://www.temple.edu/photo/photographers/

http://moma.org/collection/depts/photography/index.html

http://www.photo-seminars.com/fame.htm

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NB All postings to this site relate to the central model in the PhD.

Summaries are HERE

 

Story and storying: the teacher’s self as text in reform of education

Parker Palmer in, The Courage to Teach, (1998 p.3), says that his book:

explores the teacher’s inner life, but it also raises a question that goes beyond the solitude of the teacher’s soul: How can the teacher’s selfhood become a legitimate topic in education and in our public dialogues on educational reform?

It turns out that this site is an attempt to answer Palmer’s question.

In a similar vein Sondra Perl (1994), (in Laidlaw, Mellett and Whitehead 2003) says:

Stories have mythic powers. To know this … is to know the shaping power of the tale. But how, I wonder, do we see beyond the boundaries of a familiar story and envision a new one? What, in other words, are the connections between texts we read and the lives we live, between composing our stories and composing ourselves?

Stories are one answer to the question; ‘What is it that makes of the parts a whole?’.  Story-making of our experience is in-built.  Conversely we tend to read the world according to the stories to which we subscribe, or that we ourselves have created.  A religious world-view would be an example of the former.  Concerning personal stories and how we construe the world see the psychology, and methodology, of George Kelly HERE

I am seeking on this site, and have sought in my thesis, to see beyond the familiar stories of my life, and of education as it is has been, and, through ‘a re-composing’ of my life via autobiography, my teaching and dialogues, I have sought to envision a new story for education.  This is what is meant by ‘applied autoethnography’.

Starting your own school

Today someone wrote me from Mexico and asked about starting a holistic school or centre. Below is what I wrote back but I will add more as I think of it;

If I were much younger and was able to start a school, my hard-won general principles would include;

.

1 Find the finance to buy a school that is already successful. Develop its potential further – including the summer period. Don’t change anything until you understand everything and fully have the trust of the parents staff and children. Alternatively if all you can do is teach 3 children under the village tree then do that. Or support others in home-schooling.

.

2 Develop an MA course and get it accredited by an internationally acceptable university.

.

3 Draw your MA students from around the world and pair them with classroom teachers for at least half of each day. The teachers with their MA student assistants would consequently be involved in on-going research that was classroom-inspired – what is the best way to teach Maths?, how can the spiritual dimension of all subjects be developed?, what is the optimum amount of physical expression e.g. drama, dance etc.

.

4 Make sure that you eventually institutionalize the holistic procedures – one school I about to be holistic when the core charismatic teachers left.

.

5 Live what you teach.

.

6 Be democratic – use PFC Philosophy for Children but realize that your responsibilities as an adult mean that it is you that will be held to account! Make clear contracts between all stakeholders including children, teachers, parents, community members etc. Authority must be given to the Head – revising policy by others should be restricted to just a few meetings per year.

.

7 If the children can help build and care for the school, along with community members, it would be very useful!

.

Of course there are a whole bunch of more general principles that you can assemble – have sufficient finance to last if your development stages take 2 or 3 times as long as you expect. etc.

.

One UK source of relevant advice is the Human-scale Education movement

.

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All postings to this site relate to the central model in the PhD. Summaries are HERE

Personal Helicon by Seamus Heaney; resonance, memory, self-understanding and depths of the soul

well-of-life.jpgSculpture the ‘Well of Life’, Zagreb – source

I chose the following poem by Seamus Heaney (1996 p.14) as ‘the poem’ for my doctoral thesis because it shows beautifully how we resonate now, in relation to what we sensed and experienced as children. It also shows how, through metaphor, the objective connects with the subjective to thrill, to the very quick of our being.

About the poem, Personal Helicon Pelligrino (2003 p.1) explains;
Mount Helicon is a mountain in Greece, that was, in classical mythology, sacred to Apollo and the Muses. From it flowed two fountains of poetic inspiration. Heaney is here presenting his own source of inspiration, the “dark drop” into personal and cultural memory, made present by the depths of the wells in his childhood. Now, as a man, he is too mature to scramble about on hands and knees, looking into the deep places of the earth, but he has his poetry – and, thank God, so do we.

Of course if Heaney was reading it we would have that wonderful voice, like an aromatic tree giving up the sap, and perfuming the air with all the good things from the soil.

Personal Helicon by Seamus Heaney
for Michael Longley

As a child, they could not keep me from wells
And old pumps with buckets and windlasses.
I loved the dark drop, the trapped sky, the smells
Of waterweed, fungus and dank moss.
One, in a brickyard, with a rotted board top.
I savoured the rich crash when a bucket
Plummeted down at the end of a rope.
So deep you saw no reflection in it.
A shallow one under a dry stone ditch
Fructified like any aquarium.
When you dragged out long roots from the soft mulch
A white face hovered over the bottom.
Others had echoes, gave back your own call
With a clean new music in it. And one
Was scaresome, for there, out of ferns and tall
Foxgloves, a rat slapped across my reflection.
Now, to pry into roots, to finger slime,
To stare, big-eyed Narcissus, into some spring
Is beneath all adult dignity. I rhyme
To see myself, to set the darkness echoing.

—–0—–

All postings to this site relate to the central model in the PhD. Summaries are HERE

The Whole and the parts, awe and concepts, head and heart

loch_awe_wild_island-600.jpgSource

Central to Heschel’s belief and teachings was that we should stay in touch with that experience of the Whole that engenders awe and wonder (what he also calls ‘radical amazement’). He says that;

The secret of being human is care for meaning. Man is not his own meaning, and if the essence of being human is concern for transcendent meaning, then man’s secret lies in openness to transcendence. Existence is interspersed with suggestions of transcendence, and openness to transcendence is a constitutive element of being human……. Indeed, the concern for meaning of human being is what constitutes the truth of being human. A J Heschel P66 Who is Man 1965 Stanford Unity Press

This emphasis on at-one-ment however is not to the exclusion of our duality with the ‘real’ world:

The search for reason ends at the shore of the known;on the immense expanse beyond it only the sense of the ineffable can glide.It alone knows the route to that which is remote from experience and understanding. Neither is amphibious: reason cannot go beyond the shore,and the sense of the ineffable is out of place where we measure, where we weigh. Citizens of two realms, we must all sustain dual allegiance:we sense the ineffable in one realm;we name and exploit reality in another. Between the two we set up a system of references,but can never fill the gap They are as far and as close to each other…as life and what lies beyond the last breath. Man is Not Alone p8.

We learn through the dynamic switching between experiences of the Whole and experiences of the parts. Wilber also helps illuminate the ‘dance between the Whole and the parts;

“To understand the whole it is necessary to understand the parts. To understand the parts, it is necessary to understand the whole. Such is the circle of understanding. We move from part to whole and back again, and in that dance of comprehension, in that amazing circle of understanding we come alive to meaning, to value, and to vision: the very circle of understanding guides our way, weaving together the pieces, healing the fractures, mending the torn and fractured fragments, lighting the way ahead – this extraordinary movement from part to whole and back again, with healing the hallmark of every step, and grace the tender reward.”

Eye of Spirit; an integral vision for a world gone slightly mad by Ken Wilber (1997)pub. Shambhala p.1.

Since on this site, and in the Build a Better Model of Education course, we are about to become ‘traders in concepts’ we should keep in mind Heschel’s wonderful statement:“Concepts are delicious snacks with which we try to alleviate our amazement”- A. J. Heschel, Man Is Not Alone p.7

This need to experience the Whole as well as focusing on parts, such as concepts, is also contained in the following metaphor:“The larger the island of knowledge,the longer the shoreline of mystery.” Anon

The above quotations teach us a lot about the theme of ‘parts and the Whole’. Another major theme is that of generacy, as opposed to degeneracy. This includes the ability to see particulars as part of the Whole in such a way as to experience their full significance (and perhaps stop time and go beyond place). The alternative to being taken out of yourself is to be eternally burdened with self!

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All postings to this site relate to the central model in the PhD. Summaries are HERE

‘To see a world in a grain of sandand a heaven in a wildflower,

Hold infinity in the palm of your hand,and eternity in an hour.’ William Blake

Mystical implications of photography

andre-ker1.jpg Photo by: Andre Kertesz – source

For some time now I have been interested in how both cinema and photography might be compared to mystical experience. I will post separately re cinema.

One point of comparison lies in how the two see the moment.

In the mystical the moment is seen as out of time – a visit to the eternal present.

In photography the moment is given duration, brought frozen into time – up to a theoretical eternal existence.

Of course a major source of inspiration, in both his photography and his writings, is Henri Cartier-Bresson;

cartier-bresson2.jpg

A wonderful retrospective is HERE at Magnum

However in assembling some materials to help articulate a view re photography and the mystical I have discovered some fine materials high amongst which is The Ongoing Moment by Geoff Dyer. Concerning Andre Kertesz, see photo at the top of this post, he says;

What Kertesz sees when he looks out at the street is often this silhouetted representative of his own feelings about being adrift and unappreciated in New York. The people in the streets, heading to shops, are emissaries of his own sadness. That is the lot of the photographer: you walk the streets or sit on a bench – or you look out of the window at people……

Some more wonderful photographs by Andre Kertesz;

TO BE DEVELOPED

andre-old-musician-and-little-boy.jpg

andreker3.jpg

andreker4.jpg

andreker5.jpg

andreker6.jpg

andreker7.jpg

andreker8.jpg

andreker9.jpg

You can hear a fascinating  interview with Geoff Dyer HERE

 

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All postings to this site relate to the central model in the PhD. Summaries are HERE

40 Meditation Practices – the Chris Corrigan collection

buddha.jpgSource Wiki on Meditation

A certain Chris Corrigan has assembled 40 meditation practices (a few links need re-newing)

 

 

Forty meditation practices

 

40 meditation practices in 4 positions

Walking Meditation

Standing Meditation

Sitting meditation

Lying meditation

Be sure to visit Chris Corrigan’s amazing collection of stuff HERE

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All postings to this site relate to the central model in the PhD. Summaries are HERE

What is art? – definitions

tate_modern_london_2001_07.jpgSource

What is art?

One definition that works for me is;

Art is culturally significant meaning, skilfully encoded in an affecting, sensuous medium.

Richard Anderson quoted in Freeland (2001 p. 77)

I would make one change;

Art is culturally, and personally, significant meaning, skilfully encoded in an affecting, sensuous medium.

There is a whole range of art that I know has cultural meaning but for it to enable an aesthetic experience in me it has also to have personal as well as cultural meaning.

TASKS:Lesson questions

How far, and in what ways, has art , through the dominance of conceptual art, replaced philosophy?

How far, and in what ways, has art replaced religion?

More resources

Extensive quotations from Tolstoy at Professor Julie van Camp’s site are HERE

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All postings to this site relate to the central model in the PhD. Summaries are HERE

Story and Personal Myth in making our selves, and our education, whole

island.jpg

My personal myth Island, Shoreline and Ocean

a view of story in Personal Development and in Holistic Education

Introduction:

By way of an introduction here are a few succinct thoughts. Skip this if you want to go straight to my ‘personal myth’;

Myth operates in us – its part of being human – like philosophizing. Therefore we should make the most of it – in terms of the mythology we make, and that with which we choose to identify.

Story is central to our meaning-making and how we (choose) to make sense of the world and give account of our encounters and experiences.

Myth, as opposed to story generally, is about our deepest concerns and is characterized as narrative that gives account of the unknown and unknowable as well as some of the known. E.g. we die but we don’t know what, if anything, happens after that. Myth creates and is derived from beliefs.

Myth intrapersonally is the clothing we give to the psycho-spiritual dynamics of inner experience.

Myth interpersonally is the stories we tell each other to explain encounters with the (mainly) unknown and unknowable.

Karen Armstrong’s A Short History of Myth is a must because it makes clear the relationship between myth and religion and world-views.

“Without myth, cult, ritual and ethical living, a sense of the sacred dies,” says Armstrong. Without the discipline of mythical thinking and practice, it was difficult for many to avoid despair. The dark epiphanies of the 20th century can be blamed on “the absence of a viable mythology” that could help us face the unspeakable. Guardian review by Tim Radford

A personal myth operates in us whether we choose to articulate it or not. It is closely allied to what one psychologist called ‘our personal script’ and the another (Kelly) called our set of ‘personal constructs’.

We can help in healing ourselves by articulating our personal myth in comparison and contrast to the group myths around us – or that exist as historical artifacts.

Restorying, (e.g.by writing different versions of) our personal myth can enable us to re-frame our personal experience and gain degrees of control and depths of energy that previously were denied us through locked-up pain.

Creating a personal myth can facilitate better self-understanding and there is potentially a powerful tool for teaching and learning.

My personal myth is here;

The ‘Island, Shoreline and Ocean’ personal Myth

The personal myth that follows was written as a ‘one-page’ way of expressing a) a sense of the relationship with the cosmos, the Whole, and b) of a range of the ideas in, and behind, SunWALK. Jane is part of me, perhaps the same Jane as in Jane’s Short Story in Chapter 1.

The personal myth is an attempt at re-storying one kind of knowing. A felt need to undertake a re-storying of knowing can lie in acknowledgement of the fact that we know, and need to know, and need to express that knowing, in more ways than the empirical-reasoning mode – hence Island, Shoreline, Ocean. To admit other ways of knowing, is to admit that in our wholeness we are more than our senses and our reasoning. It is also to admit that in our knowing we are surrounded by mystery, which we encounter. We in various ways give accounts of those encounters.

3:3 Island, Shoreline and Ocean

a personal myth concerning the nature of mystical experience & its relationship to consciousness, & to knowledge creation – as such it is an attempt to include as much as possible of what I learned during the eleven year journey of the thesis – in a ‘one page’ story

The sun always woke her. Every day Jane walked through her garden, inspecting this plant and that, analysing what needed to be done. The quest was never-ending. Sometimes she sat a while on an old tree stump in order to consider the tasks and challenges, trying to work out the feelings and puzzles of what didn’t seem quite right, what didn’t feel quite right. What she couldn’t physically arrange she sometimes tried to paint or write – she had an imaginary garden as well as a real one. Sometimes she looked at her neighbours’ gardens, wondering if that would give her inspiration, but she was always left with the feeling that her most important answers came from elsewhere.

Every day beneath the practical considerations she felt a longing. Having made her review of her garden Jane walked over the fields, across the two streams that eventually made their way down to the sea, and along the cliff, and down to the shoreline. At the shoreline she breathed in her sense of the infinity of the ocean, along with the ozone-heavy, sea-weedy, sea air.
Frequently she imagined the island’s shoreline around the island’s circumference. In her mind’s eye she saw each place being shaped in some different way by the ocean – which was sometimes gentle, and was sometimes awesome in its relentless might. Sometimes the feelings that filled her were so powerful that she was overcome. Sometimes the beauty of being in the presence of the ocean was so great that she felt that neither garden nor painting nor poetry would ever fully satisfy the deepest longing.

Often after such reverie she slipped into the sea.

The sea had so much salt that she just floated. And, when the temperature was right, in floating, eyes closed, she lost all sense of where she ended and where the surrounding sea began. There was no separate sea, no separate self – it was just ….. being. It was always that way, just being. At such times she felt both full and empty, both powerless and at that same time she felt herself to be the very ocean that insistently carved and re-carved the island shoreline.

Mostly at that point she just wanted to stay, to be just part of this place between land and sea, like a driftwood sculpture, ocean-polished, that had been thrown up after a long journey from some river bank, high up some vaguely-remembered river. The shoreline was exquisitely the best of places. But she always took that first step. A first step on the walk back to her garden. And with the walking the experience that was ineffable started to give up insights and possibilities to both refine the garden, and to extend it into some more of the island’s familiar, wilderness, space.

In the evenings she and her friends sat beneath the moon, in whichever was the most interesting of their gardens, at that particular time, and they discussed the issues that concerned them. They all, more or less, had similar such deep experiences as Jane. The ongoing conversation was what united them, along with their respect for how they clothed so differently, in imagination and form, the experiences that were ineffable.
C. from an unpublished doctoral thesis by Roger Prentice, Northumberland ver July 2003

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Karen Armstrong’s book A Short History of Myth is HERE NB Read the Customer Reviews which are excellent and ignore the Editorial Reviews which are carping, mean-spirited and self-serving!

Relevant book that looks interesting Restorying Our Lives: Personal Growth Through Autobiographical Reflection HERE

Island map SOURCE

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All postings to this site relate to the central model in the PhD. Summaries are HERE

Postmodernism and Modernism as the Frame and The Mirror

bush-faces-of-the-dead-795931.jpg‘Bush faces of the Dead – Source and a PoMo (Postmodern) primer

Postmodernism as the Frame and The Mirror

Further to my previous post re postmodernism I found this useful and stimulating;

“If the postmodern is a collage — as some critics have suggested — or if collage is itself a kernel of the postmodern, what does this mean for our way of understanding the world?” The Frame and the Mirror uses this question to probe the distinctive character of the postmodern situation and the philosophical problem of representation…………

More than an introduction to the postmodern, The Frame and the Mirror advances our understanding of the contemporary world by relating its features to the peculiar characteristics of collage. Ultimately, Brockelman shows how collage demands that we reinterpret modernity, conceiving of it as suspended between a loss of certainty and a new kind of knowledge about the human condition.

In doing so, his work challenges many of the claims made in the name of postmodernism — and offers in their place a new and ironic view of the cultural space in which contemporary and historical events occur.

from a review of The Frame and the Mirror: On Collage & Postmodernism by Thomas P. Brockelman 2001 Northwestern Uni Press

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This is only a fragment from a review but the key idea is that the past ideal was to mirror reality – either external reality as in a landscape or ‘internal reality’ in say the agonized energy of Van Gogh paintings. Now there is much greater consciousness about any ‘frame’ (context) that surrounds an object. Often there is much greater understanding about the ‘who, when, why, for whom, how etc’ of its creation.

 

In this spirit of postmodernism we can re-contextualize or re-frame anything from the past – for any one of numerous reasons. Reasons might include attacking the current status quo or attacking the status quo at the time of the original objects original creation.

 

This provides endless opportunities for novelty. We can take anything and re-contextualize it to create endless kaleidoscopic novelty. But do we also need a fixed point, an orientation, a harbour in a sea of change? I believe we do. That is we need a balance between that which is fixed and that which is open to change. But we can’t return to the past. Going back to earlier forms or over-simplified forms (fundamentalist religions) is to duck reality. The only position that can satisfy current challenges is a universalist one that includes a new form of humanism. Yes include the great world religions and philosophies – whatever leads us to be more just, true, good and beautiful. This universalist position above all recognizes oneness and arises from empathy and compassion towards all others of the species. Our humanity is our resistance to endless novelty that without some fixedness will only bring insanity.

 

The ‘portrait’ of President Bush is a kind of mosaic through artificial pixilation. It is also an astonishing assault on the normal conventions of portraiture as well as carrying its political and anti-war message. The image resonates with meanings and part of that is that it refers to modern digital communication except the ‘pixels’ are themselves the images of the fallen. The portrait itself is re-framed – and it reframes the meaning of this particular portrait.

 

 

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Postmodernism at Wiki

Interesting site here on modernism postmodernism and architecture

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All postings to this site relate to the central model in the PhD. Summaries are HERE

 

 

 

 

 

Texts and Contexts and the Ultimate context – post-modernism and dinosaurs

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All postings, and pages, for this site are seen as texts as in ‘particulars’ or parts. But each post or page is as I will later point out in relation to an ‘ultimate’ context.

The parts or particulars are as in Wilber;

“To understand the whole it is necessary to understand the parts. To understand the parts, it is necessary to understand the whole. Such is the circle of understanding.

We move from part to whole and back again, and in that dance of comprehension, in that amazing circle of understanding we come alive to meaning, to value, and to vision: the very circle of understanding guides our way, weaving together the pieces, healing the fractures, mending the torn and fractured fragments, lighting the way ahead – this extraordinary movement from part to whole and back again, with healing the hallmark of every step, and grace the tender reward.” Eye of Spirit; an integral vision for a world gone slightly mad by Ken Wilber (1997) pub. Shambhala p.1.

Handling more and more challenging texts is one way to think of progress in education.

One aspect of post-modernism is the attention paid to con-texts. Literally con-text = what (meaning) comes with the text. A whole bunch of questions then become vital for examining the the text in one or more contexts. For example who wrote it or made it and for whom – and why, with what reward, what pressures etc.

One key variable then for the teacher is how s/he emphasizes (or de-emphasizes) contexts as s/he conducts discourse with the class.

I always felt that historical contexts were less important than how a text helps us right now- the group – in informing our selves more deeply concerning, ‘What it is to be positively and fully human’.

One source of novelty in post-modernist art is to re-contextualize objects – literally to give them a new framework. A friend got her first-class honours degree for – amongst other pieces of work – taking a reproduction of an old master and tucking under the arm of a central figure a baby dinosaur.

The most memorable teaching of my life was with a group 12-13 year olds when discussing the shortest story in the world, “When I woke up the dinosaur was still there.” All the drive and creativity was in construction of possible contexts as well as discussing whether or not it constitute a ‘story’ in any meaningful way. In due course I will post sections of the video of the ‘story lesson’.

Schools and teachers should provide experiences that help with developing a sense of the Whole and not just the ‘hell of relativity’ when the world is presented as just endless bits.

The ultimate context that we are all in, in reading all of the texts that come our way, is one of mystery, of not knowing. When we accept that we can enjoy both the concepts of separation and duality and the amazement of laying down the burden of self in an experience of unity- as in Heschel’s;

The world presents itself in two ways to me. The world as a thing I own, the world as a mystery I face. What I own is a trifle, what I face is sublime. I am careful not to waste what I own; I must learn not to miss what I face. We manipulate what is available on the surface of the world; we must also stand in awe before the mystery of the world. We objectify Being but we also are present at Being in wonder, in radical amazement.” A. J Heschel

Peter Ustinov makes the point in a different way; “We are united by our doubts and divided by our convictions.”

Our encounters with the Whole are part of the personal story (history or her-story) that we make up to explain the cosmos. We should all write our ‘personal myth’ at some stage. As an example I will post mine separately.

In the light of the above comments I have added this to the front page of the site;

CONTEXTUAL QUESTIONS AND ANSWERS


3 Questions and suggested answers that provide the context for all posts and pages on these sites

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Q 1) “What is it to be positively & fully human?” = the most important of all questions. My answers are in 2 and 3 below.

 

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Q 2) “What is it to function holistically?” My answer =

 

To proceed in all particulars with a sense of the whole.”

 

Two quotations that are key to understanding. Firstly Jung’s,

 

The utterances of the heart— unlike those of the discriminating intellect— always relate to the whole.”

 

Secondly Heschel’s;

 

Concepts are delicious snacks with which we try to alleviate our amazement.”

 

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Q 3) How in one sentence does my PhD answer the question, “How should we educate to create a paradigm shift in education?”

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The SunWALK model of spiritualizing (or humanizing) pedagogy sees human education as:

 

the storied development of meaning, which is

constructed, and de-constructed,

physically, mentally and spiritually, through

Wise & Willing Action, via

Loving and Knowing – developed in

Community, through the

Dialectical Spiritualization’ of

Caring, Creativity & Criticality processes, all undertaken in the light of the

Sun’ of chosen higher-order values and beliefs, using

best available, appropriate content.

 

NB Please see these 3 questions, and suggested answers, as the context for all postings and pages on these sites.

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The diagram that pulls everything together

Summaries of SunWALK model are HERE

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The ‘Rules for being Human’, Perennial Philosophy and Universalism

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These ‘Life-Rules’ by Cherie Carter-Scott, from her book If Life is a Game, These are the Rules are becoming well-known and they seem to me to be are interesting in relation to a holistic perspective, and to the ideas of Perennial Philosophy and a mystical world-view.

When you were born, you didn’t come with an owner’s manual; these guidelines make life work better.

1. You will receive a body. You may like it or hate it, but it’s the only thing you are sure to keep for the rest of your life.

2. You will learn lessons. You are enrolled in a full-time informal school called “Life on Planet Earth”. Every person or incident is the Universal Teacher.

3. There are no mistakes, only lessons. Growth is a process of experimentation. “Failures” are as much a part of the process as “success.”

4. A lesson is repeated until learned. It is presented to you in various forms until you learn it — then you can go on to the next lesson.

5. If you don’t learn easy lessons, they get harder. External problems are a precise reflection of your internal state. When you clear inner obstructions, your outside world changes. Pain is how the universe gets your attention.

6. You will know you’ve learned a lesson when your actions change. Wisdom is practice. A little of something is better than a lot of nothing.

7. “There” is no better than “here”. When your “there” becomes a “here” you will simply obtain another “there” that again looks better than “here.”

8. Others are only mirrors of you. You cannot love or hate something about another unless it reflects something you love or hate in yourself.

9. Your life is up to you. Life provides the canvas; you do the painting. Take charge of your life — or someone else will.

10. You always get what you want. Your subconscious rightfully determines what energies, experiences, and people you attract — therefore, the only foolproof way to know what you want is to see what you have. There are no victims, only students.

11. There is no right or wrong, but there are consequences. Moralizing doesn’t help. Judgments only hold the patterns in place. Just do your best.

12. Your answers lie inside you. Children need guidance from others; as we mature, we trust our hearts, where the Laws of Spirit are written. You know more than you have heard or read or been told. All you need to do is to look, listen, and trust.

13. You will forget all this.

14. You can remember any time you wish.

(From the book “If Life is a Game, These are the Rules” by Cherie Carter-Scott)

TASK:/LESSON

1 Take a look at Perennial Philosophy and the Golden Rule and compare and contrast them to Carter-Scott’s ‘Rules’.

2 Re-write these according to your beliefs and world-view.

3 Find out what Cherie Carter-Scott meant by reading her book.

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All postings to this site relate to the central model in the PhD. Summaries are HERE